So finster die Nacht

I have watched both Twilight and Let the Right one in.

I strongly feel that Let the Right outruns Twilight on almost EVERY SINGLE ASPECT, except, of course, advertisement, due to the inequality of budgets. (a Swedish director vs a Hollywood one, come on...) If Twilight is no more than an idol gallery under the skin of vampire horror, Let the Right one in is such a film that completely redefines people's perception on traditional vampire horrors.

There aren't many gory scenes or special visual impacts, unlike Twilight being fraught with computer generated scenes. Plus, the pace of Let the Right is slow, without many exaggerations. Yet, the audience could feel the profound impact of the film within, an impact that totally transcends cheap sensory stimuli, while exerting a quiet yet POWERFUL "shake" upon people's soul.

I felt very upset that an American remake will be done next year. From our common sense, we could deduct how the remake would be compared to the original. Before the remake ruins the story, do yourself a favour watching the originals!!!

If you feel yourself mentally more mature than 15 y.o., go watch Let the Right on in instead of Twilight. You will NOT regret your choice.

Let the right one in is a crime drama horror film about a boy named Oscar living in a small Swedish town who's bullied by his classmates while his mother works nights. One night,a young girl moves next door named Eli. The two become friends and Oscar discovers how intelligent Eli is but she has a secret,all of the grisly murders in the town have lead up to Eli and soon Oscar discovers her dark,dark secret. Let the right one in was a originally a Swedish book written by a John something something. The book spawned a sequel called 'Let The Old Dreams Die' and it also become an American remake named 'Let Me In' starring Chloe Grace Mortez,I didn't like the remake cause I thought it wasn't realistic at all. This film was absolutely stunning that it became one of my favourite vampire movies. The book I bought before and I read a few pages but it wasn't as good as the film. From two young Swedish actors who you'd expect to be bad but they were actually brilliant as if they had acted before. Please watch this film!!

Tomas Alfredson's "Let The Right One In" is an original, dark, twisted and gory horror fantasy, one of those special films that are hard to classify. Not merely an exercise in style, his film is a brilliant piece of amoral storytelling, and even if some characters' actions defy any logic or common sense (I don't wanna spoil any moment here, but you'll know what I mean when the first revenge moment of the story happens), they seem to be there just to remind you that this is just a fantasy tale (but not for the little ones!). Oskar (Kåre Hedebrant) is a 12 year-old bullied boy that befriends and develops an innocent crush on his new neighbor, Eli (Lina Leandersson), who happens to be a vampire. What comes next is a twisted tale of revenge and pubescent love, made with visual flair (the swimming pool scene is already classic), creative directing and impressive performances by the young pair of protagonists.

Hollywood, of course, didn't waste time and already announced an upcoming remake for those who are too lazy to read subtitles. Most likely, the remake will turn out to be PG-13 in order to make more money, and be filled with moral values so the prudish parents will let their kids watch the movie (don't they know "The Little Vampire" was made years ago?). Ignore the future bomb and enjoy the original - you're in for a treat! 10/10.

I am not particularly fond of the vampire genre, but this movie is so much more. It is artistic, poetic, and in many ways a very profound movie exploring the nature of good and evil. It does so through the world of a child where both pure evil and pure goodness are somewhat discernible, and it achieves an astounding array of contrasts that allow us to see that good and evil can coexist side by side. Doing so, this movie is very thought-provoking, leaving the audience yearning to read the novel. In short, this movie is a gem. There is no need to remake this movie which according to IMDb.com they will be. You don't need to wait until 2010, you should watch this movie now.

I read the book and loved it. Now, I had the chance to see the movie version at the Gothenburg International Filmfestival 2008, as the movie won the "Nordiska filmpriset". I saw it at a really big screen (700 seats), happy that it delivered fine acting and quality cinema.

Having said that, I'd also agree with what's been said (e.g. above) that the music is a bit over the top. The movie itself is a study in the small: tiny nuances in the classroom and schoolyard, the almost forgotten suburb, the hiding qualities of snow, ice and winter (not to mention the, at least partly, neglected kids). To score such small details with grand strings makes for a bit of a mismatch. Enough on that, some parts have only piano and those work perfectly.

Witout spoiling anything it's safe to say that this first and foremost is a story of friendship. Second, it's a story of revenge. Either way, this is a truly original tale and in many parts a beautiful piece of cinema. Original (and sometimes quite gory) still even the violence seems subdued (at least in comparison to the vampire genre as it has evolved from subtle romance flick to full blown war movie). This movie, however, is about loneliness, friendship and loyalty --- and it's really worth watching. Recommended.