IMDb-BEWERTUNG
5,5/10
11.074
IHRE BEWERTUNG
Eine Gruppe zänkischer Vorstadtbewohner muss sich zusammenraufen, als ein Aufstand der Androiden dazu führt, dass ihre wohlmeinenden Haushaltsroboter sie zu ihrer eigenen Sicherheit einsperr... Alles lesenEine Gruppe zänkischer Vorstadtbewohner muss sich zusammenraufen, als ein Aufstand der Androiden dazu führt, dass ihre wohlmeinenden Haushaltsroboter sie zu ihrer eigenen Sicherheit einsperren.Eine Gruppe zänkischer Vorstadtbewohner muss sich zusammenraufen, als ein Aufstand der Androiden dazu führt, dass ihre wohlmeinenden Haushaltsroboter sie zu ihrer eigenen Sicherheit einsperren.
Hélie Thonnat
- Léo
- (as Helie Thonnat)
André Dussollier
- Einstein
- (Synchronisation)
Benoît Allemane
- Nestor
- (Synchronisation)
James Champel
- Nettoyeur Howard V2
- (Synchronisation)
Corinne Martin
- Tom
- (Synchronisation)
Empfohlene Bewertungen
While "BigBug" could work great as an opera, musical or theater play, Netflix put this dystopian view of an AI controlled future right into their streaming service. It is about a family and their peers trapped in a suburban home. Most of the story takes place in the living room reminding me of old sitcoms. Sure it must be more fun to watch it in the original French language, since the tone of voices and the grimaces of the actors work best this way.
The visual presentation is great, considering the small budget of roughly 13.000.000 EUR. What amazes me is that the faces of the robots are constantly manipulated through facial AI or some sort of enhanced sfx. The music is held mostly classical with orchestral instruments. Fans of G. Rossini will certainly be pleased.
However the story could have been more entertaining. The characters are well enough drawn, but the repetition of events like the misshapen new romance always goes back to square one and this stretches the movie for too long. Anyway if you are in the age of the cast you might have a good laugh with this dystopian comedy.
The visual presentation is great, considering the small budget of roughly 13.000.000 EUR. What amazes me is that the faces of the robots are constantly manipulated through facial AI or some sort of enhanced sfx. The music is held mostly classical with orchestral instruments. Fans of G. Rossini will certainly be pleased.
However the story could have been more entertaining. The characters are well enough drawn, but the repetition of events like the misshapen new romance always goes back to square one and this stretches the movie for too long. Anyway if you are in the age of the cast you might have a good laugh with this dystopian comedy.
Very French and very funny film that even manages to give beautiful reflections on life and humanity with an ironic and negativist look at the technology of the future. The plot is very nice and the film is very good even if shot in one place, all the characters are characterized very well and the robots are also very well done.
I was very hopeful when this movie started but as it got further along it never really took off. There doesn't ever seem to be a real point to this movie. The goal of getting out of the house is limited and does not occupy the movie enough. The movie seems to be all over the place with no real direction. There is all the flirting with no conclusion and it does not keep attention for the movie to be worth watching. The robots "taking over" is also a weak theme in the show and not captivating enough to make the movie worth while.
After many poor projects on Netflix I have almost resigned to see something refreshing. BigBug is nothing more than conversation comedy in dystopian future with fancy CGI and blue screen effects. It reminds me another wonderful piece Le Dîner de cons. French was always excellent in these kind of movies only sometimes too slow and too long. If you take it like this and don't be lazy to read subtitles, of course if you don't speak French, you will be awarded with almost two hours of inteligent fun and extremely hilarious characters. I especially enjoyed Claude Perron as Monique.
I watched this film because I loved Amélie". It is NOT Amélie, but just as delightful in many different ways on its own.
The colors and CGI are what pulled me in and wouldn't let me stop watching if I wanted to. The inventiveness of this futuristic space is fascinating - and one I kinda like!
The AIs he created are very much their own characters and they play a big part in this film about .......... AIs.
It is whimsical, funny, silly. And you're invited along for the ride!! Hope you enjoy it as much, if not more than I did!
The colors and CGI are what pulled me in and wouldn't let me stop watching if I wanted to. The inventiveness of this futuristic space is fascinating - and one I kinda like!
The AIs he created are very much their own characters and they play a big part in this film about .......... AIs.
It is whimsical, funny, silly. And you're invited along for the ride!! Hope you enjoy it as much, if not more than I did!
Wusstest du schon
- WissenswertesContains a number of Blade Runner references including an android picking a boiled egg out of boiling water and androids having a date of their planned obsolescence.
- VerbindungenReferenced in Film Junk Podcast: Episode 835: Kimi + SexWorld (2022)
- SoundtracksTheme From a Summer Place
Performed by Percy Faith
Top-Auswahl
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Details
Box Office
- Budget
- 13.000.000 € (geschätzt)
- Laufzeit1 Stunde 51 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.00 : 1
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