Blood Night - Die Legende von Mary Hatchet

You have to at least show some respect for writer/director Frank Sabatella. For his debut long-feature "Blood Night" he did absolutely nothing special or innovative, but nevertheless delivered a hugely amusing and 100% unpretentious slasher movie that gave me personally a lot of viewing pleasure! It actually pretty much seems like Sabatella simply opened the big unwritten book of horror movie clichés and stereotypes and processed every single one in his screenplay. Literally everything you can think of is present here: the intro with a flashback set in the gritty 1970's, a dark ominous asylum, perverted night guards, horny drunken teenagers, Ouija boards, the creepy but wise cemetery caretaker, evil heritages, actors that are way too old for their teenage character roles and a whole lot of graphic axe-murders! Mary Hatchet is the nickname of a local anti-heroine whose murderous rampage became a holiday more popular than Halloween. She butchered her parents with an axe in 1978, but really went berserk in 1989, when she delivered a stillborn baby as a result of being raped by a guard. Twenty years after her death, a bunch of teenagers passes by her grave with a Ouija board before heading home and party hard. It doesn't take long before the dim- witted teenagers are knocked off one by one, seemingly by the hand of the resurrected Mary Hatchet herself. "Blood Night" is – plain and simple – pure brainless horror entertainment. Yes, the gory make-up effects are utterly grotesque and fake and there isn't a single moment of suspense to detect in the entire film, but I don't think anyone can claim they were bored whilst watching this. The characters are walking, talking stereotypes that deliver the utmost idiotic lines, but somehow they come across as realistic. Last but not least, Sabatella managed to engage two famous horror names for his modest production, namely veteran Bill Moseley and upcoming starlet Danielle Harris. Recommended if you're looking for … nothing special except a good hour and a half of sheer entertainment.

"Blood Night The Legend Of Mary Hatchet" Totally Non Stop Blood Splatterfest With Some Great Gory Death Kill Scenes And Defenltly One Of My Second Favorite Slasher Movies Of All Time, And Plus There's Two icons Of Horror And Slasher Movie People in This Film We Have Bill Moseley From Rob Zombie's "The Devil's Rejects" As Otis, " The Texas Chainsaw Massacre Part 2" Where He Played Chop Top, And Saving For Last is My Favorite icon Actress Danielle Harris Mrs. Jame Loyd The Sweet Little Girl From "Halloween 4: The Return Of Michael Myers" And "Halloween 5: The Revenge Of Michael Myers And The Two Of "The Hatchet Movies" And Blood Night The Legend Of Mary Hatchet Also Features a Crazy Plot Twist That You Were Not Expecting To See Or Witness it So Four Stars For This Slasher Film.

Long Island, NY, 1978: little Mary chops up her parents with an axe.

Eleven years later, and Mary, now a big breasted babe residing at Kings Park Psychiatric Centre, is raped by a night guard, resulting in the birth of a daughter nine months later. However, Mary is informed that her child died during delivery and, shortly after, she escapes leaving a trail of corpses behind her. Completely naked, covered in blood, and clutching a severed head, Mary is finally apprehended by the police, who shoot her dead.

Years later, the story of Mary Hatchet has become an local legend, the day of her death a public holiday during which teenagers get drunk and play pranks. But when a group of high school students go one step further and summon Mary's spirit with a Ouija board, Blood Night really lives up to its name...

Blood Night: The Legend of Mary Hatchet was never intended to be anything but a mindless gore-fest with some quality T&A, and to that end it succeeds brilliantly, but it would have been nice to have seen just a little more effort go into the story. Had the makers tried a tad harder in the plot department, then this film might possibly have become an instant all-time favourite, rather than simply 'fun while it lasts'.

Still, 'fun while it lasts' is better than no fun at all, and at least this one fulfilled my immediate desire to see a bunch of good looking teens getting it on before being slaughtered in a variety of very gruesome ways. After quite a bit of partying hard and a bit of slap and tickle—best moments: a discussion about whether thongs are better than boyshorts, and a lucky guy getting broken in by total hottie Jen (Maryam Basir)—the graphic bloodletting begins and continues unabated until the final frame. Gory delights include a bloke having his head cut in half during sex, a girl having her guts wound out with a pick-axe, and a face being sliced in half (the victim's brains spilling onto the floor).

6.5 out of 10, generously rounded up to 7 for all the boobs, buns and blood.

There's really not much that needs to be said about this. If you've watched the Hatchet flicks, this is more of the same. If you expect to find ANY of the following, then you're in the WRONG place:

• well developed story
• Oscar caliber acting
• prophetic story telling and plot
• likeable & defined characters

Now...on the other hand, if you are looking for any of THESE, you're in the RIGHT place:

• schlocky indie horror,
• "teenage" nudity and gratuitous sex that has nothing to do with the story,
• "teenage" kids making asinine decisions, like going outside alone to check on why the lights just went out, or following a trail of blood (alone) while freaked out, or...well, you get the picture,
• tons of blood and gore via adequate fx,
• Bill Moseley,
• the cute-as-a-button Danielle Harris,
• 80ish minutes of completely mindless killing.

So come on folks. Stop giving this film bad reviews. 'Cause if you actually come in to this expecting more than it is, you should be the one receiving the bad review.

An honest review. As far as gore is concerned, pretty much every gag is a shot of blood spattering the wall (or something else), followed by dummy work. Often, the most basic moments misfire. There's a "door flying off the hinges" gag that is so poorly done I watched it a few times in slow motion to see if I missed something.

The performances are pretty bad. Bill Moseley is stuck reciting dialogue that Bruce Lee couldn't jiu-jitsu into something resembling human speech, and Danielle Harris seems genuinely bored to be in the picture. And we spend way too much time with the (not particularly interesting) characters. The entire second act is a trite, bloodless party scene (save for a corny flashback).

Kind of garden variety if you ask me. If you like bad movies, you may find some novelty. But it's certainly not one of the better slashers.

• Saintthomas1985 (check out all my reviews!!!)