IMDb-BEWERTUNG
6,2/10
13.952
IHRE BEWERTUNG
Der Außenseiter Benjamin Purvis mit der Passion für das Verfassen von Science-Fiction-Romanen versteht die Welt nicht mehr, als ihm sein Idol, Dr. Ronald Chevalier seine Geschichte klaut.Der Außenseiter Benjamin Purvis mit der Passion für das Verfassen von Science-Fiction-Romanen versteht die Welt nicht mehr, als ihm sein Idol, Dr. Ronald Chevalier seine Geschichte klaut.Der Außenseiter Benjamin Purvis mit der Passion für das Verfassen von Science-Fiction-Romanen versteht die Welt nicht mehr, als ihm sein Idol, Dr. Ronald Chevalier seine Geschichte klaut.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
Robin Ballard
- Female Assistant
- (as Robin D. Ballard)
Jizelle Jade
- Troll Girl
- (as Jizelle Jade Jurquina)
Daniel Love
- Camera Operator
- (as Daniel 'Doc' Love)
Empfohlene Bewertungen
"Gentlemen Broncos" is so off-the-charts weird at times that you often can't tell whether it's breaking new ground as a brilliantly original and creative work - or just trying too hard.
Michael Angarano ("Forbidden Kingdom") plays Benjamin Pervis, a friendless teen who lives with his penniless mom in a geodesic-domed house in rural Utah. Ben is a writer of sci-fi fantasy fiction who has one of his stories stolen by Ronald Chevalier (the delightful Jemaine Clement), a world-famous author with a James Mason voice. Ben also runs into a couple of bizarre indie-film makers who want to make the same story Chevalier stole from him (entitled "Yeast Lords" from the series "Gentlemen Broncos") into one of their shoestring-budget productions.
It's hard to know whether writers Jared and Jerusha Hess (Jared also directed the film) have any real affection for their characters and the world they inhabit or whether they view them merely as objects of out-and-out mockery and ridicule. In fact, the characters, with their mouth-breathing, slack-jawed expressions and atonal line readings, achieve near-freak show status at times. It's this air of condescension, rather than the tale itself, that sometimes makes it hard for us to laugh at what's happening on screen.
Despite this discomfort, however, there is still much to admire in the work. The movie has fun parodying both the unscrupulous nature of the publishing business and the accoutrements of low-budget filmmaking. Clement is marvelously deadpan as the sci-fi penner whose writer's-block forces him to scrap all traces of authorial integrity in pursuit of the almighty buck. And Angarano creates in Benjamin a character we can actually care about and root for. The enactments of scenes from Benjamin's novels are appropriately hokey and cheesy, and the movie also makes astute musical choices, particularly Zager and Evans' 1969 hit "In the Year 2525," which effectively book-ends the story.
Michael Angarano ("Forbidden Kingdom") plays Benjamin Pervis, a friendless teen who lives with his penniless mom in a geodesic-domed house in rural Utah. Ben is a writer of sci-fi fantasy fiction who has one of his stories stolen by Ronald Chevalier (the delightful Jemaine Clement), a world-famous author with a James Mason voice. Ben also runs into a couple of bizarre indie-film makers who want to make the same story Chevalier stole from him (entitled "Yeast Lords" from the series "Gentlemen Broncos") into one of their shoestring-budget productions.
It's hard to know whether writers Jared and Jerusha Hess (Jared also directed the film) have any real affection for their characters and the world they inhabit or whether they view them merely as objects of out-and-out mockery and ridicule. In fact, the characters, with their mouth-breathing, slack-jawed expressions and atonal line readings, achieve near-freak show status at times. It's this air of condescension, rather than the tale itself, that sometimes makes it hard for us to laugh at what's happening on screen.
Despite this discomfort, however, there is still much to admire in the work. The movie has fun parodying both the unscrupulous nature of the publishing business and the accoutrements of low-budget filmmaking. Clement is marvelously deadpan as the sci-fi penner whose writer's-block forces him to scrap all traces of authorial integrity in pursuit of the almighty buck. And Angarano creates in Benjamin a character we can actually care about and root for. The enactments of scenes from Benjamin's novels are appropriately hokey and cheesy, and the movie also makes astute musical choices, particularly Zager and Evans' 1969 hit "In the Year 2525," which effectively book-ends the story.
You will know within 2 minutes of watching this if you can watch all of it or not - it is anti-Hollywood, just about anti-indie, a brilliant take on boredom, eccentricity, makes unoriginality into hyper-originality and is generally like a 1930s freak show with a side order of banal.
Seriously weird, and yet oddly familiar, the psychodramas and models of parenting and the wakwardness of friendships are all twisted in a maelstrom of ideas that just keep on coming. Every character is explored not for character but for something odd, find the oddness, in the face, the mannerisms etc; and its in their eccentricities that you find the story.
However, behind all of the strangeness, there is consummate skill: the actors are all just on the line between satire and buffoonery and it all works brilliantly. This is a truly strange, odd, little film with Sci-Fi roots and strange strange buds.
All I can say is plunge in - it is one of the stranger films out there - yet it has heart and humor, and many will recognize the nerdcore COS world it inhabits all too well - if off the wall is your cup of tea you can rest assured you have found the right stop...weirdly brilliant....
Seriously weird, and yet oddly familiar, the psychodramas and models of parenting and the wakwardness of friendships are all twisted in a maelstrom of ideas that just keep on coming. Every character is explored not for character but for something odd, find the oddness, in the face, the mannerisms etc; and its in their eccentricities that you find the story.
However, behind all of the strangeness, there is consummate skill: the actors are all just on the line between satire and buffoonery and it all works brilliantly. This is a truly strange, odd, little film with Sci-Fi roots and strange strange buds.
All I can say is plunge in - it is one of the stranger films out there - yet it has heart and humor, and many will recognize the nerdcore COS world it inhabits all too well - if off the wall is your cup of tea you can rest assured you have found the right stop...weirdly brilliant....
For some reason I managed to miss the reviews for Jared Hess' "Gentlemen Broncos" when it first opened in limited release. I saw the trailer for it some time ago, and was excited for it; "Napoleon Dynamite" and even Hess' follow-up "Nacho Libre" were two of the most off-kilter, refreshing comedies I've seen in the past decade. "Broncos" is absolutely no exception, expanding on and arguably perfecting the "geekverse" that Hess started with "Napoleon." This third film in the "Crayola Trilogy" may be so well designed for sci-fi geeks and lovers of Hess' first two movies, that it simply had no way to possibly survive in the mainstream market.
Me? I loved it. Not seeing any reviews beforehand, I was expecting a film that hit the same high notes of "Napoleon," and for me, I got them. I am also a sci-fi nut, and I like my comedies full of bizarre and strangely real people- this, Hess excels in, as well. I went to bed last night rating it a "10" on IMDb; I was shocked to see the rating at a mere "5.5/ 10." Flip over to Rotten Tomatoes; it's a "Rotten" at 16%. I also find it worth noting that neither of Hess' previous releases have been treated on IMDb much better--- I seem to remember a time when "ND" was in the Top 250, or at the very least had a much higher rating than it does today (6.9). I recall "ND" being hailed as a cult classic, only to see its popularity seemingly cripple later opinions of the film (regardless of the fact it started very small).
Anyway. I'm just saying I think Jared Hess' work has been roundly ignored for being truly great cinema. I can see why "Gentlemen Broncos" has not enjoyed the success of "ND"--- it is a truly far-out film, that only "nuts" such as myself are likely to enjoy; I spent my youth much like the lead character writing short stories and dreaming up far-off worlds--- for kids like that, and their adult counterparts, I can only say "See This Film." You won't regret it.
Me? I loved it. Not seeing any reviews beforehand, I was expecting a film that hit the same high notes of "Napoleon," and for me, I got them. I am also a sci-fi nut, and I like my comedies full of bizarre and strangely real people- this, Hess excels in, as well. I went to bed last night rating it a "10" on IMDb; I was shocked to see the rating at a mere "5.5/ 10." Flip over to Rotten Tomatoes; it's a "Rotten" at 16%. I also find it worth noting that neither of Hess' previous releases have been treated on IMDb much better--- I seem to remember a time when "ND" was in the Top 250, or at the very least had a much higher rating than it does today (6.9). I recall "ND" being hailed as a cult classic, only to see its popularity seemingly cripple later opinions of the film (regardless of the fact it started very small).
Anyway. I'm just saying I think Jared Hess' work has been roundly ignored for being truly great cinema. I can see why "Gentlemen Broncos" has not enjoyed the success of "ND"--- it is a truly far-out film, that only "nuts" such as myself are likely to enjoy; I spent my youth much like the lead character writing short stories and dreaming up far-off worlds--- for kids like that, and their adult counterparts, I can only say "See This Film." You won't regret it.
I get that it might not be everyone's cup of tea but my wife and I found it laugh out loud funny!
this unknown little indie film is a strange delight, i managed to catch it on TV recently and i was amazingly surprised. its premise did sound like a rip off of big fat liar, but its content was filled with a sparkling amount of originality. the cast wonderfully carry the story of original creations being destroyed which i believe to be a stab at all the films which may have been based on great source material but destroyed by the stupid minds the carry on to own them. the best part has to be the performance from Jermaine clement as a snooty and up his own anus sci-fi writer. an excellent treat for any hunters out there. i would highly recommend this film to any one who enjoys cringe humour that is made to make you feel uncomfortable.
Wusstest du schon
- WissenswertesThe character of Chevalier is based on Utah based science fiction and fantasy writer Dave Farland, who also writes under the name Dave Wolverton, and who conducts popular novel writing workshops and seminars. The "Yeast Lords" is a take off on his popular and best selling books, The Runelords.
- PatzerWhen Chevalier opens "Yeast Lords," the audience hears the second part of the story as though he's reading it, even though it's obvious that he has opened to the first page.
- Crazy CreditsAfter the credits, we see Bronco cutting some of his hair and pasting it with honey on Vanaya's bald head. And then they kiss.
- SoundtracksIn the Year 2525
Written by Rick Evans
Performed by Zager & Evans
Courtesy of The RCA Records Label and The RCA/Jive Label Group, a unite of Sony Music Entertainment
by arrangement with Sony Music Licensing
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Details
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 113.682 $
- Eröffnungswochenende in den USA und in Kanada
- 11.502 $
- 1. Nov. 2009
- Weltweiter Bruttoertrag
- 118.492 $
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