IMDb-BEWERTUNG
5,2/10
6074
IHRE BEWERTUNG
Ein Coming-of-Age-Psychothriller, der die beunruhigende Realität eines Jungen ausspielt, der seine Familie in einem Erdloch gefangen hält.Ein Coming-of-Age-Psychothriller, der die beunruhigende Realität eines Jungen ausspielt, der seine Familie in einem Erdloch gefangen hält.Ein Coming-of-Age-Psychothriller, der die beunruhigende Realität eines Jungen ausspielt, der seine Familie in einem Erdloch gefangen hält.
- Auszeichnungen
- 3 Gewinne & 7 Nominierungen insgesamt
Empfohlene Bewertungen
John and the Hole is elevated by its methodical pacing, pretty cinematography, and engaging performances from the entire cast; but the film is ambiguous to the point of frustration, and all these aforementioned strengths can't make up for the fact that it tests the audience's patience over and over again and never rewards them for it.
There are several scenes in the movie in which a VERY intriguing character motivation or plot element will be introduced, and every single one of these moments is immediately forgotten and never mentioned again.
I was never bored because I kept wondering where the story was going to go next and why John was doing the things he did; what role did his family play in driving him to his breaking point, if any? But my intrigue never payed off.
I won't spoil anything because there isn't anything to spoil. There are no revelations, twists, or anything of the sort. The movie just plods along introducing a bunch of red herrings, and then it ends.
This ends this film and my memory of its existence.
The end.
There are several scenes in the movie in which a VERY intriguing character motivation or plot element will be introduced, and every single one of these moments is immediately forgotten and never mentioned again.
I was never bored because I kept wondering where the story was going to go next and why John was doing the things he did; what role did his family play in driving him to his breaking point, if any? But my intrigue never payed off.
I won't spoil anything because there isn't anything to spoil. There are no revelations, twists, or anything of the sort. The movie just plods along introducing a bunch of red herrings, and then it ends.
This ends this film and my memory of its existence.
The end.
JOHN AND THE HOLE is a fascinating look into the feeling of nothingness, and existence without empathy. "What does it feel like to be an adult," asks John, because he just can't imagine living that long. A strange tale of swapping power dynamics and unexpected connection, when the film is good, it's great. It's hard not to feel held at arm's length, however, wanting to embrace what's happening but not being fully able to. It's the small, almost missable, moments that are the most chilling. But it's a little too hollow at its core. Charlie Shotwell impressively intimidates, while Taissa Farmiga shines in a limited role.
This had a lot of good things going for it: a decent plot idea, good actors, nice cinematography, creepy vibe, a creative take on the whole coming-of-age genre. But it totally fell flat. It didn't go anywhere. Parts were just completely pointless and it took itself waaaay too seriously. In the end it had no discernible cohesion. Not really worth a watch.
I have said this review doesn't contain spoilers but I guess by me saying it's absolute tripe I may have lied.
Utter garbage and totally pointless.
Utter garbage and totally pointless.
This film is a disappointing example of an intriguing premise, good acting, good cinematography, and strong sound design and score not adding up to anything worthwhile. The sum is much lesser than its parts.
I am also disappointed in the writing, as Giacabone penned both Birdman and Biutiful, two astoundingly original film concepts. I suppose the difference here is that, instead of a master like Innaritu at the helm, we have first-timer Pascual Sisto who is more interested in mood and pastiche than creating a cohesive experience. Haneke or Lanthimos this ain't, and it's heavy borrowing from each winds up getting in the way of what could have been a more interesting film.
I am sure that on second viewing, one might peel back another layer or two, but I don't feel the desire. I may check out Sisto's next project, but this one was kind of a bust for all of its technical achievement.
I am also disappointed in the writing, as Giacabone penned both Birdman and Biutiful, two astoundingly original film concepts. I suppose the difference here is that, instead of a master like Innaritu at the helm, we have first-timer Pascual Sisto who is more interested in mood and pastiche than creating a cohesive experience. Haneke or Lanthimos this ain't, and it's heavy borrowing from each winds up getting in the way of what could have been a more interesting film.
I am sure that on second viewing, one might peel back another layer or two, but I don't feel the desire. I may check out Sisto's next project, but this one was kind of a bust for all of its technical achievement.
Wusstest du schon
- WissenswertesThe piano playing scene was actually just Charlie Shotwell practicing piano and he didn't realize it was going to be in the movie until he saw a cut of it.
- VerbindungenReferences Jeanne Dielman (1975)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Un lugar secreto
- Drehorte
- New England Studios, Devens, Massachusetts, USA(filming location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 25.386 $
- Eröffnungswochenende in den USA und in Kanada
- 16.658 $
- 8. Aug. 2021
- Weltweiter Bruttoertrag
- 26.069 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Seitenverhältnis
- 1.33 : 1
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