Avant l'aube

This is a flat story that begins with a promising start then quickly turns into a snoozefest and finishes with a whimper. The acting and cinematography are indeed above the average. The female police character is laughable cliche with 70's Peter Falk impersonation. Although it's classified as a thriller there's hardly any tension in the unfolding drama that fails to create a shred of suspense.

Gloom atmosphere of the October - period in a holiday resort in the Pyrenees. The setting reminds of an Hitchcock film, the tension, the characters, the closed environment, alas not the film direction. The objects and evidences of the culprit do not play the role they could in building up the suspense, there is no follow up. I found that the whole story and suspense lands flat on its nose. Good acting from most of the cast, and especially from the second roles. The hotel does not look real for one moment, with real customers, that is a pity.

Good scenario and story, lacking somehow inspiration. Worth seeing in spite of its dull moments.

If you love the Haute Pyrenees this is a winter's view of that treacherous landscape filled with narrow winding roads in the middle of nowhere. An accident happens and is covered up. The night clerk knows who did it. At first he is given a better job to keep his mouth shut, but an inspector is persistent and the hotel owner let's him go. He has no money and robs the hotel. He is taken in. Will he tell the truth? The unique winter landscape is the main reason to see this. The actors are good. The script is a stupid cover up of a snowy road accident. The whole thing could have been explained. I would still recommend it.

Some films stand or fall because of one actor, not only because most of the screen time he's there, but because the action pivots on him. This is the case of Vincent Rottiers, whose "Frédéric Boissier" will stay in my memory for a long time.

Well known actors J. P. Bacri, beautiful L. Mikaël and F. Perrot on the surface are the perfect family, owners of a hotel in the chic Pyrinees, serving the wealthy and powerful. But from the first scenes we know something is rotten, and Bacri knows Fréderic has seen to much. As this boy with a troubled past has no family and a simple girlfriend, Machiavellian Bacri buys our friend F. with trifles. A coat from his own son (who subsequently hates him), some awful stiff dinners with his stressed family, staying at the worst employee's room for a few days. And affection, plus a father figure, which F. never had and needs so badly.

Bacri is of course perfect as a likable guy who even while blatantly lying, you wind up still believing him. We've all been used by people like "Jacques".

Nice well shot scenery (even if you don't like the snow & mountains), well used (sparsely) classical music, and a glimpse into a world most of us won't ever know (pricey winter resorts) seen from the owner and the worker's perspective, to boot.

I didn't like the female inspector's character, played by Sylvie Testud ("Ce que mes yeux ont vu" among others) who this time, strangely enough, is not believable at all, I am sure, because of a "thin" character, always clumsy, asking some questions but ultimately not delivering much.

"Jacky", Fréderic's coworker, is also a hidden gem of a character. If you've been envied by somebody without knowing why, you know Jacky.

Sadly beautiful Céline Sallette (Le grand alibi) is also moving in this film, albeit in a small role.

It'll keep you gripping at your seat until the end, and then some. Can't say the same of most blockbusters you'll ever see :)!

PS: There are some loose threads, about a car's light that F. finds, for instance, and doesn't put to good use. Just a passing thought.

Filmed in a unique place at the Pyrenees. film about the subtleties of justice and injustice. Amazing acting by lead character playing a marginal young man.