Der freundlose Peter Klaven begibt sich auf eine Reihe von Männerdates, um einen Trauzeugen für seine Hochzeit zu finden. Doch die instabile Bindung zu seinem neuen B.F.F. belastet die Bezie... Alles lesenDer freundlose Peter Klaven begibt sich auf eine Reihe von Männerdates, um einen Trauzeugen für seine Hochzeit zu finden. Doch die instabile Bindung zu seinem neuen B.F.F. belastet die Beziehung zu seiner Verlobten.Der freundlose Peter Klaven begibt sich auf eine Reihe von Männerdates, um einen Trauzeugen für seine Hochzeit zu finden. Doch die instabile Bindung zu seinem neuen B.F.F. belastet die Beziehung zu seiner Verlobten.
- Auszeichnungen
- 1 Gewinn & 8 Nominierungen insgesamt
Empfohlene Bewertungen
It's an enjoyable movie, and it's funny, but best of all, it is so incredibly easy to relate to. There's almost a stigma attached to finding friends, and it can be really difficult to find male friends. I don't actually have many friends that are guys, I have one, so I hoped for some tips.
Lots of laughs out loud moments, it's a good script, Peter's man dates were really funny. Seeing their bromance blossoming was actually really food,
Paul Rudd does a fine job here, his delivery is excellent, and he is very funny. Jason Segel is the perfect contrast, the pair combine so well.
Very well meaning, enjoyable.
7/10.
First and foremost, the chemistry between Paul Rudd and Jason Segel is pure gold. Their bromance is the heart and soul of I Love You, Man, and their comedic timing is impeccable. Rudd's endearing awkwardness and Segel's laid-back charm create a dynamic duo that's an absolute joy to watch.
The film's humor is smart and relatable, with plenty of laugh-out-loud moments that hit the mark. The witty banter and hilarious situations the characters find themselves in add to the film's charm. It's a comedy that doesn't rely on cheap gags but instead delivers genuine and authentic laughs.
At its core, I Love You, Man is a celebration of friendship and the importance of having meaningful connections in adulthood. The film explores the sometimes awkward and challenging process of making new friends as an adult, a theme that resonates with many viewers.
The supporting cast is another highlight, with great performances from Rashida Jones, Andy Samberg, and the always-funny JK Simmons. They add depth and humor to the story, creating a well-rounded ensemble that elevates the film.
The film's heartwarming moments are just as delightful as its humor. It balances comedic moments with genuine emotional beats, making you invest in the characters' journeys and root for their friendships.
Furthermore, the film's soundtrack is an absolute delight, adding to the overall enjoyment of the movie. The music perfectly complements the tone of the film and enhances the viewing experience.
In conclusion, I Love You, Man is a heartwarming and hilarious comedy that celebrates friendship, love, and the joys of adult bonding. With its brilliant performances, smart humor, and genuine heart, it's a movie that leaves you with a warm and fuzzy feeling inside.
If you're in the mood for a feel-good comedy that celebrates the beauty of friendship, I Love You, Man is the perfect choice. It's a charming and uplifting film that reminds us all of the importance of having great friends in our lives.
It's a little awkward at the start before Jason Segel. It has some funny moments especially with Thomas Lennon and throwing up on Jon Favreau. But Paul Rudd solo desperately needs a wing man. That's what the movie is about. But the comedy is hit and miss without it. Rudd and Segal have good chemistry. Mostly it works well. There are some good funny jokes in this.
Fortunately, ILYM does do this and it does it in a way that will please the majority of viewers. The plot is simple and sets up the obvious gags but does also produce a solid "bromance" narrative, which is enjoyable while not saying much more than the basics about the nature of modern men. What helps it a great deal is that it is funny. The tone of it is well maintained and it did keep me in the mood to laugh, which is half the battle. It manages this through the main characters being likable in the most part as well as having plenty of pretty funny asides or episodes based on plot or character, which are again delivered well by a cast containing endless faces that will be familiar to anyone who watches US comedy on even a semi-regular basis.
I'm not sure that Paul Rudd is close to being an all-round leading man type of actor but certainly this type of film (like some of his other recent turns) plays to his strengths. He is comically awkward but yet also keeps the audience with him by being easy to like – helped by the film being light on crude or crass comedy, which can put me off some characters. He works well with TV comedian Segel, who is perhaps a less engaging and likable character but does convince within it and is funny. Beyond the two of them everyone else is pretty much in a supporting role and, as well as having lots of famous faces, they do mostly deliver laughs in "asides". Pressly and Favreau are both very good at this and steal a lot of scenes. I liked The Office's Jones turn as the fiancé as I generally like her delivery. There are many other faces to recognise (such as Simmons, Samberg, Curtin, Chaandrasekhar, Ferrigno, Wilmore) and some of them do provide value even if others only provide a face.
Overall though, ILYM delivers what it sets its stall out to do – which is a gentle and funny comedy that is easy to watch and entertaining even if it is fleeting and not particularly memorable as a film in and of itself. Rudd plays to his strengths and provides the thin plot with a likable and engaging core, while the material is very funny at best and amusing at worst. Not a classic by any means but it has laughs and it has charm.
Wusstest du schon
- WissenswertesThe billboard with Peter in bed was extracted from Paul Rudd's 2006 Rolling Stone photo shoot.
- PatzerWhen Peter confronts Sydney about the billboards, the audio has Peter saying "Eight thousand dollars?" but Peter clearly mouths "five" instead of "eight"
- Zitate
Sydney Fife: You get home safe, Pistol.
Peter Klaven: You got it, Joben.
Sydney Fife: I'm sorry, what?
Peter Klaven: Er... nothing.
Sydney Fife: No, what did you say?
Peter Klaven: Nah, I don't know... You nicknamed me Pistol, and I just called you... "Joben"... It means nothing... I don't... I'm drunk... I'm gonna call a cab.
- Crazy CreditsScenes from the wedding reception play during the credits.
- SoundtracksShut Up and Drive
Written by Gillian Gilbert, Peter Hook, Stephen Morris, Evan Rogers, Carl Sturken and Bernard Sumner
Performed by Rihanna
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Te amo, brother
- Drehorte
- 1 Electra Court, Los Angeles, Kalifornien, USA(Lou Ferrigno's house)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 40.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 71.440.011 $
- Eröffnungswochenende in den USA und in Kanada
- 17.810.270 $
- 22. März 2009
- Weltweiter Bruttoertrag
- 91.980.359 $
- Laufzeit
- 1 Std. 45 Min.(105 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1