IMDb-BEWERTUNG
5,3/10
8631
IHRE BEWERTUNG
Ein Experte für paranormale Phänomene entdeckt ein Haus, das an der Kreuzung so genannter "Autobahnen" liegt, die Seelen ins Jenseits befördern.Ein Experte für paranormale Phänomene entdeckt ein Haus, das an der Kreuzung so genannter "Autobahnen" liegt, die Seelen ins Jenseits befördern.Ein Experte für paranormale Phänomene entdeckt ein Haus, das an der Kreuzung so genannter "Autobahnen" liegt, die Seelen ins Jenseits befördern.
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Empfohlene Bewertungen
I first saw this almost a decade back on a dvd which I own.
Revisited it recently cos i am planning to watch the new adaptation.
It is based on Clive Barker's Books of Blood n has Doug Bradley in a tiny role.
After a young girl is violently raped and beaten in her bed n her skin ripped off, a paranormal expert and her cameraman investigate the house to unlock its mysteriously murderous past.
The film moves at a very slow pace, there r few characters n locations. It has a gory skin ripping scene, tight tits n gets a bit spooky at times, the water fountain scene is well shot.
The film moves at a very slow pace, there r few characters n locations. It has a gory skin ripping scene, tight tits n gets a bit spooky at times, the water fountain scene is well shot.
Actually I do like the theme of story. And it has a pretty good ending. The problem is, what lies before that and how the story is treated. While I haven't read the source material (book by Clive Barker), I'm sure it is a far better and more complex story to be found there, which didn't translate to the screen.
Apart from the pacing and a story twist that will leave with a bad feeling (again, I don't know if it's the same in the novel), what really gets to you, is the fact, that the actors are pretty dull. I'm not saying bad, just dull. It's exactly about sympathizing with them, but they leave you more than cold (no pun intended). Which might work for other movies, but not here. Still there are a few scares, it's quite nicely shot and the aforementioned ending ... other than that? Not much!
Apart from the pacing and a story twist that will leave with a bad feeling (again, I don't know if it's the same in the novel), what really gets to you, is the fact, that the actors are pretty dull. I'm not saying bad, just dull. It's exactly about sympathizing with them, but they leave you more than cold (no pun intended). Which might work for other movies, but not here. Still there are a few scares, it's quite nicely shot and the aforementioned ending ... other than that? Not much!
Saw this movie on 7th of march at the fantasy film fest nights in Hamburg. What a mess of a film. Unbelievable Characters with unbelievable actions without any point. Dramatic situations change into scenes like this: "OK, something supernatural just happened here what i was working and waiting for all my life, which i have never expected to happen, and which scared the hell out of me, but hey, although its dangerous and i am wounded - ah, lets just have sex..." ??? The plot jumps from one "topic" to another and everything is getting so confused that you just don't get the goal of this movie. Was it about ghosts, childhood trauma, erotic fantasies or about voyeurs? All these Topics put together in one movie make all the good, dramatic aspects look just laughable. The climax was simply ridiculous too, so to sum it all up - it was a mess of a movie with some good attempts, shocking effects and some nice visuals, but complete absence of credibility. Not worth watching it.
I am a huge Clive Barker fan, but this is a weak adaptation. It is hard to stretch a very short story into a full-length film. Still, this script could have maintained the intelligence of the story more and the direction could have communicated Barker's distressing world view better.
I have three main gripes.
First, the story's focus: the film turns the original story's dysfunctional mentor relationship between the older female researcher and the younger male medium into a full blown, treacly love story. Ugh!
Second, the tone: many scenes feature little more than furtive glances, longing looks, or sudden, eruptive declarations of love/hatred, which makes the movie too often feel more like a telenovela or an episode of Red Shoe Diaries than a horror film.
Third, the film's vision of the supernatural: in the short story, the "ghosts" gleefully wreak havoc on the living. In the film, they just want to be heard. As if this diminished characterization of the avenging spirits weren't cloying enough, the film features a very long parade of see-through CGI phantoms, all of whom look like they just marched over from Disney's Haunted Mansion.
Despite my complaints, the film has flashes of true Barker-- the young girl being flayed as her parents helplessly watch, the creepy séance scenes (hey- wasn't that Pinhead?), and the film's framing story (where Jonas Armstrong gets the chance to show that he can indeed act). Also, the film makes great use of Edinburgh locations to create an unrelentingly bleak Barkeresque atmosphere. It also makes great use of Jonas Armstrong's lacerated, naked body to generate the kind of exquisitely wrong homoeroticism that is pure Barker.
I have three main gripes.
First, the story's focus: the film turns the original story's dysfunctional mentor relationship between the older female researcher and the younger male medium into a full blown, treacly love story. Ugh!
Second, the tone: many scenes feature little more than furtive glances, longing looks, or sudden, eruptive declarations of love/hatred, which makes the movie too often feel more like a telenovela or an episode of Red Shoe Diaries than a horror film.
Third, the film's vision of the supernatural: in the short story, the "ghosts" gleefully wreak havoc on the living. In the film, they just want to be heard. As if this diminished characterization of the avenging spirits weren't cloying enough, the film features a very long parade of see-through CGI phantoms, all of whom look like they just marched over from Disney's Haunted Mansion.
Despite my complaints, the film has flashes of true Barker-- the young girl being flayed as her parents helplessly watch, the creepy séance scenes (hey- wasn't that Pinhead?), and the film's framing story (where Jonas Armstrong gets the chance to show that he can indeed act). Also, the film makes great use of Edinburgh locations to create an unrelentingly bleak Barkeresque atmosphere. It also makes great use of Jonas Armstrong's lacerated, naked body to generate the kind of exquisitely wrong homoeroticism that is pure Barker.
5Ky-D
I read Clive Barker's 'Books of Blood' years ago and instantly fell in love with them; they had a wonderful combination of horror and fantasy, fear and humor. I've been pinning for them to be filmed for years and I finally got my wish to marginally mixed results.
A parapsychology professor and her assistant have been trying to prove their theories about the afterlife and beyond when an opportunity presents itself in the form of a house with a long paranormal history and a university student who seems to be a psychic. They decide to use his abilities to try to tap into the house's energies, but things are not as they seem and the experiment goes in ways no one could have guessed.
First things first, I had a few issues with the film. First was the bookend story segments that surrounds the plot; the movie essentially spoils the best part of the story from the very first seen. The second (and bigger) problem the movie has is the running time; at 100 minutes the movie is too damn long. This is based on a short story (two actually) and there is just not enough driving plot to justify the length. A good 20 minutes needed to be trimmed off, as is the movie is gets pretty slow at parts. The last real problem I had was that the stories this is based on weren't the best stories from the books, they were just the first stories in them; the reason for this seems to be that a series of films based on the books is in the works and they wanted to start from the beginning, 'Pig Blood Blues' (great story) is apparently up next.
Having said all that I still enjoyed the film more than I was frustrated by it. Even though this wasn't the best story from the novels it is still an engaging tale of the macabre and features some occasional excellent horror imagery. The principal actors in the limited cast are all suited nicely to their respective rolls and the character dialogue has a pleasantly moody cadence to it.
The visual and gore effects are (relative to the genre) fairly limited, but what is on display packs quite a visceral punch. One particularly memorable moment involves a poor girl getting her face peeled like an orange. That being said, this is not a gore film, despite what the DVD box would have you believe.
The setting and location of the film (Scotland) fit the story well and provide a Gothic backdrop for the action. The house were most of the film takes place is a appropriately grim without feeling like a clique spook house.
Despite the some slow sections in the middle and the unfortunate story reveal early on, it manages to be a creepy tale about death and beyond.
7/10
A parapsychology professor and her assistant have been trying to prove their theories about the afterlife and beyond when an opportunity presents itself in the form of a house with a long paranormal history and a university student who seems to be a psychic. They decide to use his abilities to try to tap into the house's energies, but things are not as they seem and the experiment goes in ways no one could have guessed.
First things first, I had a few issues with the film. First was the bookend story segments that surrounds the plot; the movie essentially spoils the best part of the story from the very first seen. The second (and bigger) problem the movie has is the running time; at 100 minutes the movie is too damn long. This is based on a short story (two actually) and there is just not enough driving plot to justify the length. A good 20 minutes needed to be trimmed off, as is the movie is gets pretty slow at parts. The last real problem I had was that the stories this is based on weren't the best stories from the books, they were just the first stories in them; the reason for this seems to be that a series of films based on the books is in the works and they wanted to start from the beginning, 'Pig Blood Blues' (great story) is apparently up next.
Having said all that I still enjoyed the film more than I was frustrated by it. Even though this wasn't the best story from the novels it is still an engaging tale of the macabre and features some occasional excellent horror imagery. The principal actors in the limited cast are all suited nicely to their respective rolls and the character dialogue has a pleasantly moody cadence to it.
The visual and gore effects are (relative to the genre) fairly limited, but what is on display packs quite a visceral punch. One particularly memorable moment involves a poor girl getting her face peeled like an orange. That being said, this is not a gore film, despite what the DVD box would have you believe.
The setting and location of the film (Scotland) fit the story well and provide a Gothic backdrop for the action. The house were most of the film takes place is a appropriately grim without feeling like a clique spook house.
Despite the some slow sections in the middle and the unfortunate story reveal early on, it manages to be a creepy tale about death and beyond.
7/10
Wusstest du schon
- WissenswertesJonas Armstrong had to have his entire body waxed and cast so the makeup and prop department could craft his character's skin to fit and match his torso perfectly.
- PatzerAlle Einträge enthalten Spoiler
- Zitate
Wyburd: Where are you headed, friend?
Simon McNeal: Away.
Wyburd: Away?
Simon McNeal: As far away as I can go.
Wyburd: [leaning close] I think I can help with that.
- VerbindungenFeatured in Clive Barker's Book of Blood: Behind the Scenes (2009)
- SoundtracksUnchain My Heart
Written by Bobby Sharp (uncredited) and Teddy Powell (uncredited)
Performed by Natasha Miller
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Clive Barker's Book of Blood
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 6.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 567.723 $
- Laufzeit1 Stunde 36 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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