Tsunami - die Todeswelle

Tidal Wave (2009)

** (out of 4)

This South Korean disaster picture deals with a wide range of people who at first are trying to deal with their personal lives but this all changes when a tsunami hits and they must fight for their lives. Apparently this film had the biggest budget for anything to come from South Korean and in fact I thought the special effects of the disaster looked pretty good but more on that in a bit. What really kills TIDAL WAVE is the first eighty-minutes, which is the time spent with the characters. It's clear that this film is just like so many American films in that we spend the majority of the running time getting to know the characters so that when the disaster does hit we care for them and want to see them survive. The problem here is that the majority of this is built around a bunch of comedy bits that simply aren't funny and in fact they really take you out of the movie. I'm really not sure what the purpose of these comedy scenes were but they should have been in a Laurel and Hardy movie and not something like this. Even the personal drama was pretty predictable as we are given the same stereotypes and same clichés that every disaster movie has followed since the 1970s. The film certainly does come alive once the tsunami hits and I thought the special effects were extremely good on the whole. Yes, there are some shots that are obviously fake but I enjoyed the imagination that went into them and we do get some pretty intense scenes. Still, after these scenes we fall back into the cliché routine with way too many scenes where someone is giving their live for someone else's and it just gets a bit repetitive after a while. TIDAL WAVE, on the whole, is a disappointment but fans of the genre will still want to check out the actual disaster bit.

I suppose most are now acutely aware of how increasingly devastating natural disasters have been in recent years, starting from the 2004 Asian Tsunami which swallowed thousands of unfortunate souls. Then there are the recent destruction caused by typhoons and earthquakes, the latter which we're more acquainted with given the tremors which we feel as a result of neighbouring incidents, a phenomenon not experienced until the last few years.

There are numerous accounts of heroics and tragedy following every disaster, and it's not a surprise that they have become fodder for mass entertainment. We had 252: Signal of Life as the Japanese offering to the disaster genre earlier this year, and the Koreans too have decided to match that with Haeundae: The Deadly Tsunami. With 252 it was the disaster hitting hard and fast first, followed by the shoving of human melodrama down your throat, and thankfully though Haeundae is quite the opposite, having the human drama established first without feeling forced, before the special effects extravaganza took over.

So if you belong to Camp Impatient, then you're likely to feel bored as the film sought to introduce the ensemble characters, each with their respective back-stories and selfish reasons why they go about doing what they are doing, of course with repercussions all nicely built in as well for some karmic response. There's the fisherman and the romance with the daughter of a man whom he had caused the death of, and this provided most of the emotional anchor for the film. Then there are others like the opposites attract with the coast guard and the free-spirited girl from Seoul, a seemingly scheming politician who's in some kind of en-bloc mess with the folks of the coastal village, a much maligned scientist and his estranged wife and daughter, and enough overbearing mothers.

All these provided some 60 minutes worth of dramatic run time before it's time for Nature to hit back with its tidal waves, where quick response to an actual event will save lives, which stemmed from complacency creeping in when early warning signals went uncalled for. The filmmakers here had realistically created the phenomenon of the massive tidal waves with the receding waters and such, and the effects here were nothing short of eye-popping. Fear-inducing even, though there was one quick scene which seemed lifted from Hollywood's Deep Impact upon reconciliation of 2 characters in the face of impending doom.

But of course budget dictated that the effects could only sustain the movie for a short while, and anything more than 2 wave cycles would probably either be cost-prohibitive, or just plain dragging out the misery of the characters in their preservation of lives. Some fade-to-black-at-opportune-moments also came to the rescue of the film, and cheesiness reined comical supreme needlessly as well, though no efforts were spared in others especially the one involving the little girl left in the hotel room, providing that edge-of-your-seat thrills in what would be a literal roller-coaster ride in the last half hour.

Haeundae served more as a disaster film without any preachy overtones regarding the preservation of the environment. In earnest, I thought the release of this film was more like serving up an appetizer to the bigger budgeted extravaganza come November with 2012. That, I want to see.

I enjoyed this. However, I can't recall seeing a disaster movie with so much drama. You have to expect some drama so that you become invested in the characters but it seemed like a bit much for me. It wasn't a bad film though. If you are looking for something suspenseful this is probably not the right movie. If you want a drama film that just happens to, eventually, have a tsunami in it this is what you are looking for.

Disaster movies have been fine-tuned by Hollywood into a fairly reliable and polished formula. One of the ingredient is usually a good dose of melodrama. Now, Asian cinema as well, is known to spice movies with melodramatic bits.

It therefore doesn't take a rocket scientist to figure out what an Asian take on disaster movies is gonna end up looking like: A melodramatic extravaganza.

The first hour of Haeundae (also known as Tidal Wave in English) consists of setting up the table by presenting the cookie-cutter characters (played by a rather weak cast which tends to overact) and their clichés relationships. The script and story is pretty standard for the genre (you've seen all of this in Twister, Armageddon, many of Emmerich's movies and so on) but the writing is just... immature. As if the script came straight from a high school play. I must still praise some of the comedy bits, which are indeed funny and make certain characters more likable. Unfortunately, the dramatic bits are as (unintentionally) funny as the comedic ones and that is a problem.

The final part of the film is where the disaster unleashes and ends up being a poor payoff. The special effects, cinematography, editing are uninspired. This film suffers from poor direction and you immediately feel like you'd rather catch an old disaster flick on cable TV. But what absolutely kills the disaster scenes are the tear-jerking attempts. It's like the director is trying to squeeze a dehydrated fruit and fill a glass with orange juice.

It still deserves a 3 because there is some heart to it and it maintains your interest with some of the quirky characters. Plus a few comedic bits are also worth it. But if you're not a fan of the genre, expect a big waste of time.

I have seen quite a few Asian films from many different countries in Asia and this one was by far the worst one I have ever seen. Seriously marred by bad acting over 75 percent of the time, the concept of a Tsunami movie was buried beneath ten feet of choppy unrelated inconsequential events. I was not sure if it really was about a Tsunami until near the end-it seemed to be mostly about nothing but a raving alcoholic imbecile with a little boy. I would not recommend this film to anyone.Compared to The Host, a recent Korean horror-Sf film, Heaundea, comes off like a terrible commercial for international travel, as in, this is one vacation you would not want to take.