1612 - Der blutige Kampf um das Vaterland ...
Originaltitel: 1612: Khroniki smutnogo vremeni
IMDb-BEWERTUNG
5,6/10
2338
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe czar of Russia has died and a power vacuum has developed. This period in late 16th and early 17th century has been called "The Time of Troubles.The czar of Russia has died and a power vacuum has developed. This period in late 16th and early 17th century has been called "The Time of Troubles.The czar of Russia has died and a power vacuum has developed. This period in late 16th and early 17th century has been called "The Time of Troubles.
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- Hauptbesetzung
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- 4 Nominierungen insgesamt
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This is a film that aims to create action entertainment, with great historical costumes to be sure, but it is not a "serious" historical drama. Broadly speaking, the action is not less realistic than say, many of the James Bond movies, and it is not intended to be. The hero protagonist and his "ethnic" sidekick really draw on cop buddy films as much as anything else, and it is modern action/adventure films with which this movie should be compared.
There are not an enormous number of films with which this movie compares, but in general, if you wouldn't like Zorro, you wouldn't like this one.
I would argue that where this film really excels is in its use of tragedy and the mystical/magical. Neither of these elements are dominant, but the elements are well done, and they add weight and a touch of meaning to an otherwise light film, without desecrating religion or the folk traditions of Russia.
If I was a person who normally watched this sort of film, I would rate it higher, but as a matter of taste, I am simply giving it a 6, meaning that I think it is objectively, a bit better than average.
The crucial point about whether you should watch this film is really whether or not you like fairly light entertainment of this sort. This is a movie that has the costumes, but not the spirit or atmosphere of the average American or British costume drama.
There are not an enormous number of films with which this movie compares, but in general, if you wouldn't like Zorro, you wouldn't like this one.
I would argue that where this film really excels is in its use of tragedy and the mystical/magical. Neither of these elements are dominant, but the elements are well done, and they add weight and a touch of meaning to an otherwise light film, without desecrating religion or the folk traditions of Russia.
If I was a person who normally watched this sort of film, I would rate it higher, but as a matter of taste, I am simply giving it a 6, meaning that I think it is objectively, a bit better than average.
The crucial point about whether you should watch this film is really whether or not you like fairly light entertainment of this sort. This is a movie that has the costumes, but not the spirit or atmosphere of the average American or British costume drama.
Well if anyone into physics and pure common sense, for them the plot is too unreal that is for sure. But there were so many other "Pure" historical movies with about the same historical accuracy, and I still Loved most of them. This movie is a great show, I personally loved it way better than all the rest recent Russian movies. I believe that if it gets translated to English it'll become a huge box office hit in US and Canada. Great costumes, Good enough acting and excellent special effects alone make this movie worth watching. The only historical series\movie till now that i put above all other is the "Rome" series. It delivered spirit of the era along with quite accurate general facts and an imaginative interpretation from different more simple point of view. Now if we look at the famous historical movies like Gladiator or Braveheart, besides the fact that the actors are much more talented (in Hollywood interpretation of talent) and charismatic, they are exactly as "real" as this one. I gave this movie 8 out of 10 and definitely advice to see it just to relax and enjoy.
I am a little confused by the comments blasting this movie for historical inaccuracy. For Christsakes people - the movie has a unicorn (oh and a disclaimer inserted into the last scene, stating that "no one knows all those nominated for the throne...").
In any case, the movie background is more or less accurate, at least as accurate as the background for, say, Braveheart. And I don't remember too many complaints about the Mel Gibson's anachronistic kilt.
That having been said, this is certainly second rate cinema, but its pretty to look at and its fairly engaging, which is an improvement for Russian entries in the "block-buster" category. So 1612 gets 3 stars for execution, 2 stars for story and 1 star for the unicorn. It also gets a firm handshake for keeping me entertained and for giving me hope of a slight upward trend in run-of-the-mill Russian film making. In the words of Arthur Hoggett, "That'll do."
In any case, the movie background is more or less accurate, at least as accurate as the background for, say, Braveheart. And I don't remember too many complaints about the Mel Gibson's anachronistic kilt.
That having been said, this is certainly second rate cinema, but its pretty to look at and its fairly engaging, which is an improvement for Russian entries in the "block-buster" category. So 1612 gets 3 stars for execution, 2 stars for story and 1 star for the unicorn. It also gets a firm handshake for keeping me entertained and for giving me hope of a slight upward trend in run-of-the-mill Russian film making. In the words of Arthur Hoggett, "That'll do."
This is a terrifically entertaining action-adventure fantasy from Russia. I say "fantasy" instead of "historical epic" because as the movie proceeds the story and the main character, a serf who rises to superhero, become increasingly larger than life. This boldly heroic storytelling makes 1612 seem very old-fashioned, in the best way, even as the film-making is state of the art, with some amazing action scenes and superbly staged battles. The hero is played by Pyotr Kislov, Russia's answer to Orlando Bloom; the antagonist, a Polish warlord intent on marrying the kidnapped daughter of Boris Godunov and making himself master of Russia, is played by Poland's #1 leading man, Michal Zebrowski, who has headlined some impressive action films himself, such as With Fire and Sword. The initial set-up is a bit wordy, but once the action starts it just gets better and better. Great fun (though be prepared for some startling battle gore).
What is better way to present Time of Troubles ? This movie is an answer. Not the most inspiring, not the appropriate. But a sketch , very ambitious, strange and almost childish. The cause - desire to use all classical toys. Love story and heroic events, religion and magic, fight between good and evil, roots of Russian Modern history, beauty of princess and humble Prince Charming. Problem - this ingredients are very delicate. Jugglers with these are not easy. And to spread , like colors on paper, by a monkey, in a visual epic, is not the right solution. At end, crumbs of interesting images - the monk, nature, unspoken words. Guilty - picture of Saint Patriarch Hermogenes and the stupid mixture between fairy tale and one of great moments of Russians past, the hijacking of an impressive story, with huge artistic potential an transformation into a caricature of 1612 year. Unfortunately !
Wusstest du schon
- PatzerAlvaro, and Andrei later on, says a few times "Andalusia el dynamite". However dynamite wasn't invented until the 19th century by Alfred Nobel.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- 1612 - Angriff der Kreuzritter
- Drehorte
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Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 6.555.121 $
- Laufzeit
- 2 Std. 24 Min.(144 min)
- Farbe
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