Boston Streets

The guys who made this movie sure have a lot of heart, the title says it all.

A beautiful movie that holds at its centre a story of personal transformation. While Paulie (Hawke) tries to play the best hand with the cards he is given, Brian (Ruffalo) plays along, craps out and eventually learns a different game. An inspiring story of what can happen when someone loves something past themself and gets a little help along the way.

The soundtrack is special. A repetitive, echoed and slightly haunting motif reflects the unspectacular, cold & sparse urban scenery. The music brings a sense of gravity & continuity to the movie, binding the characters & landscape together into 'the cards they have been dealt' as well as pacing the plot development.

The stylistic shooting acts as a vehicle for the story and quickly dissolves into the background as Ethan & Ruffalo capture centre stage from the first scene.

Highly recommended. Leave expectations at the door. This is not 'The Departed'. This is a movie with an emotional sensitivity that no amount of violence or 'leave you guessing' plot line could ever deliver.

Well done Brian, Paul & Donnie. Great job!

The basic motif for see this film was, for me, the presence on its poster of the names of Ethan Hawke and Mark Ruffalo. And that was not a bad motif. But the film is more. Its impecable story, its delicate portrait of family, friendship, crime acts , the tension and bitter flavor and simple traces of the choices and duties and dreams of the characters are good motifs for see it. Again. Because, at the first sigh, it is far to be original. At the second, the special, gentle form of poetry of life becomes essential. For discover yourself front to fundamental questions. A film about solitude and about the great options. And about courage to be yourself. Splendid performances, lovely story.

This film is yet another rehash of that glut of films about kids who begin lives of crime early on, go to jail, and come out either enlightened or unchanged. Set in South Boston, WHAT DOESN'T KILL YOU happens to star some fine actors in Mark Ruffalo, Ethan Hawke, and Amanda Peet, and their presence makes the film watchable. It is just tiresome to watch repeats an this 'bad kid' (Ruffalo) turned junkie turned convict turned negligent husband and father turned AA whose ability to make decent decisions finds him clueless until the end of the film.

The flavor of South Boston and prison and petty crimes becoming major crimes is well paced by writer/director/actor Brian Goodman. But this rambling story is ultimately boring - except for the pleasure of watching Mark Ruffalo inhabit this loser of a character. An OK movie, not a great one. Grady Harp

I had not seen any promos or hear about this movie movie from anyone. I picked up the DVD for one reason that it had Ethan Hawke & Mark Ruffalo in it. And boy I'll tell they have done great justice to the characters.

I expected a little too much out of the movie, but I wasn't too disappointed either. Movie runs at a very decent and a balanced pace Acting, writing & directing - Yes Brian Goodman has done a good job.

What impressed me the most was the acting of Ethan & Mark. The chemistry is fantastic through out the movie.

I wasn't too impressed with Amanda Peet's acting. She wasn't strong enough for the character she played.

The best thing out of the movie was the music score. Great work!!! All in all, a good watch. Not a great movie but still good enough..

I had no knowledge of the existence of this movie until the day I saw it, so when I started it I was pretty blown away by it. The gritty drama and really well told story of these 2 boys/men is fascinating, very well acted and initially very interesting. The score is beautiful, as is the initial pacing and storytelling. I was thinking this is one of the best movies I've seen for months, and then something odd happened.. the pacing shifted, suddenly long beautifully acted scenes were becoming clips of a few minutes here a sentence there, the character development that was so successful early on suddenly seemed to be redundant as stories become pointless and predictable. It's almost as though the movie changed to a different director and editor half-way through.

I found myself caring less and less about the characters as they became victims of over-editing. The only 2 scenes that lasted more than a couple of minutes in the last third that had any 'substance' were overly dramatic if not soppy father-son scenes where all other members of the family become low priority.

It's really quite a shame, I was enjoying the film so much during the first half, I was willing to give this film a 9 if only a little more of the plot would begin to unravel itself, but instead I got less plot, less character focus and more "this is bad" and "this is good" moments... It's a true pity as I shan't be recommending this movie due to it's second half.