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IMDbPro

Tödliche Augenblicke

Originaltitel: Stolen Lives
  • 2009
  • 16
  • 1 Std. 31 Min.
IMDb-BEWERTUNG
6,1/10
6146
IHRE BEWERTUNG
Jon Hamm and Josh Lucas in Tödliche Augenblicke (2009)
Work has become an obsession for Detective Tom Adkins (Jon Hamm) since the disappearance of his ten-year-old son, Tommy Jr. When an early morning phone call leads him to the mangled remains of a young boy who was brutally murdered 50 years ago, Adkins takes on the case in hopes of finding absolution. His investigation leads him to a man who lived in 1958 named Matthew Wakefield (Josh Lucas) and his innocent son, John. The striking similarities in the cases pushes Adkins' obsession over the top. Barely holding onto his sanity and bound by redemption, Adkins unravels the unspeakable truth behind what happened to his son.
trailer wiedergeben2:03
2 Videos
43 Fotos
CrimeDramaMystery

Ein Detektiv befasst sich mit dem Verlust seines eigenen Sohnes, während er versucht, die Identität eines Jungen aufzudecken, dessen mumifizierte Überreste in einer seit fünfzig Jahren vergr... Alles lesenEin Detektiv befasst sich mit dem Verlust seines eigenen Sohnes, während er versucht, die Identität eines Jungen aufzudecken, dessen mumifizierte Überreste in einer seit fünfzig Jahren vergrabenen Kiste gefunden werden.Ein Detektiv befasst sich mit dem Verlust seines eigenen Sohnes, während er versucht, die Identität eines Jungen aufzudecken, dessen mumifizierte Überreste in einer seit fünfzig Jahren vergrabenen Kiste gefunden werden.

  • Regie
    • Anders Anderson
  • Drehbuch
    • Glenn Taranto
  • Hauptbesetzung
    • Jon Hamm
    • Josh Lucas
    • Rhona Mitra
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,1/10
    6146
    IHRE BEWERTUNG
    • Regie
      • Anders Anderson
    • Drehbuch
      • Glenn Taranto
    • Hauptbesetzung
      • Jon Hamm
      • Josh Lucas
      • Rhona Mitra
    • 38Benutzerrezensionen
    • 27Kritische Rezensionen
    • 34Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos2

    Stolen
    Trailer 2:03
    Stolen
    Stolen (2009)
    Clip 1:07
    Stolen (2009)
    Stolen (2009)
    Clip 1:07
    Stolen (2009)

    Fotos42

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    Topbesetzung57

    Ändern
    Jon Hamm
    Jon Hamm
    • Tom Adkins Sr.
    Josh Lucas
    Josh Lucas
    • Matthew Wakefield
    Rhona Mitra
    Rhona Mitra
    • Barbara
    James Van Der Beek
    James Van Der Beek
    • Diploma…
    Jessica Chastain
    Jessica Chastain
    • Sally Ann
    Joanna Cassidy
    Joanna Cassidy
    • Lea Adkins
    Jimmy Bennett
    Jimmy Bennett
    • John Wakefield
    Morena Baccarin
    Morena Baccarin
    • Rose Montgomery
    Michael Cudlitz
    Michael Cudlitz
    • Jonas
    Andy Milder
    Andy Milder
    • William Daniels
    Holt McCallany
    Holt McCallany
    • Swede
    Jude Ciccolella
    Jude Ciccolella
    • Police Chief
    Rick Gomez
    Rick Gomez
    • Officer JJ
    Marcus Thomas
    Marcus Thomas
    • Pete Dunne
    Graham Phillips
    Graham Phillips
    • Mark Wakefield
    Christian Bender
    • Luke Wakefield
    Sam Hennings
    Sam Hennings
    • Older Luke Wakefield
    Tom Kemp
    Tom Kemp
    • Russell MacArthur
    • Regie
      • Anders Anderson
    • Drehbuch
      • Glenn Taranto
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen38

    6,16.1K
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    Empfohlene Bewertungen

    7Nightmare-Maker

    Good mystery movie...

    Stolen is a good mystery movie.

    If you are looking for something to pass 90 minutes, you could do a lot worse.

    The story basically is a cop, Tom Adkins, is haunted by the disappearance of his son 8 years ago. Then he discovers the remains of another boy about the same age as his own son, who was murdered 50 years previously. He becomes obsessed with the case, which has been long-forgotten. Is the 1958 case, involving down-on-his-luck dad of three family man, Matthew Wakefield and his own sons disappearance linked in any way to that of Tom Adkins?

    Acting is fine by all.

    Personally I thought the film started really well, and I thought the 1958 story was more interesting than the present story. But the ending seemed a tad rushed.

    But, not a bad film at all.

    My advice...well worth renting....but don not buy! (It's a watch once film)
    rooprect

    Intense character study with nice touches of surrealism

    The plot is pretty simple: a man who is searching for his lost son gets wrapped up in a parallel mystery from 50 years earlier. It isn't intended to be a Hitchcockian thriller with lots of action, twists & turns, but instead it's a great character study into the mind of a man who borders on obsession. It asks the questions: when are we supposed to let go, and if we do pursue closure, at what cost? Over the course of his many-year investigation, the man's life becomes a total mess, and in that respect we see some interesting parallels with the excellent Clint Eastwood film "In the Line of Fire" (about a secret service agent who fails to save JFK and who is tasked with foiling a similar assassination decades later). Both films ask us what is the difference between perseverance and obsession? The answer, even after the credits roll, is up to you.

    Something I really liked about this film is the way the director used surrealism to blend the two timelines, 1958 and 2008. Scenes would blend seamlessly from one to the other. For example, there's one shot in a bar where the camera flows through the room beginning in 2008 and ending in 1958 without any cuts. This subtle style, in addition to the underlying mystery of the whole story, forces the audience to keep on their toes.

    The basic plot is pretty straightforward, but there are a lot of background questions & themes that are not as obvious. These questions give the film substance. Religion is a minor theme that crops up visually in the form of crucifixes and subtle lighting effects. Guilt is another subtle yet powerful theme. I also sense a bit of existentialism in that the heroes are subjected to some rotten luck without any apparent rhyme or reason, and it is only through the individuals' strength of character that they manage to make it through the day. In all, there's a ton of stuff going on, and if you like your films to be full of philosophy and questions of morality, this will be a real treat for you.

    Other great films worth checking out are "Changeling" (2008) about a woman searching for her lost son, "A Very Long Engagement" (2004) about a woman searching for a soldier reportedly killed in action, the aforementioned "In the Line of Fire" (1993) about a secret service agent trying to redeem himself for losing JFK, and a wonderful unknown gem called "Into Temptation" (2009) about a priest trying to find a suicidal confessor before it's too late.
    7adi_2002

    This movie will not steal your time

    Tom just lost his son after a moment of inattention while they were in a restaurant. At a construction site near by it's found a dead body of a child and Tom thinks that it is his son. Being a detective he deeps more in this case and it leads him to another child abduction and murder that happened fifty years ago.

    A beautiful and at the same time a sad story told from two points of view, one from the present and the other from the '50. The crossing makes the movie watchable and the fact that they are connected makes the movie even more intriguing. It's almost impossible not to share a tear after and the original story could make us to forget about the little flaws. An unique film that deserves your time.
    7gradyharp

    Duplicity: Parallel Lives, Parallel Loses

    STOLEN is a small budget film that deals with a major problem - loss of a child by abduction and the desperate need to find that child despite the passage of many years. Writer Glenn Taranto and Director Anders Anderson present two cases of kidnapping and murder, space them fifty years apart and interconnect the two stories in a way that is both disturbing psychologically and confusing as a film. It works on many levels and the absence of information about motivation interferes with allowing this movie to be more powerful.

    Ten years ago police officer Tom Adkins, Sr (Jon Hamm) left his only son Tom Jr. in a diner for a moment, only to return and find him missing. His abilities as a law enforcement officer and his guilt as a 'negligent' father erodes his life and his marriage to Barbara (Rhona Mitra): he is unable to give up the search for his missing son despite the ten years of absence, a factor that practically drives his marriage to divorce. A body is found in a box and Tom Sr immediately thinks it is his son, but investigation reveals that it is the body of a child that has been dead for fifty years. The film then begins a series of flashbacks to a story fifty years ago when a young father Matthew Wakefield (Josh Lucas), having lost all of his money and home and facing the resultant suicide of his wife decides he must place his three children with relatives: one son, John (Jimmy Bennett), is mentally challenged, and Matthew's relatives will only take the two 'normal' boys, leaving John to live with his unemployed father. Matthew finds a room for the two of them and begins works at a construction site, John tags along to be with his dad - a problem for the boss of the construction site. Matthew forms friends with Diploma (James Van Der Beek) and Swede (Holt McCallany), is diverted by a sexual liaison, and during that time John is abducted. We lose track of Matthew at this point, but jumping back to the present the discovered boy's body proves to be John Wakefield and this discovery consumes Tom Sr to uncover the murderer of the Wakefield boy, hoping that in some way it ties in with the disappearance of his own son. The plot becomes a bit murky at this point and a bit to 'rush to climax', but needless to say the murders are connected and Tom Sr and his wife are able to come to grips with the fact that Tom Jr is lost forever.

    The film is shot in a a somewhat sepia color when dealing with the murder of fifty years ago and remains dusty appearing through the present - not unlike the soil that has hidden the uncovered truths so well. The acting is fine, with some very fine cameo appearances by Johanna Cassidy as Tom Sr.'s mother and Jessica Chastain and Rose Montgomery as the feminine influences. The makeup artists have done the film a disservice as they try to age people fifty years as the film winds down: to say more would be to give away the ending. But the reason the film works is the commitment behind relating these tragedies on the part of all concerned. It is especially noteworthy in that it is the work of a relatively inexperienced writer and director.

    Grady Harp
    9MattyGibbs

    A hidden gem of a film

    I had never heard of this film before chancing upon it recently. The premise sounded OK so I decided to watch it expecting something very much run of the mill.

    The film centres on a policeman's (Jon Hamm) search to uncover the truth behind the discovery of a 50 year old corpse of a child. It also interweaves the story of a young man (Josh Lucas) and his 3 sons as he struggles to support his family in 1950's America. The 1950's storyline in particular is dealt with extremely well but both story lines link well together throughout the movie.

    I have never seen anything of Hamm's previous work and only Posieden of Lucas but was impressed by both actors who conveyed the sense of loss of a child impressively throughout. Lucas in particular was I thought outstanding. The children in the film were also impressive especially Jimmy Bennett. The rest of the cast had less to work with and the characters weren't fully fleshed out but this was probably due to the relatively short running period of the film.

    Once it hits its stride (fairly early on) this film never lets go. I found it quite moving and disturbing at the same time and for viewers with children this film will hit home in particular.

    Whilst it does have a few flaws, for a relatively low budget film this is extremely impressive.

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    Handlung

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    • Wissenswertes
      Screenwriter Glenn Taranto wrote his first draft of the screenplay, originally titled "The Boy in the Box", in six days over a two week period. He was inspired by the famous unsolved case of "America's Unknown Child" aka The Boy In The Box. Working backwards Glenn created an original scenario detailing how such an unsolved crime might have occurred. Should anyone have any information regarding the real "Boy In The Box" case they are encouraged to contact the Philadelphia, PA Police Department.
    • Patzer
      We see the box being buried in concrete, yet when the box is being dug up it is just buried under earth.
    • Zitate

      [last lines]

      Tom Adkins Sr.: My biggest fear is that when I do find him, what's left of us may not be enough. I haven't been able to forgive myself, and so I push my wife away. I can't even look her in the eyes, because every time I do, I see my mistakes. So I take the risk of losing everything. Not because I want to, but because I have to. Only then will I have the strength to go to my wife and ask her for forgiveness. And I have to believe that one day she will give it to me.

    • Verbindungen
      Featured in The Rotten Tomatoes Show: Cop Out/The Crazies/A Prophet (2010)

    Top-Auswahl

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    FAQ17

    • How long is Stolen?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 19. August 2011 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Stolen Lives - Tödliche Augenblicke
    • Drehorte
      • Los Angeles, Kalifornien, USA
    • Produktionsfirmen
      • 2 Bridges Productions
      • A2 Entertainment Group
      • Boy in the Box
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 2.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 7.943 $
    • Eröffnungswochenende in den USA und in Kanada
      • 1.035 $
      • 14. März 2010
    • Weltweiter Bruttoertrag
      • 7.943 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 31 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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