Frankenweenie

If anywhere there was a braver ending needed, it's here. Kids could have learned that life is but fleeting, we all suffer heartbreak sooner or later, say goodbye to the ones we love... This is an important lesson indeed. But, no. In the interest of a few mums and dads having to tolerate some waterworks on the way home from the cinema, Burton decides to go for what is essentially a cop out. Rather cowardly, if you ask me.

The whole film has the feel of an old B movie (but is set in the present day) as it is shot entirely in black and white and contains more than one horror reference. Spookiness pervades the atmosphere, as Danny Elfman's Gothic score meanders in the background like a funeral march. Poor Victor loses his dog, and his mourning and subsequent resurrection of his pet carries real emotion weight.

This doesn't last though, as the plot stretches to Victor's classmates experimenting on other deceased creatures, turning them into freaks of nature that invade the town. This is an arresting spectacle, but a betrayal of what transpired before... turning the movie from a personal tale about a boy and his half-dead canine, into an OTT monster movie. It feels like a different film, and not one that matched up to the poignant first half.

Not for one minute would I suggest I could tell Mr Burton how to do his job. But I think less action, and more storytelling would have improved the final reel no end... As well as a more courageous conclusion. Oh well, everyone's a critic (Most don't enunciate their thoughts as well as I do, though)... ;) 6/10

Frankenweenie (2012)

*** 1/2 (out of 4)

Tim Burton's excellent remake of his 1984 short about a young boy who suffers a heartbreaking loss when his dog is ran over and killed by a car. Inspired by a science experience, the young boy decides to use electricity to bring him back to life. FRANKENWEENIE was a pretty big disappointment at the box office but I guess this type of storyline would be a hard sell to certain parents plus the B&W might scare off a few as well. I can honestly say that this here is the best thing Burton has done in years as it really reminded me of his earlier days where the imagination was all over the place and it really delivered some fun, laughs and great emotion. I really, really loved the original movie and I really didn't think it would work when expanded to a longer running time but Burton and screenwriter John August has done a very good job with this. I think what makes this one so special are the various homages to earlier horror movies like BRIDE OF FRANKENSTEIN, FRANKENSTEIN and there's no question that the scientist here is a homage to Vincent Price and we even got a great way to show off Christopher Lee. The entire look of the film is excellent as well because you really do feel as if you're watching a horror movie from their Golden Age because the sets are incredible, the humans are wonderful and once the animals start to come back at the end you can't help but smile. I really liked the way the other kids started to copy our hero here and we're left with a monster mash at the end including a giant turtle, which is obviously a wink to the Godzilla films. Catherine O'Hara, Martin Landau, Martin Short and Winona Ryder are all extremely good in their vocal work as is Charlie Tahan as the young boy. FRANKENWEENIE is certainly a terrific little gem that I think will play extremely well with the right child and of course the parents are really going to enjoy not only the charm but also the respect towards the films that came before it.

It's inevitable to compare Frankenweenie to ParaNorman due to both being 2012 stop motion animated films centered around Halloween. I would say Frankenweenie is the lesser of the two, but not by too much. The story is heartfelt, the visuals are distinctive, and there's a peculiar charm to it. This seemed like a passion project for Burton and it shows. There's a lot of love and care put into this film, but it's classic Burton in that it's often weird, idiosyncratic, and grim. Frankenweenie is a fun homage to old school horror movies and should be a welcome return to form for fans of Tim Burton.

In New Holland, the boy Victor Frankenstien is a bright but outcast student without any friend but his dog Sparky. When the newcomer science teacher Mr. Rzykruski challenges the students to participate in the science fair, Victor's father forces him to play baseball otherwise he would not sign the necessary authorization for his son.

During the game, Sparky chases the ball and is hit by a car. Victor recalls Mr. Rzykruski's class about the effects of electricity and successfully resuscitates Sparky using lightning. Victor hides Sparky in the attic but the weird Edgar sees the dog on the garden and blackmails Victor to learn how to bring the dead to life. Edgar does not keep the secret and soon Victor's envious schoolmates revive several creatures to win the science fair contest. When the town is invaded by the monsters, Victor and Sparky are the last chance to rescue the girl Elsa van Helsing from the claws of Mr. Whiskers.

"Frankenweenie" is another stop-motion animation by Tim Burton in black and white with a great tribute to Mary Shelley's Frankenstein with a happy ending. The story is actually an adorable tale of loyalty and friendship and it is delightful to see the frolic of Sparky. My vote is eight.

Title (Brazil): "Frankenweenie"

Burton is a cartoonist. I don't mean this as a putdown. He is at his best in short sketches, and his main talents flow from that: imaginative as a toymaker and has a knack for comedy, both short-term effects, both a matter of tinkering in the small, but he puts his heart to it.

I pass on his big 'storybooks' like Big Fish because layered long-term narrative is another thing altogether. In Burton's case, it is something he stumbled over as the only financially viable format to convey his sketches, so he treats narrative as only the canvas instead of as itself the sculpting matter.

Some of his other cartoons fail to reach me pure, because they are still big and polished studio-work and that all but defeats the intention. This is just the right size, an appendix of sorts to Ed Wood. It is a sketch, his first ever, this time reworked into a feature. And naked enough (no Depp, no Hollywood excess) to see the wirings and so appreciate what he loves about his work.

As you flip through this sketchbook, you will find the following:

The film opens with footage of a young Ed Wood's homemovie shot in his backyard—a giant monster movie, the kind that a kid (who we can presume is Burton) growing up in the 1950's can be expected to admire.

A teacher who looks like Vincent Price and inspires him to perfect his 'science', in the film it is supposed to be real science, but is actually viewed in the context of 1930's horror and Shelley before, a kind of cinematic magic.

This kicks off the Frankenstein story proper with the dog, which includes additional references to both Bride and Son, Mummy and Invisible Man, and the fiery windmill conclusion of the Karloff original. (also reused in Sleepy Hollows)

Eventually, this leads to an actual giant monster movie, where different classmates, essentially using the same 'science' of cinematic magic, bring to life different monsters: one is a Godzilla-type creature (kaiju fans will know it is really Gamera), there are Gremlin- type critters, and a cat-bat creature that I couldn't pinpoint.

So, there you have it: 1930's Universal horror, 1950's sci-fi, 1980's pop Hollywood, all of it sketched here that influenced the man's career.

Typical for Burton: the story goes nowhere, the ending is Disneyfied like the first time, it is fun in short spurts, and he has nicely sketched the world of his childhood, which is my favorite bit here—a clean and modernistic 1950's suburbia as was advertised to housewives of the time, it is amazing some of the textures and light they managed to capture. Stop-motion trumps cg animation in my mind, physical presence carries energy into the eye—this looks so real, it feels like it is taking place down the street from Ed Wood.

Overall, I don't know if releasing this confirms the nagging suspicion that Burton is over and done with as a creative voice and is really scrapping for material, but it is nice to watch, and reminds why he was at one time an interesting guy. What will it take for him to bounce back?