IMDb-BEWERTUNG
5,8/10
144.790
IHRE BEWERTUNG
Nach Jigsaws grausamem Tod wird Mark Hoffman als Held gefeiert, aber Agent Strahm ist misstrauisch und vertieft sich in Hoffmans Vergangenheit. Währenddessen wird eine andere Gruppe den grau... Alles lesenNach Jigsaws grausamem Tod wird Mark Hoffman als Held gefeiert, aber Agent Strahm ist misstrauisch und vertieft sich in Hoffmans Vergangenheit. Währenddessen wird eine andere Gruppe den grausamen Tests unterzogen.Nach Jigsaws grausamem Tod wird Mark Hoffman als Held gefeiert, aber Agent Strahm ist misstrauisch und vertieft sich in Hoffmans Vergangenheit. Währenddessen wird eine andere Gruppe den grausamen Tests unterzogen.
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- 1 Gewinn & 2 Nominierungen insgesamt
Empfohlene Bewertungen
While this is still a watchable, well acted movie that continues on the Saw tradition well I have to give it a lower rating because it just was not as good as the previous installments. The plot and the traps that we have come to be surprised by seemed to be a more predictable and rushed along by the makers of the movie. It seemed like this movie could have just been tossed in with part 4 to make one big movie as the prequel to the next part. So to me it seemed like the studio just split up 1 movie into 2 parts to capitalize on the profits....which they have done well I might add because myself and many other movie goers packed the theater for the 5th Saw installment. So in closing I think this movie may be adequate for the die hard saw fans, not nearly good enough for new comers, and winds up lacking far more than it gives. That is why I can only give this movie a 5 out of 10
Given that the Saw films are notable for their unexpected plot twists, the fact that this was the most predictable one makes it difficult to see why it scored the "You won't believe how it ends" tagline. Otherwise, it's decent. It blows Saw III out of the water, but I don't feel it really compares to the other three. I can appreciate that they're trying to bring it back to what the original was all about; a brilliant plot with a couple of gory scenes (the previous two have been somewhat gore-laden with little story for my liking), the problem being, unfortunately, that the plot is fairly weak. The intensity of the torture scenes is greatly increased, though, by the rest period between them.
As a horror film, this works, but don't expect Saw - and don't expect to be blown away by the ending, because it is nothing special. That said, if you're addicted to the Saw saga as so many of us are, there's no harm in going out to see it.
As a horror film, this works, but don't expect Saw - and don't expect to be blown away by the ending, because it is nothing special. That said, if you're addicted to the Saw saga as so many of us are, there's no harm in going out to see it.
To say the least, I was NOT disappointed. I enjoyed the film as much as I thought I would. Going in, I had some doubts, what with a new director and this being a fifth installment in a horror series (they usually start sucking by the 3rd).
As soon as the opening credits start, you can already tell that a different director had his hands on the project. Acceptence doesn't take long to sink in though. As expected, the film meets the typical Saw requirements. Multiple traps and more revealing back-story.
Simply put, Saw V should not disappoint the loyal Saw fan. I know I'll be back for the next installment with bells on.
Seeing that this is the fifth film, you simply MUST see 1-4 in order to truly understand all the flashbacks. I don't want to give anything away, so all I will say is this: The very last trap in this film is one of my new favorites. . .
As soon as the opening credits start, you can already tell that a different director had his hands on the project. Acceptence doesn't take long to sink in though. As expected, the film meets the typical Saw requirements. Multiple traps and more revealing back-story.
Simply put, Saw V should not disappoint the loyal Saw fan. I know I'll be back for the next installment with bells on.
Seeing that this is the fifth film, you simply MUST see 1-4 in order to truly understand all the flashbacks. I don't want to give anything away, so all I will say is this: The very last trap in this film is one of my new favorites. . .
After so many sequels, one should expect a series to be driven to the ground. Although it's getting a bit tiring, Saw fans, & for that matter, fans of gore, shouldn't be disappointed with the fifth movie. Saw 5 still follows the same routine of the cat and mouse game... but of course, as always, telling you too much of the plot is a ruining the game for you. Let's keep it at the thin plot description already given: a detective goes out of his way to make sure that his secret is kept, before an agent uncovers his identity. The subplot involves 5 individuals who are somehow connected, and must work their way out of traps.
The traps still prove to be especially cruel, perhaps a little too cruel, but even that is worked into the story. It involves quite a bit of the past, much like Saw 4, it will give you more of the origin of the characters, whether it's needed or not. Minimizing flashbacks, it instead will fill in a number of plot and character holes.
This is David Hackl's directional debut. Considering he's been around since Saw 2 as production designer, this is a solid step forward. There's no doubt that these somehow ingenious, if not over the top story lines that interconnect were made up well after the fact, but that doesn't change the fact that the scriptwriters were keen on at least making an effort to do exactly that. Tie things in, making the package look neater, & hoping you don't think about it too much that you start to see the implausibility of it all.
If you have not seen the previous Saw's, you will be lost here, as you will be left with confusing tie in's and past incidents that mesh too well with the present. It's just not kind to new viewers.
All in all, I can't complain about Saw 5, because I got exactly what I expected. Clever, deadly traps, uncomfortable situations, & of course, the "twist" at the end. There's no denying that one particular actor that's been in all the Saw's is especially good at what he does.
For the most part, I would suggest waiting for a rental. I think that some viewers may grow tired of the series because it comes out every year. The nature of an audience viewing sequels is that it dwindles in number over time, as "sequelitis" sets in. But if you enjoyed the previous Saws & all their abusive, bloody, cruel, & heartless drama, you don't need me to suggest anything to you.
The traps still prove to be especially cruel, perhaps a little too cruel, but even that is worked into the story. It involves quite a bit of the past, much like Saw 4, it will give you more of the origin of the characters, whether it's needed or not. Minimizing flashbacks, it instead will fill in a number of plot and character holes.
This is David Hackl's directional debut. Considering he's been around since Saw 2 as production designer, this is a solid step forward. There's no doubt that these somehow ingenious, if not over the top story lines that interconnect were made up well after the fact, but that doesn't change the fact that the scriptwriters were keen on at least making an effort to do exactly that. Tie things in, making the package look neater, & hoping you don't think about it too much that you start to see the implausibility of it all.
If you have not seen the previous Saw's, you will be lost here, as you will be left with confusing tie in's and past incidents that mesh too well with the present. It's just not kind to new viewers.
All in all, I can't complain about Saw 5, because I got exactly what I expected. Clever, deadly traps, uncomfortable situations, & of course, the "twist" at the end. There's no denying that one particular actor that's been in all the Saw's is especially good at what he does.
For the most part, I would suggest waiting for a rental. I think that some viewers may grow tired of the series because it comes out every year. The nature of an audience viewing sequels is that it dwindles in number over time, as "sequelitis" sets in. But if you enjoyed the previous Saws & all their abusive, bloody, cruel, & heartless drama, you don't need me to suggest anything to you.
I watched Saw V with a good opening night crowd here in Sydney. I've enjoyed all of the Saw films, predictably liking some episodes a lot more than others, and Saw V is, again, very watchable, with some intense moments and no shortage of grisliness. But I'd still say it's the weakest entry in the series to date. The trouble is that the main narrative addition for this episode, which has to sustain half the running time, turns out to be a dramatically weak one. I don't think a Saw film ever previously failed to create excitement or new meaning via one of its big twisty revelations, but Saw V's add next to nothing. The knowledge gained doesn't force any re-evaluation of the past events it concerns; you just see and know a bit more about them, and to no great effect, except for the fact that Tobin Bell's performance is always compelling, maybe even more so when he's talking to people who aren't stuck in Jigsaw's deathtraps.
The Saw films have demonstrated an unfeasibly high success rate over time in terms of pulling off twist after twist and having them nearly all hit home. With this track record, it seems inevitable that there'd be a significant stumble at some point. They've never been bulletproof films (and thrillers are the genre that are hardest to bulletproof), but I'd say Saw V is definitely the stumble. In spite of this, it still keeps in enough with the series in general for me to be ready for Saw VI in 2009 - which I hope will be better work.
The Saw films have demonstrated an unfeasibly high success rate over time in terms of pulling off twist after twist and having them nearly all hit home. With this track record, it seems inevitable that there'd be a significant stumble at some point. They've never been bulletproof films (and thrillers are the genre that are hardest to bulletproof), but I'd say Saw V is definitely the stumble. In spite of this, it still keeps in enough with the series in general for me to be ready for Saw VI in 2009 - which I hope will be better work.
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- WissenswertesScott Patterson was apprehensive about sticking his head in a sealed box that would fill with water. The trap was tested beforehand and didn't go well, which only added to his concern. He ultimately stepped up and did the scene himself without resorting to a stuntman. The trick to the stunt is that the walls of the box were slid open by stagehands, draining the trap as soon as he signaled with his hands. Several takes were required, however, to capture the scene as he found himself uncomfortable at various points during the shooting of this scene.
- Patzer(at around 1h 7 mins) Detective Mark Hoffman steals Agent Peter Strahm's cellphone out of the evidence locker, and uses it to call Agent Dan Erickson. Erickson answers the phone thinking it was actually Agent Peter Strahm. However Erickson should have known that Strahm's cellphone was in evidence, and therefore known that it could have been someone else using the cellphone.
- Alternative VersionenAlso available in an unrated director's cut version, which restores deleted scenes and the violence originally cut for an "R" rating.
- VerbindungenEdited from Saw (2004)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- El juego del miedo V
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.800.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 56.746.769 $
- Eröffnungswochenende in den USA und in Kanada
- 30.053.954 $
- 26. Okt. 2008
- Weltweiter Bruttoertrag
- 113.864.059 $
- Laufzeit
- 1 Std. 32 Min.(92 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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