Cat City

An outstanding addition to the collection of Modern Noir, Cat City delivers all the familiar elements of the genre in a fresh new setting and story. As noted by other reviews of the film, Palm Springs is an inspired backdrop for this tale of seduction and suspense. The story of a real estate developer who is down on is luck and will do almost anything to secure more financing from a hot young bigwig that comes to town is compelling, as are the characters that get roped into the tale - the developer's insatiable wife, his steamy lover, and the hard boiled detective lured into to surveying them all. Huff masterfully ratchets up the scandal and suspense as the story deliberately clicks towards its extremely satisfying climax.

I highly recommend a viewing of this no nonsense, straight ahead noir thriller.

A throw back film noir thriller with great performances and a lot of style. Rebecca Pidgeon as the femme fatale and Brian Dennehy playing the gum shoe detective. If you like Ms. Pidgeon you won't be disappointed. She's fabulous in the role and has never looked better. Dennehy is solid as ever. All the actors deliver with some fabulous dialogue.

Dennehy, "What ever happened to pencils and paper?" Pidgeon, "They went the way of morals and values." Priceless.

Director Huff does a great job unfolding this highly entertaining who-dun-it. You'll love the plot twist in the end. The beautiful Palm Springs locations only add to the cinematic experience. I highly recommend Cat City.

I saw Cat City at a film festival. I love noir thrillers but Cat City fell quite a bit short. The plot is predictable. The dialog isn't sharp at all. And the acting in a couple of the major roles is wooden. Dennehy is fine as a retired police officer now doing PI work but he doesn't get a lot of screen time. Julian Sands was also good as a real estate guy up to no good. The two major roles that were poorly acted were Rebecca Pidgeon as Sands wife -- she's very wooden -- and William Shockey as a dot com millionaire. Shockey got screenplay credit too.

It's the kind of movie you'd kick yourself over paying to see at a cinema because it's simply not that good. Tellingly, it appears to be going straight to cable. If you catch it on cable you might pass a pleasant enough hour or two, but it won't stand up well against any good film noir movie.

...even tho I had to watch this film dubbed by Amazon to Spanish, something that was about to make me skip it, I was almost immediately grabbed by the slowly developing plot. (are you getting this, Amazon? Dubbing is for illiterate morons, invest in subs).

True, what the rate busters say it is predictable, the acting is cardboard cliche sometimes but it's not so evident and keeps you watching until the end which, for me at least, was a coin in the air.

Since this isn't going to be aired in any theater anywhere at this time, do watch it; I assure you it will be worth your time. Oh, and watch it 'til the end, the two closing songs are prime musical material.

In sum, a solid indie, 7/10.

I give props to the Huffs, they have a lot of really good friends to come on IMDb and sing the praises of this film. One tip for next time, maybe don't have EVERYBODY give it 8 to 10 stars and declare it a modern-day indie Out of the Past because it looks that much more conspicuous for a movie in which the leads don't even seem interested. In fairness, I have never seen Rebecca Pidgeon actually convince me she isn't acting, because she doesn't do it well, but that may be a particular style honed working with Mamet. The only thing to recommend this is Dennehy and he doesn't get nearly enough screen time. Anyway, friends (or hirelings) of the Huffs, just for down the line, a little moderation goes a long way when working the con.