Blood Night - Die Legende von Mary Hatchet
Originaltitel: Blood Night: The Legend of Mary Hatchet
IMDb-BEWERTUNG
4,4/10
2522
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA group of teenagers celebrating the anniversary of the death of a local axe murderer suddenly find themselves face to face with the realities of this haunting urban legend.A group of teenagers celebrating the anniversary of the death of a local axe murderer suddenly find themselves face to face with the realities of this haunting urban legend.A group of teenagers celebrating the anniversary of the death of a local axe murderer suddenly find themselves face to face with the realities of this haunting urban legend.
- Regie
- Drehbuch
- Hauptbesetzung
Samantha Siong
- Mary Hatchet
- (as Samantha Facchi)
Russell Dennis Lewis
- Tim
- (as Russell Lewis)
Rich Ceraulo Ko
- Corey
- (as Rich Ceraulo)
Garett Pereda
- Huey
- (as Garett Stevens)
Samantha Jacober
- Jessica
- (as Samantha Jacobs)
Empfohlene Bewertungen
A group of teenagers celebrating the anniversary of the death of a local axe murderer suddenly find themselves face to face with the realities of this haunting urban legend.
On Bill Moseley as Graveyard Gus (an homage to Crazy Ralph) -- a bit campy, but still appreciated. I am no fan of Moseley because of a personal reason, so I may be biased. Either way, this is not his best performance. Danielle Harris is incredible here, and I wonder how much longer she can play the college girl (she is in her 30s). But if you got it, flaunt it!
The whole film seems to be a love letter to earlier horror films: the song ("Party Time") that is a clear homage to "Return of the Living Dead", the watching of "Killer Tomatoes". It never really adds up to a great film, though, preferring to try to replace plot and action with sensuality.
Some of the gore is decent, but overall there is nothing here for horror fans. And non-fans would be wasting their time even more.
On Bill Moseley as Graveyard Gus (an homage to Crazy Ralph) -- a bit campy, but still appreciated. I am no fan of Moseley because of a personal reason, so I may be biased. Either way, this is not his best performance. Danielle Harris is incredible here, and I wonder how much longer she can play the college girl (she is in her 30s). But if you got it, flaunt it!
The whole film seems to be a love letter to earlier horror films: the song ("Party Time") that is a clear homage to "Return of the Living Dead", the watching of "Killer Tomatoes". It never really adds up to a great film, though, preferring to try to replace plot and action with sensuality.
Some of the gore is decent, but overall there is nothing here for horror fans. And non-fans would be wasting their time even more.
Long Island, NY, 1978: little Mary chops up her parents with an axe.
Eleven years later, and Mary, now a big breasted babe residing at Kings Park Psychiatric Centre, is raped by a night guard, resulting in the birth of a daughter nine months later. However, Mary is informed that her child died during delivery and, shortly after, she escapes leaving a trail of corpses behind her. Completely naked, covered in blood, and clutching a severed head, Mary is finally apprehended by the police, who shoot her dead.
Years later, the story of Mary Hatchet has become an local legend, the day of her death a public holiday during which teenagers get drunk and play pranks. But when a group of high school students go one step further and summon Mary's spirit with a Ouija board, Blood Night really lives up to its name...
Blood Night: The Legend of Mary Hatchet was never intended to be anything but a mindless gore-fest with some quality T&A, and to that end it succeeds brilliantly, but it would have been nice to have seen just a little more effort go into the story. Had the makers tried a tad harder in the plot department, then this film might possibly have become an instant all-time favourite, rather than simply 'fun while it lasts'.
Still, 'fun while it lasts' is better than no fun at all, and at least this one fulfilled my immediate desire to see a bunch of good looking teens getting it on before being slaughtered in a variety of very gruesome ways. After quite a bit of partying hard and a bit of slap and tickle—best moments: a discussion about whether thongs are better than boyshorts, and a lucky guy getting broken in by total hottie Jen (Maryam Basir)—the graphic bloodletting begins and continues unabated until the final frame. Gory delights include a bloke having his head cut in half during sex, a girl having her guts wound out with a pick-axe, and a face being sliced in half (the victim's brains spilling onto the floor).
6.5 out of 10, generously rounded up to 7 for all the boobs, buns and blood.
Eleven years later, and Mary, now a big breasted babe residing at Kings Park Psychiatric Centre, is raped by a night guard, resulting in the birth of a daughter nine months later. However, Mary is informed that her child died during delivery and, shortly after, she escapes leaving a trail of corpses behind her. Completely naked, covered in blood, and clutching a severed head, Mary is finally apprehended by the police, who shoot her dead.
Years later, the story of Mary Hatchet has become an local legend, the day of her death a public holiday during which teenagers get drunk and play pranks. But when a group of high school students go one step further and summon Mary's spirit with a Ouija board, Blood Night really lives up to its name...
Blood Night: The Legend of Mary Hatchet was never intended to be anything but a mindless gore-fest with some quality T&A, and to that end it succeeds brilliantly, but it would have been nice to have seen just a little more effort go into the story. Had the makers tried a tad harder in the plot department, then this film might possibly have become an instant all-time favourite, rather than simply 'fun while it lasts'.
Still, 'fun while it lasts' is better than no fun at all, and at least this one fulfilled my immediate desire to see a bunch of good looking teens getting it on before being slaughtered in a variety of very gruesome ways. After quite a bit of partying hard and a bit of slap and tickle—best moments: a discussion about whether thongs are better than boyshorts, and a lucky guy getting broken in by total hottie Jen (Maryam Basir)—the graphic bloodletting begins and continues unabated until the final frame. Gory delights include a bloke having his head cut in half during sex, a girl having her guts wound out with a pick-axe, and a face being sliced in half (the victim's brains spilling onto the floor).
6.5 out of 10, generously rounded up to 7 for all the boobs, buns and blood.
Just caught this at a special screening in NYC. I was excited to be a part of this very intimate show. This film had all the makings of an effective boiler-plate horror flick: Ghosts, murderous town history, sex, insane asylums... How could it possibly go wrong, right?
Well, for starters it was terminally boring and terribly executed. Amateur is a perfect adjective to describe it. There are ZERO scares or even minor cheap thrills. The direction sucked out any life this movie could have had. Danielle Harris should fire her agent.
Honestly, I really really wanted to like this movie - but it offered nothing.
The gore was awfully phony. No direct contact shots, only reactions by bored and untalented actors followed by shots of prop heads being cut in half. Again, amateur.
Ugh, and the score... I'm speechless.
I can even forgive a lot of this if only there was something, anything to grab onto. Unfortunately there was nothing of value in what seemed like the longest 90 minutes ever. Too bad.
Quick note: Where does a girl raised in an insane asylum get fake breasts? (HA!!)
Well, for starters it was terminally boring and terribly executed. Amateur is a perfect adjective to describe it. There are ZERO scares or even minor cheap thrills. The direction sucked out any life this movie could have had. Danielle Harris should fire her agent.
Honestly, I really really wanted to like this movie - but it offered nothing.
The gore was awfully phony. No direct contact shots, only reactions by bored and untalented actors followed by shots of prop heads being cut in half. Again, amateur.
Ugh, and the score... I'm speechless.
I can even forgive a lot of this if only there was something, anything to grab onto. Unfortunately there was nothing of value in what seemed like the longest 90 minutes ever. Too bad.
Quick note: Where does a girl raised in an insane asylum get fake breasts? (HA!!)
The teen-horror movie has definitely been done to death, if you excuse the pun, and this is one of the poorer ones. It comes across as lazy. A movie made for the sake of making a movie. Pretty much everything about it was really quite poor: acting, dialogue, effects... yeah. Everything.
Positives, positives, positives.... well, the Graveyard Gus character was a nice reference to Crazy Ralph from Friday the 13th... apart from that, the sound effect when a girl goes down on a boy was quite amusing. I can only imagine they recorded someone angrily drinking a pint of milk and used that. Oh, and the naked dead girl had nice boobs. Please don't think that these are good reasons to watch this though, because they're not.
Positives, positives, positives.... well, the Graveyard Gus character was a nice reference to Crazy Ralph from Friday the 13th... apart from that, the sound effect when a girl goes down on a boy was quite amusing. I can only imagine they recorded someone angrily drinking a pint of milk and used that. Oh, and the naked dead girl had nice boobs. Please don't think that these are good reasons to watch this though, because they're not.
parricidal Mary Mattock (Samantha Facchi) is constrained at sanatorium for much of her growing years – catatonic until one traumatic experience makes her go loony again, slaughtering the hospital staff and killed in process by police.
After 20-years, the psychotic Mary 'Hatchet' has turn into an urban legend. High-school seniors commemorate Mary's death as blood night - partying and reveling all over the town.
The night celebration will soon transforms into unbridled terror for one group of friends.
Abundant of nudity & sexy shots smooth over the dull parts before the killings starts. Nifty gore effects considering the modest budget.
Debuting writer-director Frank Sabatella has an eye for bloodletting (one victim's innards is 'spaghetti-zed') but lacks experience in other departments.
After 20-years, the psychotic Mary 'Hatchet' has turn into an urban legend. High-school seniors commemorate Mary's death as blood night - partying and reveling all over the town.
The night celebration will soon transforms into unbridled terror for one group of friends.
Abundant of nudity & sexy shots smooth over the dull parts before the killings starts. Nifty gore effects considering the modest budget.
Debuting writer-director Frank Sabatella has an eye for bloodletting (one victim's innards is 'spaghetti-zed') but lacks experience in other departments.
Wusstest du schon
- WissenswertesThe wardrobe of Graveyard Gus ('Bill Moseley') is an homage to Crazy Ralph in Freitag, der 13. (1980) and Freitag, der 13. - Jason kehrt zurück (1981).
- PatzerIn the montage after the sanitarium murders, the first newspaper says that Mary murdered her family on August 4, 1892. The rest are August 4, 1985.
- VerbindungenFeatures The Water People (1973)
- SoundtracksEveryone I Went to School with Is Dead
Performed by Kreeps
Written by Dom Kreep
Courtesy of EXL-Tone Records
Copy control PRS/BMI
Top-Auswahl
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- 3.000.000 $ (geschätzt)
- Laufzeit
- 1 Std. 23 Min.(83 min)
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- 2.35 : 1
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