IMDb-BEWERTUNG
6,2/10
2512
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA comedy about ordinary people with unique dilemmas. How far will they go? Will the cocktail of desperation, friendship, loneliness, love and even a brush with cannibalism derail their inten... Alles lesenA comedy about ordinary people with unique dilemmas. How far will they go? Will the cocktail of desperation, friendship, loneliness, love and even a brush with cannibalism derail their intent?A comedy about ordinary people with unique dilemmas. How far will they go? Will the cocktail of desperation, friendship, loneliness, love and even a brush with cannibalism derail their intent?
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 7 Gewinne & 1 Nominierung insgesamt
Antony Sher
- Maurice
- (as Sir Antony Sher)
Emma Barnett
- Suzie
- (Nicht genannt)
Stefan D'Bart
- Book Shop Man
- (Nicht genannt)
Eamonn Holmes
- TV Newsreader
- (Synchronisation)
- (Nicht genannt)
Empfohlene Bewertungen
Although the producers have classed it as a comedy, I don't really find it can fit under just one genre. It wasn't a comedy of the sort like "American pie", "School of Rock" or "The Simpsons film" (just to name some really famous ones) in which you get regular jokes, set characters to make you laugh e.g. homer or jack black in that case, where you expect to say or do stupid/funny things, it was more of a literal 'film', perhaps like "Bridget Jone's diary", only whereas the same comedy style mentioned above, featuring some elements of comedy and its few moments, but not an actual pure comedy like the 3 examples I gave earlier.
I would actually call it more one of those films like "there will be blood" or "thirteen" that really just make you think or reflect, films that would be good to watch if you are interested in sociology. I must admit I find it hugely ironic that out of the many many films I've seen in my time that this, a classed "comedy" that is the only film other than "ghost" (I was very very young) that has ever managed to actually make me cry. The ending left me feeling very upset, as were literally almost the rest of the audience as they walked out the screen, you grow an attachment to the characters.
I was sceptical about seeing the film at first as the issue of the proposed comedy was suicide, but I think the directors didn't handle it controversially or distastefully overall. I also enjoyed how the film made me think about how everyone literally has such a past and a story to tell.
Overall I think the film was worth seeing, and would recommend it if you want something abit stronger or harder then the average film. Prehaps the producers were also unsure of how to really class this film into a genre.
I would actually call it more one of those films like "there will be blood" or "thirteen" that really just make you think or reflect, films that would be good to watch if you are interested in sociology. I must admit I find it hugely ironic that out of the many many films I've seen in my time that this, a classed "comedy" that is the only film other than "ghost" (I was very very young) that has ever managed to actually make me cry. The ending left me feeling very upset, as were literally almost the rest of the audience as they walked out the screen, you grow an attachment to the characters.
I was sceptical about seeing the film at first as the issue of the proposed comedy was suicide, but I think the directors didn't handle it controversially or distastefully overall. I also enjoyed how the film made me think about how everyone literally has such a past and a story to tell.
Overall I think the film was worth seeing, and would recommend it if you want something abit stronger or harder then the average film. Prehaps the producers were also unsure of how to really class this film into a genre.
I avoided anything with Mackenzie Crook in, because I had always associated him with Ricky Gervais, and I absolutely hate Ricky Gervais. I then saw' The Detectorists 'which I absolutely fell in love with, and saw Mackenzie in a different light, which led me to watching this. What a great film, characters you care about, excellent performances, unique story line and lots of subtle laughs.
What a great British movie, I'm so surprised and disappointed that 2 people's low score have given this an average of a poultry 5.3!! This film is a 7 average (or more) if ever I saw one. I don't often comment on IMDb but this left me feeling like I had too. The film is enjoyable, insightful, full off feeling and comedy and would be enjoyed by anyone from the UK. I'm pleased to see Mackenzie Crook choosing to star in such well produced independent movies and would recommend this to anyone. Please give this a chance and comment back to raise this poor average score to something more in line with what the film deserves. An excellent film with a great cast and original storyline, well done!
After so many years of waiting for a worthy British comedy since Bridget Jones' Diary, this fine piece of work came as a breath of fresh air. After watching it half way i thought they could have done better but at the end of the movie everything made sense. Well its a British movie and it is very British, it outlines dilemmas that are faced by day to day men as we all try to work smart and not hard(with less in return). It seems there has been a lot of controversy as most(tube trade union) believe that the movie is insensitive towards tube workers. One wonders, but when did the British lose their sense of humour? this a comedy! I just believe it was an opportunity for some to get onto our screens. Everyone who has been to London knows that the tube is never reliable, but thats another subject. When titanic hit the screens no one went to protest but I am sure far more people have perished in the seas. The first good movie in a decade comes out and all these sharks are coming at it in full swing, please lets give this movie some credit it deserves.
This is an entertaining British movie, kind of in the tradition of "Shaun of the Dead" (but without the zombies) or "Keeping Mum". Like those films it is a pitch-black comedy, but with a surprisingly soft heart at its center.
The story is about a London tube driver (MacKenzie Crook)who has accidentally run over two people in a month and will receive a retirement pension if he hits a third. So he tries to find a suicidal candidate who will agree to jump in front of his train. Naturally, his plans go hilariously awry. He first goes on the internet and meets an extreme German pervert who wants to be eaten (making hilarious light of a very disturbing incident that really did happen in German). He finally settles on a suicidal vagrant (Colm Meaney), but before they complete their "deal", he winds up accompanying, his new associate on a trip to the Lake District to have a final reconciliation with his estranged wife and embittered adult daughter (Gemma Areton).
Colm Meaney really makes this movie. He is very funny, but also a very tragic and redemptive character who really allows this movie to transcend its initial very funny, but obviously very silly, conceit to become something genuinely moving. Gemma Areton has a smaller part as his daughter, but she is both genuinely boner-inducing and really great. Frankly, her nude scene is worth the price of admission all by itself, but the movie still would have been good without it. As for Crook, he is more than adequate, as is Imelda Staunton as the wife. I'd definitely recommend this one.
The story is about a London tube driver (MacKenzie Crook)who has accidentally run over two people in a month and will receive a retirement pension if he hits a third. So he tries to find a suicidal candidate who will agree to jump in front of his train. Naturally, his plans go hilariously awry. He first goes on the internet and meets an extreme German pervert who wants to be eaten (making hilarious light of a very disturbing incident that really did happen in German). He finally settles on a suicidal vagrant (Colm Meaney), but before they complete their "deal", he winds up accompanying, his new associate on a trip to the Lake District to have a final reconciliation with his estranged wife and embittered adult daughter (Gemma Areton).
Colm Meaney really makes this movie. He is very funny, but also a very tragic and redemptive character who really allows this movie to transcend its initial very funny, but obviously very silly, conceit to become something genuinely moving. Gemma Areton has a smaller part as his daughter, but she is both genuinely boner-inducing and really great. Frankly, her nude scene is worth the price of admission all by itself, but the movie still would have been good without it. As for Crook, he is more than adequate, as is Imelda Staunton as the wife. I'd definitely recommend this one.
Wusstest du schon
- WissenswertesGemma Arterton's first nude scene. "I've done many films I'm not happy with but there's only one I really regret doing," she said in a 2015 interview. "I was very young, and the director exploited me in a sex scene. It was totally inappropriate - and I remember my boyfriend at the time saying the same thing. It was put into the middle of a comedy which totally didn't warrant it and I was too young to stand up for myself."
- PatzerIn the scene in Paul's apartment after he and Tommy have come back from the Lake District, you can clearly see a camera man in the mirror.
- Crazy CreditsClips from the film are shown during the ending, ending on Paul Callow thanking Frankie.
- VerbindungenFeatured in Starfilm (2017)
- SoundtracksAccidents Will Happen
Written by Elvis Costello
Published by Universal Music Publishing MGB Ltd
Performed by Elvis Costello
Courtesy of Universal Music Enterprises
Under license from Universal Music Operations
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- A Deal Is a Deal
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 5.750.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 607.324 $
- Laufzeit1 Stunde 46 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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