IMDb-BEWERTUNG
5,8/10
144.055
IHRE BEWERTUNG
Nach Jigsaws grausamem Tod wird Mark Hoffman als Held gefeiert, aber Agent Strahm ist misstrauisch und vertieft sich in Hoffmans Vergangenheit. Währenddessen wird eine andere Gruppe den grau... Alles lesenNach Jigsaws grausamem Tod wird Mark Hoffman als Held gefeiert, aber Agent Strahm ist misstrauisch und vertieft sich in Hoffmans Vergangenheit. Währenddessen wird eine andere Gruppe den grausamen Tests unterzogen.Nach Jigsaws grausamem Tod wird Mark Hoffman als Held gefeiert, aber Agent Strahm ist misstrauisch und vertieft sich in Hoffmans Vergangenheit. Währenddessen wird eine andere Gruppe den grausamen Tests unterzogen.
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Given that the Saw films are notable for their unexpected plot twists, the fact that this was the most predictable one makes it difficult to see why it scored the "You won't believe how it ends" tagline. Otherwise, it's decent. It blows Saw III out of the water, but I don't feel it really compares to the other three. I can appreciate that they're trying to bring it back to what the original was all about; a brilliant plot with a couple of gory scenes (the previous two have been somewhat gore-laden with little story for my liking), the problem being, unfortunately, that the plot is fairly weak. The intensity of the torture scenes is greatly increased, though, by the rest period between them.
As a horror film, this works, but don't expect Saw - and don't expect to be blown away by the ending, because it is nothing special. That said, if you're addicted to the Saw saga as so many of us are, there's no harm in going out to see it.
As a horror film, this works, but don't expect Saw - and don't expect to be blown away by the ending, because it is nothing special. That said, if you're addicted to the Saw saga as so many of us are, there's no harm in going out to see it.
While this is still a watchable, well acted movie that continues on the Saw tradition well I have to give it a lower rating because it just was not as good as the previous installments. The plot and the traps that we have come to be surprised by seemed to be a more predictable and rushed along by the makers of the movie. It seemed like this movie could have just been tossed in with part 4 to make one big movie as the prequel to the next part. So to me it seemed like the studio just split up 1 movie into 2 parts to capitalize on the profits....which they have done well I might add because myself and many other movie goers packed the theater for the 5th Saw installment. So in closing I think this movie may be adequate for the die hard saw fans, not nearly good enough for new comers, and winds up lacking far more than it gives. That is why I can only give this movie a 5 out of 10
The Saw series has always been a standard of sorts. After what I felt was an iconic debut, the series has always remained consistently interesting, with one of the most compelling and ever expanding plots in film history. People may complain that the series is in decline, but what people need to realize is that each part is astronomically better than the corresponding parts of other horror series (for example, Saw IV is better than Halloween IV, or the 4th Nightmare on Elm Street film). The same holds true for Saw V, though the film definitely shows that the series is in decline and needs to end soon before it descends into pure absurdity.
A universal truth of the Saw series is that every entry, no matter who does it, will always be well written and contain a plot twist or two at the end. Again, Saw V continues the tradition of revealing the 'huge' (if you could call it that) twist whilst "Hello Zepp" by Charlie Clouser plays in the background. The film answers as many questions as it raises, and serves as more of an origin movie, like Saw IV did. Only this time, the origin doesn't focus on John Kramer/Jigsaw, and therein lies the problem.
Why does Saw V fail to impress me? Simple. Not enough Jigsaw. Tobin Bell, who has managed to create an iconic villain over the last 5 years, delivers another sublime performance that is not to missed in the world of horror as perhaps the greatest villain of the decade. It really amazed me how Saw IV had the best acting of the series, but just one movie later, pretty much every performer falls flat on their face. This is especially sad considering most of the cast are returning characters, except your typical "why is this happening to me! AHHH!" type characters (which got unbearably annoying, considering they killed off the two least annoying ones first). Meagan Good and Costas Mandylor are acceptable in their roles, however.
Back to the lack of Jigsaw. Tobin Bell really doesn't physically appear that much in the movie, and that is far and away its biggest flaw. The film is similar to Saw II more than the others. To get my drift a little better, imagine the second film, except reduce Jigsaw's screen time by about half. Yeah. This is the only weakness of the screenplay for me, which appears to have matured from the over the top torture porn in Saw III and the ridiculous attempt to run Saw IV concurrently with its predecessor. The film's biggest flaw is in the acting and lack of Jigsaw. Besides this, I really felt that it fit the mold as a worthy entry to the series.
After watching this, however, I no longer feel that Saw is the standard of excellence in horror as it once was. That said, the film has the advantage of being short and never dragging. It's well paced and will more than deliver the thrills. Another thing I feel obligated to mention is that this is the least scariest film in the series, which is okay, because unlike every other cheap horror film, Saw V doesn't try to be scary. It's more of a thriller with some gruesome images (like the first film) than a full blown horror movie (like parts II & III).
In the end, what it comes down to as far as your ability to enjoy the movie, you have to ask yourself this question: "why do I watch the Saw series?". If you watch it for the story and plot twists, you should be at least satisfied, if not entertained. If you watch the series for pure shock and awe and disgust, you'll be disappointed, because Saw V does not try to be a horror film outside of a few scenes. It's a decent entry to the series that is tolerable, despite a lack of the iconic Jigsaw, horrid acting, and a somewhat predictable plot twist (easily the most predictable of the series).
A universal truth of the Saw series is that every entry, no matter who does it, will always be well written and contain a plot twist or two at the end. Again, Saw V continues the tradition of revealing the 'huge' (if you could call it that) twist whilst "Hello Zepp" by Charlie Clouser plays in the background. The film answers as many questions as it raises, and serves as more of an origin movie, like Saw IV did. Only this time, the origin doesn't focus on John Kramer/Jigsaw, and therein lies the problem.
Why does Saw V fail to impress me? Simple. Not enough Jigsaw. Tobin Bell, who has managed to create an iconic villain over the last 5 years, delivers another sublime performance that is not to missed in the world of horror as perhaps the greatest villain of the decade. It really amazed me how Saw IV had the best acting of the series, but just one movie later, pretty much every performer falls flat on their face. This is especially sad considering most of the cast are returning characters, except your typical "why is this happening to me! AHHH!" type characters (which got unbearably annoying, considering they killed off the two least annoying ones first). Meagan Good and Costas Mandylor are acceptable in their roles, however.
Back to the lack of Jigsaw. Tobin Bell really doesn't physically appear that much in the movie, and that is far and away its biggest flaw. The film is similar to Saw II more than the others. To get my drift a little better, imagine the second film, except reduce Jigsaw's screen time by about half. Yeah. This is the only weakness of the screenplay for me, which appears to have matured from the over the top torture porn in Saw III and the ridiculous attempt to run Saw IV concurrently with its predecessor. The film's biggest flaw is in the acting and lack of Jigsaw. Besides this, I really felt that it fit the mold as a worthy entry to the series.
After watching this, however, I no longer feel that Saw is the standard of excellence in horror as it once was. That said, the film has the advantage of being short and never dragging. It's well paced and will more than deliver the thrills. Another thing I feel obligated to mention is that this is the least scariest film in the series, which is okay, because unlike every other cheap horror film, Saw V doesn't try to be scary. It's more of a thriller with some gruesome images (like the first film) than a full blown horror movie (like parts II & III).
In the end, what it comes down to as far as your ability to enjoy the movie, you have to ask yourself this question: "why do I watch the Saw series?". If you watch it for the story and plot twists, you should be at least satisfied, if not entertained. If you watch the series for pure shock and awe and disgust, you'll be disappointed, because Saw V does not try to be a horror film outside of a few scenes. It's a decent entry to the series that is tolerable, despite a lack of the iconic Jigsaw, horrid acting, and a somewhat predictable plot twist (easily the most predictable of the series).
As I sat down to watch the 2008 movie "Saw V" again here in 2023, it was my second time of watching it.
The storyline in "Saw V", as written by Patrick Melton and Marcus Dunstan, is actually a fairly enjoyable script and storyline. "Saw V" carries on the legacy of the previous four movies in a good way, so the writers managed to carry on the torch nicely. I was adequately entertained throughout the 92 minutes that the movie ran for.
The cast ensemble in "Saw V" was good, withScott Patterson, Costas Mandylor and Tobin Bell returning to reprise their characters from the previous movies. And that was a good thing, because it definitely was in the spirit of the continuity of the franchise. And "Saw V"saw new performers make an entrance in the franchise, with the likes of talents such as Mark Rolston and Greg Bryk.
The amount of visceral scenes, mutilations, gore and deadly contraptions was good in the movie. And there were some rather brutal moments as well. So as a life-long gorehound, I was entertained.
If you have been enjoying the previous four "Saw" movies, then you certainly should carry on with this 2008 fifth movie in the franchise, because it is an enjoyable and entertaining movie from director David Hackl.
My rating of "Saw V" lands on a six out of ten stars.
The storyline in "Saw V", as written by Patrick Melton and Marcus Dunstan, is actually a fairly enjoyable script and storyline. "Saw V" carries on the legacy of the previous four movies in a good way, so the writers managed to carry on the torch nicely. I was adequately entertained throughout the 92 minutes that the movie ran for.
The cast ensemble in "Saw V" was good, withScott Patterson, Costas Mandylor and Tobin Bell returning to reprise their characters from the previous movies. And that was a good thing, because it definitely was in the spirit of the continuity of the franchise. And "Saw V"saw new performers make an entrance in the franchise, with the likes of talents such as Mark Rolston and Greg Bryk.
The amount of visceral scenes, mutilations, gore and deadly contraptions was good in the movie. And there were some rather brutal moments as well. So as a life-long gorehound, I was entertained.
If you have been enjoying the previous four "Saw" movies, then you certainly should carry on with this 2008 fifth movie in the franchise, because it is an enjoyable and entertaining movie from director David Hackl.
My rating of "Saw V" lands on a six out of ten stars.
Saw V is clever. It knows what the audience wants, and after four solid films, it still continues to fill in the cracks of minor plot inconsistencies and even manages to link itself all the way back to the first movie. The genius of these films is finding out more about the past that directly links to the events in the future. In this respect, Saw V may just be the best film in the whole series, utilizing plenty of flashbacks, insane traps, and a plethora of returning characters. The fifth film stars series regulars Tobin Bell, Costas Mandylor, and Scott Patterson, as well as newbies Julie Benz, Meagan Good, and Greg Bryk. David Hackl, who served as production designer on Saw II through Saw IV, now takes over the director's chair for Darren Lynn Bousman.
This time around, Hoffman, Jigsaw's last remaining apprentice, is trying to tie up all the loose ends, following instructions Jigsaw gave him on his deathbed. Agent Peter Straum is quickly piecing together clues and suspects Hoffman as being tied to Jigsaw. At the same time, five people, Brit, Luba, Mallick, Ashley, and Charles, wake up in a trap and must work together to reach the end. It all builds up to an astounding conclusion that sets the scene for Saw VI in a fantastic fashion.
As always, one of the most enthralling things about the Saw films are the traps, and this one doesn't disappoint at all. It doesn't go too over-the-top with the gore, and yet stays intense and absolutely enthralling the entire time. We get explosions aplenty, a water tank, a falling pendulum, a trap involving electrocution, and several others. There is a particular one involving a glass box that was especially disturbing and crazy.
The acting in this installment is on-par with Saw II, which is actually saying a lot. It seems as if in all of the films, there is always a weak spot except for Saw II, and now this one (Cary Elwes in Saw, Bahar Soomekh in Saw III, and Justin Louis in Saw IV). Julie Benz is an effective heroine, one that is fun to root for throughout the course of the movie. Likable characters abound, with few even approaching annoyances from this viewer. Scott Patterson was great to watch in his race to piece things together. Costas Mandylor shines in his scenes, and takes over Jigsaw's reign quite well. Tobin Bell is in a league all his own, and in all of the flashback scenes (and there's plenty of 'em), he comes nothing short of an absolute pro. After five films, he has 100% nailed the Jigsaw character.
In terms of directing, David Hackl does an excellent job taking over for Darren Lynn Bousman. There is lots of flashy editing and awesome camera angles, and the constant close-up shots that fans of the series have come to love. Hackl's visual style is very similar to that of Bousman's, and that's saying something. Both directors bring an incredible amount of creativity to the screen, and Hackl sprinkles a little flavoring all his own that makes this new Saw flick a feast for the eyes. There's no arguing that's it's well-made, in terms of both acting and directing.
The latter half of the movie is super intense, and although the runtime is very short, the length is perfect. It lays out the carpet for the next film in the series with amazing bravado, perfected after five films. It seems like they finally know how to leave us with a cliffhanger at the conclusion. As promised, the ending is stunning and shocking, but don't expect it to be on caliber with the first movie, an ending which will be hard to ever top. Even after five films, Saw has not grown stale, and continues to enthrall and thrill fans of the series. It is probably the best movie series ever in terms of continuity. As much as I thought I knew what was coming, the fifth entry in the Saw series threw out shock after shock and never ceased to surprise me. Once the credits start, you are left craving more, which will make the next and final entry in the Saw series one that this particular fan will very much be looking forward to.
This time around, Hoffman, Jigsaw's last remaining apprentice, is trying to tie up all the loose ends, following instructions Jigsaw gave him on his deathbed. Agent Peter Straum is quickly piecing together clues and suspects Hoffman as being tied to Jigsaw. At the same time, five people, Brit, Luba, Mallick, Ashley, and Charles, wake up in a trap and must work together to reach the end. It all builds up to an astounding conclusion that sets the scene for Saw VI in a fantastic fashion.
As always, one of the most enthralling things about the Saw films are the traps, and this one doesn't disappoint at all. It doesn't go too over-the-top with the gore, and yet stays intense and absolutely enthralling the entire time. We get explosions aplenty, a water tank, a falling pendulum, a trap involving electrocution, and several others. There is a particular one involving a glass box that was especially disturbing and crazy.
The acting in this installment is on-par with Saw II, which is actually saying a lot. It seems as if in all of the films, there is always a weak spot except for Saw II, and now this one (Cary Elwes in Saw, Bahar Soomekh in Saw III, and Justin Louis in Saw IV). Julie Benz is an effective heroine, one that is fun to root for throughout the course of the movie. Likable characters abound, with few even approaching annoyances from this viewer. Scott Patterson was great to watch in his race to piece things together. Costas Mandylor shines in his scenes, and takes over Jigsaw's reign quite well. Tobin Bell is in a league all his own, and in all of the flashback scenes (and there's plenty of 'em), he comes nothing short of an absolute pro. After five films, he has 100% nailed the Jigsaw character.
In terms of directing, David Hackl does an excellent job taking over for Darren Lynn Bousman. There is lots of flashy editing and awesome camera angles, and the constant close-up shots that fans of the series have come to love. Hackl's visual style is very similar to that of Bousman's, and that's saying something. Both directors bring an incredible amount of creativity to the screen, and Hackl sprinkles a little flavoring all his own that makes this new Saw flick a feast for the eyes. There's no arguing that's it's well-made, in terms of both acting and directing.
The latter half of the movie is super intense, and although the runtime is very short, the length is perfect. It lays out the carpet for the next film in the series with amazing bravado, perfected after five films. It seems like they finally know how to leave us with a cliffhanger at the conclusion. As promised, the ending is stunning and shocking, but don't expect it to be on caliber with the first movie, an ending which will be hard to ever top. Even after five films, Saw has not grown stale, and continues to enthrall and thrill fans of the series. It is probably the best movie series ever in terms of continuity. As much as I thought I knew what was coming, the fifth entry in the Saw series threw out shock after shock and never ceased to surprise me. Once the credits start, you are left craving more, which will make the next and final entry in the Saw series one that this particular fan will very much be looking forward to.
Wusstest du schon
- WissenswertesScott Patterson was apprehensive about sticking his head in a sealed box that would fill with water. The trap was tested beforehand and didn't go well, which only added to his concern. He ultimately stepped up and did the scene himself without resorting to a stuntman. The trick to the stunt is that the walls of the box were slid open by stagehands, draining the trap as soon as he signaled with his hands. Several takes were required, however, to capture the scene as he found himself uncomfortable at various points during the shooting of this scene.
- Patzer(at around 1h 7 mins) Detective Mark Hoffman steals Agent Peter Strahm's cellphone out of the evidence locker, and uses it to call Agent Dan Erickson. Erickson answers the phone thinking it was actually Agent Peter Strahm. However Erickson should have known that Strahm's cellphone was in evidence, and therefore known that it could have been someone else using the cellphone.
- Alternative VersionenAlso available in an unrated director's cut version, which restores deleted scenes and the violence originally cut for an "R" rating.
- VerbindungenEdited from Saw (2004)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Lưỡi Cưa 5
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.800.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 56.746.769 $
- Eröffnungswochenende in den USA und in Kanada
- 30.053.954 $
- 26. Okt. 2008
- Weltweiter Bruttoertrag
- 113.864.059 $
- Laufzeit1 Stunde 32 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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