IMDb-BEWERTUNG
7,5/10
3377
IHRE BEWERTUNG
1984 erreichen die Disney Studios mit einer Reihe animierter Klassiker neue Höhen.1984 erreichen die Disney Studios mit einer Reihe animierter Klassiker neue Höhen.1984 erreichen die Disney Studios mit einer Reihe animierter Klassiker neue Höhen.
- Auszeichnungen
- 2 Gewinne & 2 Nominierungen insgesamt
Roy Edward Disney
- Self
- (Archivfilmmaterial)
- (Synchronisation)
John Lasseter
- Self
- (Archivfilmmaterial)
Michael Eisner
- Self
- (Archivfilmmaterial)
- (Synchronisation)
Ron Clements
- Self
- (Archivfilmmaterial)
- (Synchronisation)
Peter Schneider
- Self
- (Archivfilmmaterial)
- (Synchronisation)
Rob Minkoff
- Self
- (Archivfilmmaterial)
- (Synchronisation)
Glen Keane
- Self
- (Archivfilmmaterial)
- (Synchronisation)
Jeffrey Katzenberg
- Self
- (Archivfilmmaterial)
- (Synchronisation)
Mike Gabriel
- Self
- (Archivfilmmaterial)
- (Synchronisation)
Roger Allers
- Self
- (Archivfilmmaterial)
- (Synchronisation)
David Pruiksma
- Self
- (Archivfilmmaterial)
- (Synchronisation)
Gary Trousdale
- Self
- (Archivfilmmaterial)
- (Synchronisation)
George Scribner
- Self
- (Archivfilmmaterial)
- (Synchronisation)
John Musker
- Self
- (Archivfilmmaterial)
- (Synchronisation)
Thomas Schumacher
- Self
- (Archivfilmmaterial)
- (Synchronisation)
Mark Kimball
- Self
- (Synchronisation)
Empfohlene Bewertungen
I was at a showing of this film at the Toronto International Film Festival last night followed by a short Q&A session with producers Don Hahn and Peter Schneider. Exclusively using archival footage, much of it home video quality, it tells the story of Disney animation between the years 1984 and 1994. This period started with the studios almost being closed down and ended with classic and successful animated films like 'Beauty and the Beast' and 'The Lion King'. As Don Hahn said last night "We are trained so well in the disciplines of animated films that we made another movie that is 82 minutes long and includes a laugh and a cry". The business side of the industry is examined, warts and all, while looking at the relationship between Roy Disney, Michael Eisner and Jeffrey Katzenburg, with Katzenburg probably coming off worst. Recent audio interview clips are used but the film has no 'talking heads' sequences. The film gives an insightful glimpse behind the scenes at Disney animation during this particular time period. We get to see a depressed looking Tim Burton working at a drawing board in the mid-eighties and at least two live action 'pies in the face', which must be a good thing. The bad news is that this will not be on general release until next April at the earliest. It will be shown at more film festivals this year and the producers did say last night that they will personally deliver and show the movie to appropriate interested groups in the early months of 2010 to try and create word of mouth publicity. Get your friends together and give them a call.
A surprisingly open, meticulous walk through the dark days of Disney's legendary animation house. Nearly two decades after Walt's death, the studio's culture was crumbling, with leadership deeply entrenched in the past and a full roster of young challengers nipping at their heels. Through a stunningly thorough collection of time-stamped home video footage and detailed interviews with every major player, (especially impressive considering how many have since passed on) we learn the private story of the studio's darkest hour and celebrate its romantic return to glory. The archival footage alone is astounding stuff, flowing beautifully as a testament to both the unique, energetic personality of the shop and dire circumstances faced by its denizens. That it captured such an important chapter in the company's - and the industry's - long, decorated history is almost too much to believe. Admirably honest, doggedly comprehensive and charmingly human, it's a real eye-opener for anyone with even a passing interest in the stories behind several of animation's watershed moments.
This actually made me cry at one point. Besides that, it's nothing crazy or super memorable.
This documentary is about the period at Disney animation from its nadir in the early 1980s through its incredible successes with "Little Mermaid", "Beauty and the Beast", "Aladdin" and "The Lion King". It talks about the process through which it regained its former glory as well as, ironically, the negative cost that success had on the studio as well. It's all very fascinating for fans of animation and is told through many interviews, archival footage and the like. It's about as interesting as you could expect--and much more interesting than another similar Disney documentary that was also recently released ("Walt and El Groupo").
The only negative about the film is that it had you wanting more. That's because although it was only recently released, it stopped in the early-mid 1990s--and a lot has happened since then (mostly with Pixar taking over most of the animation duties). Seeing the film through "The Princess and the Frog" (possibly Disney's last traditionally animated feature) would be a great follow-up to this splendid documentary.
The only negative about the film is that it had you wanting more. That's because although it was only recently released, it stopped in the early-mid 1990s--and a lot has happened since then (mostly with Pixar taking over most of the animation duties). Seeing the film through "The Princess and the Frog" (possibly Disney's last traditionally animated feature) would be a great follow-up to this splendid documentary.
"Walking Sleeping Beauty" is one documentary that you don't want to miss it's educational and informative it takes you to a behind the scenes turmoil at Walt Disney studios. It showed how the face of the department's film animation would change forever as the old guys would roll over to more eager and younger determined talent. A real changing of the guard so to speak. As in all business any company has drama and change and tension and thru news clips, interviews, and studio footage this film shows it all you really get a backstage pass to the changing of Disney's animation studios.
For years the film department did things their way only a new wave of young artist would arrive in the early 80's(note footage of legendary Tim Burton(1989's "Batman") starting out in the art department!)Disney began to want movies with more live action and more wilder stories and this became more of a reality with the arrival of CEO Michael Eisner and film department head Jeffrey Katzenberg as ideals and new techniques started to unroll. The best of this is evident in films like the live action "Who Framed Roger Rabbit" and other hits like "Little Mermaid" and "Beauty and the Beast", and "The Lion King" were mixed with great Broadway musical scores and computer generated graphics which would be the new Disney discovery like "Pixar".
Sure the company still had it's ups and downs but these works and methods and people would change Disney film forever. Overall good educational documentary that any history or film fan would enjoy so please watch you will be educated.
For years the film department did things their way only a new wave of young artist would arrive in the early 80's(note footage of legendary Tim Burton(1989's "Batman") starting out in the art department!)Disney began to want movies with more live action and more wilder stories and this became more of a reality with the arrival of CEO Michael Eisner and film department head Jeffrey Katzenberg as ideals and new techniques started to unroll. The best of this is evident in films like the live action "Who Framed Roger Rabbit" and other hits like "Little Mermaid" and "Beauty and the Beast", and "The Lion King" were mixed with great Broadway musical scores and computer generated graphics which would be the new Disney discovery like "Pixar".
Sure the company still had it's ups and downs but these works and methods and people would change Disney film forever. Overall good educational documentary that any history or film fan would enjoy so please watch you will be educated.
Wusstest du schon
- WissenswertesThe film does not mention who sent the fake memo around the studio that announced the renaming of all of Disney's animated films. It was animator Ed Gombert.
- Zitate
Peter Schneider: People always talked about Roy as the idiot nephew. That was his nickname. Nothing could be further from the truth. He was smart, unassuming and powerful. You could easily underestimate him, but you did so at your own peril.
- VerbindungenEdited from Los Angeles 'Wonder City of the West' (1935)
- SoundtracksCircle of Life
from Der König der Löwen (1994)
Music by Elton John
Lyrics by Tim Rice
Performed by Elton John
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Persistence of Vision
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 80.741 $
- Eröffnungswochenende in den USA und in Kanada
- 33.115 $
- 28. März 2010
- Weltweiter Bruttoertrag
- 84.918 $
- Laufzeit
- 1 Std. 26 Min.(86 min)
- Farbe
- Sound-Mix
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