IMDb-BEWERTUNG
5,8/10
144.825
IHRE BEWERTUNG
Nach Jigsaws grausamem Tod wird Mark Hoffman als Held gefeiert, aber Agent Strahm ist misstrauisch und vertieft sich in Hoffmans Vergangenheit. Währenddessen wird eine andere Gruppe den grau... Alles lesenNach Jigsaws grausamem Tod wird Mark Hoffman als Held gefeiert, aber Agent Strahm ist misstrauisch und vertieft sich in Hoffmans Vergangenheit. Währenddessen wird eine andere Gruppe den grausamen Tests unterzogen.Nach Jigsaws grausamem Tod wird Mark Hoffman als Held gefeiert, aber Agent Strahm ist misstrauisch und vertieft sich in Hoffmans Vergangenheit. Währenddessen wird eine andere Gruppe den grausamen Tests unterzogen.
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Like everyone else, I was expecting this movie to live up to the hype and be absolutely horrible. Since though I have seen SAW I-IV, I had to go see this at the midnight showing. What started it off, I was already impressed with that I saw. As the movie was going forward it was hard to tell how it would all add up. By the end though I was expecting to be disappointed and it really did not.
While SAW fans will appreciate this, it really depends on what you like. If you are expecting a SAW II - III where it is mainly gore and such, maybe not so much. If you are like the few who want to know more about the story, then it is a must to see this.
Now while every question is not answered, it makes up for it in its own ways. Do not be like me or most of the people who were hesitant to see this film due to people not enjoying it. I think many people would be surprised on just how great this film really is. To me, it was the best since the first one, despite the weak twist and sometimes cheesy kills. Then again, name a film that has been perfect because everyone has a fault.
While SAW fans will appreciate this, it really depends on what you like. If you are expecting a SAW II - III where it is mainly gore and such, maybe not so much. If you are like the few who want to know more about the story, then it is a must to see this.
Now while every question is not answered, it makes up for it in its own ways. Do not be like me or most of the people who were hesitant to see this film due to people not enjoying it. I think many people would be surprised on just how great this film really is. To me, it was the best since the first one, despite the weak twist and sometimes cheesy kills. Then again, name a film that has been perfect because everyone has a fault.
I watched Saw V with a good opening night crowd here in Sydney. I've enjoyed all of the Saw films, predictably liking some episodes a lot more than others, and Saw V is, again, very watchable, with some intense moments and no shortage of grisliness. But I'd still say it's the weakest entry in the series to date. The trouble is that the main narrative addition for this episode, which has to sustain half the running time, turns out to be a dramatically weak one. I don't think a Saw film ever previously failed to create excitement or new meaning via one of its big twisty revelations, but Saw V's add next to nothing. The knowledge gained doesn't force any re-evaluation of the past events it concerns; you just see and know a bit more about them, and to no great effect, except for the fact that Tobin Bell's performance is always compelling, maybe even more so when he's talking to people who aren't stuck in Jigsaw's deathtraps.
The Saw films have demonstrated an unfeasibly high success rate over time in terms of pulling off twist after twist and having them nearly all hit home. With this track record, it seems inevitable that there'd be a significant stumble at some point. They've never been bulletproof films (and thrillers are the genre that are hardest to bulletproof), but I'd say Saw V is definitely the stumble. In spite of this, it still keeps in enough with the series in general for me to be ready for Saw VI in 2009 - which I hope will be better work.
The Saw films have demonstrated an unfeasibly high success rate over time in terms of pulling off twist after twist and having them nearly all hit home. With this track record, it seems inevitable that there'd be a significant stumble at some point. They've never been bulletproof films (and thrillers are the genre that are hardest to bulletproof), but I'd say Saw V is definitely the stumble. In spite of this, it still keeps in enough with the series in general for me to be ready for Saw VI in 2009 - which I hope will be better work.
Given that the Saw films are notable for their unexpected plot twists, the fact that this was the most predictable one makes it difficult to see why it scored the "You won't believe how it ends" tagline. Otherwise, it's decent. It blows Saw III out of the water, but I don't feel it really compares to the other three. I can appreciate that they're trying to bring it back to what the original was all about; a brilliant plot with a couple of gory scenes (the previous two have been somewhat gore-laden with little story for my liking), the problem being, unfortunately, that the plot is fairly weak. The intensity of the torture scenes is greatly increased, though, by the rest period between them.
As a horror film, this works, but don't expect Saw - and don't expect to be blown away by the ending, because it is nothing special. That said, if you're addicted to the Saw saga as so many of us are, there's no harm in going out to see it.
As a horror film, this works, but don't expect Saw - and don't expect to be blown away by the ending, because it is nothing special. That said, if you're addicted to the Saw saga as so many of us are, there's no harm in going out to see it.
As I sat down to watch the 2008 movie "Saw V" again here in 2023, it was my second time of watching it.
The storyline in "Saw V", as written by Patrick Melton and Marcus Dunstan, is actually a fairly enjoyable script and storyline. "Saw V" carries on the legacy of the previous four movies in a good way, so the writers managed to carry on the torch nicely. I was adequately entertained throughout the 92 minutes that the movie ran for.
The cast ensemble in "Saw V" was good, withScott Patterson, Costas Mandylor and Tobin Bell returning to reprise their characters from the previous movies. And that was a good thing, because it definitely was in the spirit of the continuity of the franchise. And "Saw V"saw new performers make an entrance in the franchise, with the likes of talents such as Mark Rolston and Greg Bryk.
The amount of visceral scenes, mutilations, gore and deadly contraptions was good in the movie. And there were some rather brutal moments as well. So as a life-long gorehound, I was entertained.
If you have been enjoying the previous four "Saw" movies, then you certainly should carry on with this 2008 fifth movie in the franchise, because it is an enjoyable and entertaining movie from director David Hackl.
My rating of "Saw V" lands on a six out of ten stars.
The storyline in "Saw V", as written by Patrick Melton and Marcus Dunstan, is actually a fairly enjoyable script and storyline. "Saw V" carries on the legacy of the previous four movies in a good way, so the writers managed to carry on the torch nicely. I was adequately entertained throughout the 92 minutes that the movie ran for.
The cast ensemble in "Saw V" was good, withScott Patterson, Costas Mandylor and Tobin Bell returning to reprise their characters from the previous movies. And that was a good thing, because it definitely was in the spirit of the continuity of the franchise. And "Saw V"saw new performers make an entrance in the franchise, with the likes of talents such as Mark Rolston and Greg Bryk.
The amount of visceral scenes, mutilations, gore and deadly contraptions was good in the movie. And there were some rather brutal moments as well. So as a life-long gorehound, I was entertained.
If you have been enjoying the previous four "Saw" movies, then you certainly should carry on with this 2008 fifth movie in the franchise, because it is an enjoyable and entertaining movie from director David Hackl.
My rating of "Saw V" lands on a six out of ten stars.
Saw V is clever. It knows what the audience wants, and after four solid films, it still continues to fill in the cracks of minor plot inconsistencies and even manages to link itself all the way back to the first movie. The genius of these films is finding out more about the past that directly links to the events in the future. In this respect, Saw V may just be the best film in the whole series, utilizing plenty of flashbacks, insane traps, and a plethora of returning characters. The fifth film stars series regulars Tobin Bell, Costas Mandylor, and Scott Patterson, as well as newbies Julie Benz, Meagan Good, and Greg Bryk. David Hackl, who served as production designer on Saw II through Saw IV, now takes over the director's chair for Darren Lynn Bousman.
This time around, Hoffman, Jigsaw's last remaining apprentice, is trying to tie up all the loose ends, following instructions Jigsaw gave him on his deathbed. Agent Peter Straum is quickly piecing together clues and suspects Hoffman as being tied to Jigsaw. At the same time, five people, Brit, Luba, Mallick, Ashley, and Charles, wake up in a trap and must work together to reach the end. It all builds up to an astounding conclusion that sets the scene for Saw VI in a fantastic fashion.
As always, one of the most enthralling things about the Saw films are the traps, and this one doesn't disappoint at all. It doesn't go too over-the-top with the gore, and yet stays intense and absolutely enthralling the entire time. We get explosions aplenty, a water tank, a falling pendulum, a trap involving electrocution, and several others. There is a particular one involving a glass box that was especially disturbing and crazy.
The acting in this installment is on-par with Saw II, which is actually saying a lot. It seems as if in all of the films, there is always a weak spot except for Saw II, and now this one (Cary Elwes in Saw, Bahar Soomekh in Saw III, and Justin Louis in Saw IV). Julie Benz is an effective heroine, one that is fun to root for throughout the course of the movie. Likable characters abound, with few even approaching annoyances from this viewer. Scott Patterson was great to watch in his race to piece things together. Costas Mandylor shines in his scenes, and takes over Jigsaw's reign quite well. Tobin Bell is in a league all his own, and in all of the flashback scenes (and there's plenty of 'em), he comes nothing short of an absolute pro. After five films, he has 100% nailed the Jigsaw character.
In terms of directing, David Hackl does an excellent job taking over for Darren Lynn Bousman. There is lots of flashy editing and awesome camera angles, and the constant close-up shots that fans of the series have come to love. Hackl's visual style is very similar to that of Bousman's, and that's saying something. Both directors bring an incredible amount of creativity to the screen, and Hackl sprinkles a little flavoring all his own that makes this new Saw flick a feast for the eyes. There's no arguing that's it's well-made, in terms of both acting and directing.
The latter half of the movie is super intense, and although the runtime is very short, the length is perfect. It lays out the carpet for the next film in the series with amazing bravado, perfected after five films. It seems like they finally know how to leave us with a cliffhanger at the conclusion. As promised, the ending is stunning and shocking, but don't expect it to be on caliber with the first movie, an ending which will be hard to ever top. Even after five films, Saw has not grown stale, and continues to enthrall and thrill fans of the series. It is probably the best movie series ever in terms of continuity. As much as I thought I knew what was coming, the fifth entry in the Saw series threw out shock after shock and never ceased to surprise me. Once the credits start, you are left craving more, which will make the next and final entry in the Saw series one that this particular fan will very much be looking forward to.
This time around, Hoffman, Jigsaw's last remaining apprentice, is trying to tie up all the loose ends, following instructions Jigsaw gave him on his deathbed. Agent Peter Straum is quickly piecing together clues and suspects Hoffman as being tied to Jigsaw. At the same time, five people, Brit, Luba, Mallick, Ashley, and Charles, wake up in a trap and must work together to reach the end. It all builds up to an astounding conclusion that sets the scene for Saw VI in a fantastic fashion.
As always, one of the most enthralling things about the Saw films are the traps, and this one doesn't disappoint at all. It doesn't go too over-the-top with the gore, and yet stays intense and absolutely enthralling the entire time. We get explosions aplenty, a water tank, a falling pendulum, a trap involving electrocution, and several others. There is a particular one involving a glass box that was especially disturbing and crazy.
The acting in this installment is on-par with Saw II, which is actually saying a lot. It seems as if in all of the films, there is always a weak spot except for Saw II, and now this one (Cary Elwes in Saw, Bahar Soomekh in Saw III, and Justin Louis in Saw IV). Julie Benz is an effective heroine, one that is fun to root for throughout the course of the movie. Likable characters abound, with few even approaching annoyances from this viewer. Scott Patterson was great to watch in his race to piece things together. Costas Mandylor shines in his scenes, and takes over Jigsaw's reign quite well. Tobin Bell is in a league all his own, and in all of the flashback scenes (and there's plenty of 'em), he comes nothing short of an absolute pro. After five films, he has 100% nailed the Jigsaw character.
In terms of directing, David Hackl does an excellent job taking over for Darren Lynn Bousman. There is lots of flashy editing and awesome camera angles, and the constant close-up shots that fans of the series have come to love. Hackl's visual style is very similar to that of Bousman's, and that's saying something. Both directors bring an incredible amount of creativity to the screen, and Hackl sprinkles a little flavoring all his own that makes this new Saw flick a feast for the eyes. There's no arguing that's it's well-made, in terms of both acting and directing.
The latter half of the movie is super intense, and although the runtime is very short, the length is perfect. It lays out the carpet for the next film in the series with amazing bravado, perfected after five films. It seems like they finally know how to leave us with a cliffhanger at the conclusion. As promised, the ending is stunning and shocking, but don't expect it to be on caliber with the first movie, an ending which will be hard to ever top. Even after five films, Saw has not grown stale, and continues to enthrall and thrill fans of the series. It is probably the best movie series ever in terms of continuity. As much as I thought I knew what was coming, the fifth entry in the Saw series threw out shock after shock and never ceased to surprise me. Once the credits start, you are left craving more, which will make the next and final entry in the Saw series one that this particular fan will very much be looking forward to.
Wusstest du schon
- WissenswertesScott Patterson was apprehensive about sticking his head in a sealed box that would fill with water. The trap was tested beforehand and didn't go well, which only added to his concern. He ultimately stepped up and did the scene himself without resorting to a stuntman. The trick to the stunt is that the walls of the box were slid open by stagehands, draining the trap as soon as he signaled with his hands. Several takes were required, however, to capture the scene as he found himself uncomfortable at various points during the shooting of this scene.
- Patzer(at around 1h 7 mins) Detective Mark Hoffman steals Agent Peter Strahm's cellphone out of the evidence locker, and uses it to call Agent Dan Erickson. Erickson answers the phone thinking it was actually Agent Peter Strahm. However Erickson should have known that Strahm's cellphone was in evidence, and therefore known that it could have been someone else using the cellphone.
- Alternative VersionenAlso available in an unrated director's cut version, which restores deleted scenes and the violence originally cut for an "R" rating.
- VerbindungenEdited from Saw (2004)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- El juego del miedo V
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.800.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 56.746.769 $
- Eröffnungswochenende in den USA und in Kanada
- 30.053.954 $
- 26. Okt. 2008
- Weltweiter Bruttoertrag
- 113.864.059 $
- Laufzeit
- 1 Std. 32 Min.(92 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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