Toby Fleishman wusste, was ihn erwartete, als er und seine Frau, von der er fast 15 Jahre lang getrennt war, sich trennten: Wochenenden und jeder zweite Urlaub mit den Kindern, eine gewisse ... Alles lesenToby Fleishman wusste, was ihn erwartete, als er und seine Frau, von der er fast 15 Jahre lang getrennt war, sich trennten: Wochenenden und jeder zweite Urlaub mit den Kindern, eine gewisse Restbitterkeit.Toby Fleishman wusste, was ihn erwartete, als er und seine Frau, von der er fast 15 Jahre lang getrennt war, sich trennten: Wochenenden und jeder zweite Urlaub mit den Kindern, eine gewisse Restbitterkeit.
- Für 7 Primetime Emmys nominiert
- 2 Gewinne & 19 Nominierungen insgesamt
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I started this series thinking i would be just about Jesse Eisenberg's character and his divorce. I didn't think there would be much to relate to there, but then the show expands to highlighting the drama and pain we are all struggling with at midlife with several new characters and even, as they say, circling back to a few more. The entire story is a direct hit for things that aren't talked about in modern society. All done with a great narration reminiscent of the fast talking of the West Wing. The only quibble I had was Claire Danes didn't work for me in this story... she didn't have any easy way about her. But the rest of the cast is excellent.
I started watching this because I love Claire Danes. After a couple episodes, I was ready to give it up: the episodes were meandering and mediocre, at best, and Danes was barely even in it. Then, I saw someone mention episode 7 and how amazing Danes' performance was. I decided to persevere.
The first six episodes were quite a slog of upper middle class navel gazing. I kept wondering what purpose the story really served. Did we really need to know about these people and their boring, privileged lives? I think that it was well acted, but the focus on Toby seemed a poor choice: he was the least interesting character in the series, to me. Episode 6 picked up a little, so I was hopeful about episodes 7 & 8.
Episode 7 was one of, if not the, best hours of television I've watched this year. Claire Danes was riveting. I related so much to her character. Just phenomenal. Episode 8, which focused on Libby was also very, very good. Both episodes together were a profoundly moving look at middle age for us younger Gen Xers.
I really wish the first 6 episodes had been condensed into 3. I also think Claire Danes and Adam Brody were criminally underutilized. If you can slog through the start, the payoff of episodes 7 & 8 is worth it.
The first six episodes were quite a slog of upper middle class navel gazing. I kept wondering what purpose the story really served. Did we really need to know about these people and their boring, privileged lives? I think that it was well acted, but the focus on Toby seemed a poor choice: he was the least interesting character in the series, to me. Episode 6 picked up a little, so I was hopeful about episodes 7 & 8.
Episode 7 was one of, if not the, best hours of television I've watched this year. Claire Danes was riveting. I related so much to her character. Just phenomenal. Episode 8, which focused on Libby was also very, very good. Both episodes together were a profoundly moving look at middle age for us younger Gen Xers.
I really wish the first 6 episodes had been condensed into 3. I also think Claire Danes and Adam Brody were criminally underutilized. If you can slog through the start, the payoff of episodes 7 & 8 is worth it.
... there's a review by Sophie Brookover in Vulture of episode three that dutifully-perfectly summarizes the series to date... what's going to happen from-after this 3rd episode will take the script and lives of its characters in a definitely different direction
... they would both be very difficult people to form partnerships together, so relentless and specific what they're wanting for their lives and those around them... the acting is magnificent by all the characters in this show, and they are most hard to like... knowing where this is all heading takes absolutely nothing away from interest of all the details of them getting there... not liking them not lessening the pains watching the journey.
... they would both be very difficult people to form partnerships together, so relentless and specific what they're wanting for their lives and those around them... the acting is magnificent by all the characters in this show, and they are most hard to like... knowing where this is all heading takes absolutely nothing away from interest of all the details of them getting there... not liking them not lessening the pains watching the journey.
There are a few for whom this will not be their cup of tea. But for me this is one of the best shows I've seen in a long time. It is thought provoking and rich on several levels. Its main achievement is to get the viewer to sympathize with then later become cold towards certain characters. The subjectivity of perception is examined. I was reminded how quick we are to judge. The narrator and most quotable is Libby. As Libby says later, people are not necessarily good or bad but are complicated with elements of both., as we learn by walking in their shoes. Clair Danes and Lizzy Caplan both give incredible performances. I see awards being given. Strongly recommend.
10mrfrane
There are legitimate complaints in the reviews about how much the story revolves around Fleishman, the man in the divorce. But it's a story that unfolds over time. There are multiple characters at the core of the story and they each have arcs to play out. I, for one, was fascinated to see how my perspective changed as each episode played out and the point of view shifted, and there were revelations. Oh, boy, were there revelations.
Put it this way, whoever produced this program did not spend all that money on Claire Danes to have her be defined by everyone else. And keep an eye on Meara Mahoney Gross, who plays the Fleishmans' young daughter.
Put it this way, whoever produced this program did not spend all that money on Claire Danes to have her be defined by everyone else. And keep an eye on Meara Mahoney Gross, who plays the Fleishmans' young daughter.
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- WissenswertesDuring a January 2023 interview with Tonya Mosley on the National Public Radio program Fresh Air, Taffy Brodesser-Akner confirmed that many of the main cast members were chosen at least partly because they were actors who had been well-known as teens and who were now middle-aged: "It was so intentional. It was--you know, there was this idea that these actors were too young to play these roles. I mean, Jesse Eisenberg, when we started talking about the adaptation, was only 36 years old. Luckily--and I mean that facetiously--the pandemic came along, and by the time. . . . [filming started, he was] 38--so we were able to rationalize that. But we had these choices. Did we want to cast people who were older who we could then look at as in a more authentic crisis of middle age? But the point of the book and the show are the beginnings of those crises. And also, this allowed us to have them play themselves in flashbacks. But most of all . . . if I don't, as a 40-year-old, yet understand what is happening to me in my life, the idea that Jesse Eisenberg--yes, from The Squid And The Whale, yes, from The Social Network--that it's happening to him, too, that it's happening to Claire Danes from My So-Called Life, that it's happening to--oh, my gosh--to Adam Brody [from The O.C.], to Lizzy Caplan [from Mean Girls], to Josh Radnor--all these people that we knew so well as very, very young people. It hits home for me so much to say, oh, my God, this is a force you cannot fight--if you're lucky. If you're lucky and you get to live, this is a force that you won't be able to fight. We're all going to get old."
- VerbindungenFeatured in Half in the Bag: 2022 Catch-up Part 2 (2023)
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