Das Leben eines Mannes ist aus den Fugen geraten, wenn sich ein ominöses Muster von Ereignissen jeden Tag auf genau die gleiche Weise wiederholt und genau um 14.22 Uhr endet.Das Leben eines Mannes ist aus den Fugen geraten, wenn sich ein ominöses Muster von Ereignissen jeden Tag auf genau die gleiche Weise wiederholt und genau um 14.22 Uhr endet.Das Leben eines Mannes ist aus den Fugen geraten, wenn sich ein ominöses Muster von Ereignissen jeden Tag auf genau die gleiche Weise wiederholt und genau um 14.22 Uhr endet.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
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So I saw this movie on HBO Max and thought it would be perfect to watch on 2/22/22. And honestly, it was kind of underwhelming. The film follows Dylan, who has something bad happen to him every day at precisely 2:22 p.m. As the film goes on, it becomes clear that these events are somehow tied into a larger event that happened at 2:22 in either the past or the future or maybe even both ;). Overall it wasn't a terrible film, but it was nothing great either. At times I was kind of bored, and I never really cared about the characters. It wasn't the worst movie in the world, though, and there was nothing terrible about it. Just nothing great either. But I'm glad I watched it on 2/22/22. Not sure if I would recommend it, though.
A story about mysterious set of events that continue happening to one man at 2:22 every single day. Michiel Huisman stars is an air traffic controller from New York losing his job after experiencing a weird flash of light causing him to blank out at 2:22. The plot tells about his experiencing more and more weird events at the same time after he meets a woman, played by Teresa Palmer. This appears being quite a unique idea for a film story overall it's not easy to understand what is exactly going on. Is it the movie the stars or about this guy? Is it something else? The full cast includes Sam Reid, Maeve Dermody, Remy Hii, and Simone Kessell. To sum up an original idea but the result is nothing more than a barely decent entertainment.
This movie will frustrate you at the end, where you are expecting explanations and loose ends tied up, but no - only a lot of confusion that makes absolutely no sense.
Acting was amateur. Writing was worse, and in fairness is perhaps why the actors made such a poor impression on me.
This movie has no point! Zero!
Acting was amateur. Writing was worse, and in fairness is perhaps why the actors made such a poor impression on me.
This movie has no point! Zero!
Overall I enjoyed this movie but I think it was more style than substance. The direction and visuals were excellent - it's possibly worth watching the movie solely for them, especially if that's your kind of thing. The aerial ballet and art exhibit scenes in particular (which you get a hint of in the trailer) were stunning. It's a well-made movie with a sufficient budget.
I don't want to spoil anything, so I'll just say it reminded me of Knowing and Twelve Monkeys - however, compared to those two movies, the stakes felt rather low and the mystery was never particularly compelling, on top of being a little too predictable. I always felt I knew the general direction it was heading, even if I didn't have all the details yet.
I don't want to spoil anything, so I'll just say it reminded me of Knowing and Twelve Monkeys - however, compared to those two movies, the stakes felt rather low and the mystery was never particularly compelling, on top of being a little too predictable. I always felt I knew the general direction it was heading, even if I didn't have all the details yet.
I have to admit I don't understand the extreme negativity in some of the reviews.....especially considering the amount of uninspired garbage in movie theaters these days.
Now, 2:22 is not a masterpiece, and like most movies it has weaknesses, but its strength is that it builds a sense of suspense without the usual car chases and urban shoot outs that seem to please the ADD crowds so much. The acting is solid (not Oscar material but better than hinted at in many reviews), the direction and special effects are very polished, and, more importantly, the slow accretion of mysterious details and surreal circumstances make it far more interesting, IMO, than most movies currently on offering. I think this movie also does a good job, overall, of hinting at parts of the ending but at the same time maintaining a sense of suspense about how exactly the mysterious events and patterns noticed by the main character will come together.
This is not a realistic thriller, with a clear cut plot and an ending that explains every minor thread or detail in its story, or a relentless action movies with plenty of explosions and other events that ultimately mean nothing, or a bloated love story with SF elements. Hence, I think, the disappointment of some viewers.
The way I see it this is a movie that, despite its imperfections, evolves into a subtle, psychological thriller that hints at man's endless fascination with patterns (in our Universe, in our life, in history etc) and at our sense of wonder of how we fit in it. A movie that while providing us with an interesting story also asks us to add to the plot our own interpretation of the events, and our own sense of wonder about the mystery of our existence.
Now, there is no doubt that other movies on similar topics are superior (12 monkeys and Groundhog day come to mind, among others), but I still think this is one of the few movies worth watching I've seen this year, despite its limitations. At least it asks the watcher to actually engage his brain instead of just switching off and let the explosions roll on until the cardboard cutout bad guy/guys are vanquished.
Now, 2:22 is not a masterpiece, and like most movies it has weaknesses, but its strength is that it builds a sense of suspense without the usual car chases and urban shoot outs that seem to please the ADD crowds so much. The acting is solid (not Oscar material but better than hinted at in many reviews), the direction and special effects are very polished, and, more importantly, the slow accretion of mysterious details and surreal circumstances make it far more interesting, IMO, than most movies currently on offering. I think this movie also does a good job, overall, of hinting at parts of the ending but at the same time maintaining a sense of suspense about how exactly the mysterious events and patterns noticed by the main character will come together.
This is not a realistic thriller, with a clear cut plot and an ending that explains every minor thread or detail in its story, or a relentless action movies with plenty of explosions and other events that ultimately mean nothing, or a bloated love story with SF elements. Hence, I think, the disappointment of some viewers.
The way I see it this is a movie that, despite its imperfections, evolves into a subtle, psychological thriller that hints at man's endless fascination with patterns (in our Universe, in our life, in history etc) and at our sense of wonder of how we fit in it. A movie that while providing us with an interesting story also asks us to add to the plot our own interpretation of the events, and our own sense of wonder about the mystery of our existence.
Now, there is no doubt that other movies on similar topics are superior (12 monkeys and Groundhog day come to mind, among others), but I still think this is one of the few movies worth watching I've seen this year, despite its limitations. At least it asks the watcher to actually engage his brain instead of just switching off and let the explosions roll on until the cardboard cutout bad guy/guys are vanquished.
Wusstest du schon
- WissenswertesDuring its one week theatrical release from June 30 to July 6, it only made $422, making it the lowest grossing film of 2017.
- PatzerIn the opening scenes of New York the Twin Towers are clearly visible. In a later scene of New York we see the One World Trade Center.
The first scene is in the dream. At that time in the dream, the twin towers still stood.
- VerbindungenReferences Am Rande des Rollfelds (1962)
- SoundtracksCool on Fire
Performed by Daniel Johns
Composed by Daniel Johns / Joel Little
Licensed by Sony/ATV Music Publishing (Australia) Pty Limited & EMI April Music Inc. Licensed by EMI Music Publishing Australia Pty Limited
Under license from Eleven: A Music Company Pty Ltd
Licensed courtesy of Universal Music Australia Pty Limited
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 422 $
- Eröffnungswochenende in den USA und in Kanada
- 294 $
- 2. Juli 2017
- Weltweiter Bruttoertrag
- 3.945.729 $
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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