Eine Familie von Siedlern wird von einer Bande von Gesetzlosen gefangen genommen. Ihr Überleben liegt in den Händen von Irene, einem großmäuligen 12-jährigen Mädchen, das eine unheimliche Be... Alles lesenEine Familie von Siedlern wird von einer Bande von Gesetzlosen gefangen genommen. Ihr Überleben liegt in den Händen von Irene, einem großmäuligen 12-jährigen Mädchen, das eine unheimliche Begabung für das Schießen hat.Eine Familie von Siedlern wird von einer Bande von Gesetzlosen gefangen genommen. Ihr Überleben liegt in den Händen von Irene, einem großmäuligen 12-jährigen Mädchen, das eine unheimliche Begabung für das Schießen hat.
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Having a guilty pleasure for what read as the "darker" element of the genre, checked it out.
The cinematography just brought back the 70s westerns that I grew up watching almost immediately, so settled in. Like most westerns, the antagonist is usual prevalent in the onset. Solid enough acting on all fronts, but what felt like it might head in the direction of interest...it plods along with very limited content, and even more limited expansiveness. Even the scenery, which can elevate these films, fell flat.
It's basically a broken family, a cabin, and some bad dudes out for revenge. That's it. Where some take this next level, the more recent (and pretty excellent) "Old Henry" excelled in bringing forth that classic feel...The Homestead just spins it's tires for the better part of an hour filled with unspectacular series of missed opportunities. I found it reminded me of a made for television (are these still a thing?) film. Very short, very uneventful, short on captivating violence that comes with even the most modern of the genre, and certainly mislabeled along the way as "horror", which confused me about the half way point, as the violence was pretty tame throughout. I can handle crossover appeal with the implied supernatural elements entwined with western films (High Plains Drifter) and horror element (Bone Tomahawk), this was more comparable to a Little House on the Prarie reinterpretation.
What comes is a very predictably boring run into the third act and an anticlimatic finish. Nothing stood out as anything more than mediocrity and a dud of a film.
The cinematography just brought back the 70s westerns that I grew up watching almost immediately, so settled in. Like most westerns, the antagonist is usual prevalent in the onset. Solid enough acting on all fronts, but what felt like it might head in the direction of interest...it plods along with very limited content, and even more limited expansiveness. Even the scenery, which can elevate these films, fell flat.
It's basically a broken family, a cabin, and some bad dudes out for revenge. That's it. Where some take this next level, the more recent (and pretty excellent) "Old Henry" excelled in bringing forth that classic feel...The Homestead just spins it's tires for the better part of an hour filled with unspectacular series of missed opportunities. I found it reminded me of a made for television (are these still a thing?) film. Very short, very uneventful, short on captivating violence that comes with even the most modern of the genre, and certainly mislabeled along the way as "horror", which confused me about the half way point, as the violence was pretty tame throughout. I can handle crossover appeal with the implied supernatural elements entwined with western films (High Plains Drifter) and horror element (Bone Tomahawk), this was more comparable to a Little House on the Prarie reinterpretation.
What comes is a very predictably boring run into the third act and an anticlimatic finish. Nothing stood out as anything more than mediocrity and a dud of a film.
This movie starts off well enough, it looks good and while the dialogue is iffy (as it remains throughout the movie), it clearly establishes the main characters. Once a new character enters shortly after, there's actually a great deal of tension. Then DDP shows up and it all goes limp, slumping to the floor and never getting back up.
The synopsis and setup make you think this little girl is going to be a total badass and save her family. Sligh's acting was so good that I was actually becoming invested and looking forward to see her become that hero. But she is totally wasted and the story suddenly becomes ill-paced, generic, and predictable. The tension dies as the movie slowly and weirdly shifts antagonist motive, gives us action that is unimaginative and either happening offscreen or onscreen with terrible special effects, and becomes increasingly clear with us that we're not getting the David vs Goliaths battle we were waiting for. The character is actually given a disappointingly small amount to do. And that's too bad because the actress was ready to give us something special. The writing really let her down and the movie ultimately lets us all down. Bottom line, watch "Becky" instead.
The synopsis and setup make you think this little girl is going to be a total badass and save her family. Sligh's acting was so good that I was actually becoming invested and looking forward to see her become that hero. But she is totally wasted and the story suddenly becomes ill-paced, generic, and predictable. The tension dies as the movie slowly and weirdly shifts antagonist motive, gives us action that is unimaginative and either happening offscreen or onscreen with terrible special effects, and becomes increasingly clear with us that we're not getting the David vs Goliaths battle we were waiting for. The character is actually given a disappointingly small amount to do. And that's too bad because the actress was ready to give us something special. The writing really let her down and the movie ultimately lets us all down. Bottom line, watch "Becky" instead.
1. Animals. It is set on an isolated homestead. Yet, there is no livestock. This is a western with not a single horse. How did the gang of bad guys get across country..bus?
2. Injuries that stay, well, injured. Bad guy gets stabbed in the foot. In following scenes there is a total absence of blood on, well, boots, floor etc.
3. Dead guys that stay dead. Dead man's buddy picks him up from the porch, and dead guy lifts his arm to hold on.
The plot holds together, but is highly derivative. And why do they keep the ammo in a box on the hill, and not in the house?
Had some attention been given to continuity, and stitching together some plot holes that were overly large, and given the gang horses and not Shank's pony, it would not have been such a frustrating watch.
2. Injuries that stay, well, injured. Bad guy gets stabbed in the foot. In following scenes there is a total absence of blood on, well, boots, floor etc.
3. Dead guys that stay dead. Dead man's buddy picks him up from the porch, and dead guy lifts his arm to hold on.
The plot holds together, but is highly derivative. And why do they keep the ammo in a box on the hill, and not in the house?
Had some attention been given to continuity, and stitching together some plot holes that were overly large, and given the gang horses and not Shank's pony, it would not have been such a frustrating watch.
Beware of any film that sets to improve on a very well defined genre.
Westerns have given us some real masterpieces, films that stand out in the long list of great american films.
It's really too bad when a director feels he can improve on the style by showing his own talent and aiming much too high.
Here we have a situation that has been treated many times, a group of people, in this case a family, trapped in a house in the middle of nowhere under siege from a group of particularly mean killers.
What could have been the twist is that the person who will fight back is the one you'd least expect : a litttle girl.
Only every move every line of dialog take ages, it's so long and boring that it kills all tension, you just wish they would get along with the story and move on.
The director wants you to see how clever and intelligent he is and to do this he really takes his time. Long shots on people who don't say anything, meaningful looks that lead nowhere....
Had he played the story and directed his film more humbly he might have had a really good film to show.
This is not the case.
Special mention to the cast and particularly the little girl, but it's not enough.
Westerns have given us some real masterpieces, films that stand out in the long list of great american films.
It's really too bad when a director feels he can improve on the style by showing his own talent and aiming much too high.
Here we have a situation that has been treated many times, a group of people, in this case a family, trapped in a house in the middle of nowhere under siege from a group of particularly mean killers.
What could have been the twist is that the person who will fight back is the one you'd least expect : a litttle girl.
Only every move every line of dialog take ages, it's so long and boring that it kills all tension, you just wish they would get along with the story and move on.
The director wants you to see how clever and intelligent he is and to do this he really takes his time. Long shots on people who don't say anything, meaningful looks that lead nowhere....
Had he played the story and directed his film more humbly he might have had a really good film to show.
This is not the case.
Special mention to the cast and particularly the little girl, but it's not enough.
Decent movie if it was a movie. Just so everyone is aware before they go spend money to see this. It is basically the first two episodes to their show. A show that is only available on their app that also requires a monthly a subscription. This is either genius or stupid. For someone like myself that does not like shows because I cannot commit the time I feel totally ripped off. If you watch the movie and don't subscribe to continue the show you are basically left completely hanging at the end of the "movie" overall it was ok. Just feel they may have a better response if they were more clear on what this actually was.
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- Laufzeit1 Stunde 19 Minuten
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