Jailer

Let's talk about the cast and performances First: Rajinikanth, man, he's not just playing a role that fits his age, he's totally killin' it. The first half, it's all about him - his presence, that smile, his unique quirks, and the intensity he brings, it's all fire. Yogi Babu adds some extra fun when he's sharing the screen with Thalivar.

Vinayakan, he's got that classic villain vibe, even if the role itself is a bit familiar.

Ramya Krishna, she's doin' the conventional housewife thing, but she ain't got much going on in her scenes, unfortunately.

We've also got some cameo appearances from legends like Mohanlal, Jackie Shroff, and Shiva Rajkumar. Tamannaah Bhatia's in there too, but that song on screen, man, it doesn't hit like it did in the trailers.

Now, on the technical side, the cinematography is straight up awesome. Those fight scenes indoors, they're somethin' special. The whole production is top-notch, gotta give 'em props for that.

Anirudh's music, both the background score and the songs, they hold this film together. No doubt about it.

The highlights, let's talk about those. The first half is lit, Rajinikanth is on fire, and Anirudh's music is bangin'.

But there are some drawbacks, no doubt. Sunil's part, it's a snoozer, and the second half, it gets a bit routine, slow-paced moments and all.

Now, the movie analysis, "Jailer" starts off strong, man. Rajinikanth as a retired police officer, cool and all, but when his son gets kidnapped, he goes all out, becoming this angry old dude, changing the whole game. From there, it's a ride.

Nelson, the director, he's got some killer sequences for Rajinikanth, especially the ones with Yogi Babu. Rajinikanth's comedy skills are on point, and the fight scene in his house, where his wife and daughter-in-law are just chillin' at the dining table, that's a standout moment, no doubt.

The intermission comes, and you're thinkin', this is gonna be like Kamal Haasan's "Vikram," a real thrill. First half is that good. Action, comedy, family moments, it's got it all, and the intermission climax gets you hyped up.

But the second half, it's a different story. It falls into that formulaic mass-entertainer groove. We're talkin' Rajinikanth's jailer backstory, a comedy bit with Sunil and Tamannaah, super long fight scenes, and so on.

Honestly, it's a bit of a drag. Tamannaah's song "Kaavaalaa" blew up on YouTube, but in the movie, it's not the same, man. It's on Sunil and Tamannaah, not the epic duet with Rajinikanth like we wanted.

Even the parts with other superstars like Shiva Rajkumar and Mohanlal, they're more about heroism than pushing the plot forward.

But hey, the second half comes through with a killer climax, so it's got that goin' for it.

Jailer (2023) : Brief Review -

Nelson's narrow vision saved by Blockbuster heroism of Rajinikanth, Mohanlal and Shiva Rajakumar. Nelson Dilip Kumar has to be one of the luckiest directors in Tamil cinema who is surviving and still getting films after back-to-back mediocrities. "Kolamaavu Kokila" (2018) hardly had any brain in its black comedy; "Doctor" (2021) couldn't find an antidote for his own mediocre vision; "Beast" (2022) was a beast-size torture; and now he brought another mediocre film, "Jailer". It could have been a much better film if you look at the first half. The film falls in the second half and somehow stands on its feet with the charismatic heroism of Rajinikanth and blockbuster cameos by Mohanlal and Shiva Raja Kumar, who help create a crossover of Tamil, Malayalam, and Kannada cinema in a massy action drama. Jailer is about a retired police officer whose son is kidnapped by a gangster. The father sets out to settle things down with the gangster, who will listen to no one but him after knowing who he is. The idea is very predictable, but there is a surprise in the pre-climax before you head towards a so-so climax. Rajinikanth's "Tiger ka Hukum" is commendable as he successfully carries along all his heroic stuff such as walk, talk, smash, show swag, and at last the "cigar." Mohanlal and Shiva's cameos have whistle-worthy moments, which are uplifted by the background score and a small rap in between. Ramya Krishnan, Vasanth Ravi, and Mirnaa Menon are decent in small roles. Jailer is dragged into the second half with Tamannaah's angle, robbery, and family drama stuff. Seriously, this is no way to bring your own film down after a good-to-go first half. Why does Nelson always have to look at things with his narrow-minded vision? More than him, we and our audiences need to find the answer soon. Overall, an okay watch after promising a better future.

RATING - 5/10*

By - #samthebestest.

Like wine as they say, Rajini keeps getting better with age. At this age , he is pulling crowds of all ages and making them whistle inside theatre. That proves what a mass hero he is . Coming to the movie, it has elements of an action packed thriller. There is violence so some families won't be comfortable watching. You can expect some twists in the movie . All the casts have done their roles pretty well in the movie . The villain, Vinayakan has come up with a good performance. The movie is more of a head to head face off between hero and villain . I feel this is the best movie of Rajini after 2.0 .

Haaa,So After So much wait I can proudly say that yes this is the RAJINIFIED Comeback... This Movie 'JAILER' Starring SUPER STAR RAJINIKANTH in the main lead,Which is Directed by Nelson. After a big letdown by 'BEAST' Starring Vijay Thalapathy,A Question Raised When This project has Announced,That Can he showcase his stardom without spoiling or without misleading it?.Because If u Observe the Previous projects of The Star they were just wasted opportunities... But he succeeded in bringing the euphoria of Rajini's with a perfect blend of Plot that offers a new Rajini that fits to him which doesn't feel Irrelevant or Silly,and not affected by any Stupid Commercial Stereotype... Coming to the Plot Without any so much Revelation,Muthuvel Pandian A Retired Jailer Who is leading happier life with his family,His life gets turned when his Cop Son gets killed while investigating a Idol smuggling. Muthuvel Pandian sets To find his Son's Killers where he get strucked into a dark world... So Coming to the Movie It Has a Electrifying,Thrilling First Half But a Overstretched Confused Second Half followed by Powerful Climax. Coming to the Performances Ofcourse it's only One Man show,That's Superstar's show He just nailed it,he was perfect in every frame. And Coming to the supporting Cast we have big cameos like Mohanlal And ShivaRajkumar's. But Shivanna Stands out...🔥And remaning were good in their roles. But I have to speak about One person the antagonist Vinayakan alias 'Varman' he just dominated the whole film through his deadly screen presence. Ofcourse he will cherished one of the powerful antognists ever... Coming to the technical aspects, The Rockstar Anirudh asusual the Backbone of the Whole movie,He just created rampage throughout the show through his Music.

Still can't get over 'HUKUM'. The Cinematography was great,Production Values are Good. The Editing &Screenplay could be bettered By trimming or reducing 20mins.. Overall If the Second Half was not distrubed by uneccessary Twists & Turns which doesn't impact at all The Good First Half,Great Interval & Climax Followed by a Terrific show of Rajini and Anirudh Make's this a worth watch... And again Nelson should appreciated for utilising the opportunity,which didn't happen for previous Film Makers...

It seems that having tentpole actors from other language industries walk around in slo-mo is just what's need to classify movies as Pan-Indian. Anyway, Jailer does just that and this film fails spectacularly. Rajnikanth does what's required of him. However, Nelson doesn't. His screenplay is flaccid. He takes a well-established narrative template and botches it with a paltry execution. Nelson seems preoccupied with lifting scenes from Hollywood films that he's forgotten that making a Superstar film is actually pretty easy. You need a few mass scenes, a few punch dialogues and a simple story that acts as a bridge between the aforementioned mass scenes. How could you botch that up?

After Beast, this is yet another dismal film from Nelson. Forgettable fare.