Der unscheinbare und gemobbte Oskar findet durch die schöne, aber eigenartige Eli Liebe und Rache.Der unscheinbare und gemobbte Oskar findet durch die schöne, aber eigenartige Eli Liebe und Rache.Der unscheinbare und gemobbte Oskar findet durch die schöne, aber eigenartige Eli Liebe und Rache.
- Nominiert für 1 BAFTA Award
- 76 Gewinne & 58 Nominierungen insgesamt
Johan Charles
- Andreas
- (as Johan Sömnes)
Malin Cederblad
- Sjukhusreceptionist
- (as Malin Cederbladh)
Empfohlene Bewertungen
Tomas Alfredson's "Let The Right One In" is an original, dark, twisted and gory horror fantasy, one of those special films that are hard to classify. Not merely an exercise in style, his film is a brilliant piece of amoral storytelling, and even if some characters' actions defy any logic or common sense (I don't wanna spoil any moment here, but you'll know what I mean when the first revenge moment of the story happens), they seem to be there just to remind you that this is just a fantasy tale (but not for the little ones!). Oskar (Kåre Hedebrant) is a 12 year-old bullied boy that befriends and develops an innocent crush on his new neighbor, Eli (Lina Leandersson), who happens to be a vampire. What comes next is a twisted tale of revenge and pubescent love, made with visual flair (the swimming pool scene is already classic), creative directing and impressive performances by the young pair of protagonists.
Hollywood, of course, didn't waste time and already announced an upcoming remake for those who are too lazy to read subtitles. Most likely, the remake will turn out to be PG-13 in order to make more money, and be filled with moral values so the prudish parents will let their kids watch the movie (don't they know "The Little Vampire" was made years ago?). Ignore the future bomb and enjoy the original - you're in for a treat! 10/10.
Hollywood, of course, didn't waste time and already announced an upcoming remake for those who are too lazy to read subtitles. Most likely, the remake will turn out to be PG-13 in order to make more money, and be filled with moral values so the prudish parents will let their kids watch the movie (don't they know "The Little Vampire" was made years ago?). Ignore the future bomb and enjoy the original - you're in for a treat! 10/10.
10crmang
I am not particularly fond of the vampire genre, but this movie is so much more. It is artistic, poetic, and in many ways a very profound movie exploring the nature of good and evil. It does so through the world of a child where both pure evil and pure goodness are somewhat discernible, and it achieves an astounding array of contrasts that allow us to see that good and evil can coexist side by side. Doing so, this movie is very thought-provoking, leaving the audience yearning to read the novel. In short, this movie is a gem. There is no need to remake this movie which according to IMDb.com they will be. You don't need to wait until 2010, you should watch this movie now.
Let the right one in is a crime drama horror film about a boy named Oscar living in a small Swedish town who's bullied by his classmates while his mother works nights. One night,a young girl moves next door named Eli. The two become friends and Oscar discovers how intelligent Eli is but she has a secret,all of the grisly murders in the town have lead up to Eli and soon Oscar discovers her dark,dark secret. Let the right one in was a originally a Swedish book written by a John something something. The book spawned a sequel called 'Let The Old Dreams Die' and it also become an American remake named 'Let Me In' starring Chloe Grace Mortez,I didn't like the remake cause I thought it wasn't realistic at all. This film was absolutely stunning that it became one of my favourite vampire movies. The book I bought before and I read a few pages but it wasn't as good as the film. From two young Swedish actors who you'd expect to be bad but they were actually brilliant as if they had acted before. Please watch this film!!
Twelve year old Oskar (Kare Hedebrant) lives with his mother in an apartment block, at school he is called Piggy and is relentlessly bullied by three other boys. Then he meets his neighour Eli (Lina Leandersson), who tells him "I am twelve, but I have been twelve for a long time" - brilliant! Oskar is a bright kid, a series of murders in which victims are drained of blood and Eli's ability to climb walls combined with her nocturnal lifestyle leads him to ask if she is a vampire.
Let the Right One In is a vampire movie, but it is more than just horror, it is also a coming of age drama and indeed a love story. The two leads are amazing, two of the best child performances that I have seen. One other thing that impressed me was the snow covered Swedish landscape, not only does it look wonderful but it gives the film a cold, bleak look.Red blood on snow, very effective. This movie isn't for everyone - if you don't speak fluent Swedish then it means subtitles, and at almost two hours it may prove too long for viewers who become impatient with slow burners. This was my second viewing, both times during Winter as I think watching it during warmer months may lessen the impact. Essential viewing for lovers of European horror and contemporary vampires.
10c99432
I have watched both Twilight and Let the Right one in.
I strongly feel that Let the Right outruns Twilight on almost EVERY SINGLE ASPECT, except, of course, advertisement, due to the inequality of budgets. (a Swedish director vs a Hollywood one, come on...) If Twilight is no more than an idol gallery under the skin of vampire horror, Let the Right one in is such a film that completely redefines people's perception on traditional vampire horrors.
There aren't many gory scenes or special visual impacts, unlike Twilight being fraught with computer generated scenes. Plus, the pace of Let the Right is slow, without many exaggerations. Yet, the audience could feel the profound impact of the film within, an impact that totally transcends cheap sensory stimuli, while exerting a quiet yet POWERFUL "shake" upon people's soul.
I felt very upset that an American remake will be done next year. From our common sense, we could deduct how the remake would be compared to the original. Before the remake ruins the story, do yourself a favour watching the originals!!!
If you feel yourself mentally more mature than 15 y.o., go watch Let the Right on in instead of Twilight. You will NOT regret your choice.
I strongly feel that Let the Right outruns Twilight on almost EVERY SINGLE ASPECT, except, of course, advertisement, due to the inequality of budgets. (a Swedish director vs a Hollywood one, come on...) If Twilight is no more than an idol gallery under the skin of vampire horror, Let the Right one in is such a film that completely redefines people's perception on traditional vampire horrors.
There aren't many gory scenes or special visual impacts, unlike Twilight being fraught with computer generated scenes. Plus, the pace of Let the Right is slow, without many exaggerations. Yet, the audience could feel the profound impact of the film within, an impact that totally transcends cheap sensory stimuli, while exerting a quiet yet POWERFUL "shake" upon people's soul.
I felt very upset that an American remake will be done next year. From our common sense, we could deduct how the remake would be compared to the original. Before the remake ruins the story, do yourself a favour watching the originals!!!
If you feel yourself mentally more mature than 15 y.o., go watch Let the Right on in instead of Twilight. You will NOT regret your choice.
Wusstest du schon
- WissenswertesSeveral tricks were used to create the right sound effects for some of the gorier scenes. Biting into sausages was used to replicate biting into skin and flesh, and drinking yogurt was used to sound like drinking blood. The sound of the children blinking was made by the skin of grapes rubbing together in an almost "blinking" motion.
- Patzer(at around 1h 8 mins) When Eli tells Oskar to go after she licks his blood off the floor, her appearance changes in one shot. This was intentional - Eli is actually portrayed by an older actress in that scene, and also briefly in the later scene where Eli counsels Oskar to be like her when dealing with his bullies. In both scenes she is covered in blood, and the older actress was swapped in to give us a glimpse of who Eli really is: much older than she appears, and driven by a monstrous hunger.
- Zitate
Oskar: Eli... Can you and I be together?
Eli: What do you mean?
Oskar: Well... Will you be my girlfriend?
Eli: Oskar... I'm not a girl.
Oskar: You're not?
[pause]
Oskar: Can we be together?
Eli: Can't we just be how we are?
Oskar: I guess...
Eli: Do you do something special if you're "together"?
Oskar: No.
Eli: We stay just as we were?
Oskar: Yes.
Eli: Then I agree...
Oskar: What?
Eli: We can be "together".
Oskar: Really?
Eli: [Whispers] Yes.
Oskar: Good.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Déjame entrar
- Drehorte
- Örnäset, Luleå, Norrbottens län, Schweden(the apartments)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.122.065 $
- Eröffnungswochenende in den USA und in Kanada
- 49.295 $
- 26. Okt. 2008
- Weltweiter Bruttoertrag
- 11.227.336 $
- Laufzeit
- 1 Std. 54 Min.(114 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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