Survival of the Dead

With this latest Dead entry from George, I realize we're never going to approach the original trilogy's greatness ever again. It took 20 years after Day of the Dead (still my favorite) to get to Land of the Dead (entertaining, but nothing new). In the last 5 years, George has cranked out 3 Dead movies. Is he inspired or trying to stay commercially viable? Diary annoyed me with its Scream/Blair Witch hybrid and now, if it's possible to get worse, we have.

Survival of the Dead plays like a TV movie with profanity. I couldn't get over how lifeless this movie was. I appreciate the Irish Western flavor, but that's all that's new here. While watching this, I felt like it was a rehash of Day of the Dead, substituting two feuding Irish families for the feuding military vs scientists. The so-called twist at the end is embarrassingly desperate. I know some fans will want George to make one more great Dead movie and retire the series. After witnessing this second trilogy, I feel the more he makes, the more creatively bankrupt he appears.

25 years ago, I sat open-mouthed in awe of the intense visceral horror experience that was George Romero's Day of the Dead; today, I sat jaw agape once more at the director's latest zombie flick, Survival of the Dead, although for a very different reason: utter disbelief!

How could George Romero, the creator of the modern movie zombie, get everything so totally wrong?

With Survival, it looks like the director has finally taken on board the criticism aimed at his last two films and ditched the heavy-handed social commentary (the messages are still there, but are far less 'in-your-face'); unfortunately, somewhere during the creative process, he's also unwisely opted to up the level of comedy, meaning that much of this film plays the global zombie threat for laughs.

Remember how Romero used the slapstick custard pie scene in Dawn of the Dead to momentarily relieve the tension? Well in this one, it's all 'custard pie' and absolutely no tension. During the course of the film, we get to witness several cringe-worthy comedy zombie slayings, a hilarious bitter feud between two stereotypical Irish clans, a zombie woman on horseback, a car ferry strangely moored in six feet of water, zombie fishing, plus loads of other nonsense that beggars belief. Not once, however, do we get a sense of dread. The closest Romero ever comes to delivering the goods is with a couple of cheap jump scares that are accompanied by loud noises and some admittedly splattery gore (that relies a little too heavily on CGI for my liking).

Had Survival of the Dead been made by anyone other than Romero, then I may have rated it as high as 5/10: it's never boring, I suppose. But coming from the guy who practically invented the genre, the film can only be seen as a massive disappointment—easily the worst of his 'Dead' films to date—and therefore fully deserves my lower score of 3/10.

I did not dislike this film for the most part like so many others seem to have. I liked parts of it, I thought it would have been better had it simply followed the national guardsmen of the "Diary of the Dead" film rather than having the feuding island clans plot, but it at least was not boring. I would give this one a seven, but the use of computer generated kills and blood made me lower the score a point. I never thought George Romero would resort to using computers to do his gory kills. Still, there is enough none computer kills that I will only lower the film a point rather than two. The film follows those wacky guardsmen from the Diary movie which I liked as it seems more like a sequel film than any of the previous Romero movies. Though this one can survive independently of the previous movie as well, the only thing one might be curious about had they not seen that movie is the scene where the one guardsmen goes over there scene in that film. Well they end up going to an island where one group believes they should try to kill all the zombies on the island while the other thinks they should try to coexist with them. The zombies look good at times and there are a lot of them. So as far as zombie action goes this one does all right. I just wish the film could have done more with the national guardsmen just going from place to place rather than bogging the film down a bit on the island of the living dead and incredibly stupid people.

But George Romero should just stop. No, not stop altogether. But stop making "...Of The Dead" movies. It's become so generic that even the name of the studio is "Blank Of The Dead Productions". People seem to forget that Romero ever did anything besides zombie flicks. He did...and he did them damn well. Just look at the original version of the recently remade The Crazies. When "Land..." came out, I thought it was a rare miss. Then came "Diary..." and I thought it was weak, but I was still hopeful. Now with "Survival..." I'm about ready to give up.

The story is pretty standard zombie stuff...a group of living folks just looking for a place to be zombie free. Fair enough. The problem is that it's just that...standard. Romero's earlier work, even when lacking in gore, was great because it was full of some subtle but still heavy social commentary. The only thing going on here is a second half plot line that turns into an Irish version of a Hatfield vs. McCoy situation. Sure, there's a lame last minute attempt to teach us a lesson that revenge doesn't get you anywhere, but it's too little too late. The film is certainly better than a lot of zombie films we've been treated to as of late, but that's sure not saying much.

Truth be told I was really excited to see another Romero flick (and not Cameron Romero). Now I'm just kind of wishing the elder Romero would leave well enough alone and move onto something besides beating this dead horse.

A military group that has turned into bandits during the zombie infestation decides to follow an online infomercial and tries to make it to the peaceful island it promises. At the harbor they realize they have been ambushed by the guy pitching the island. He robs the potential clients and dumps them on the island, which is nothing but zombie-free.

Earlier in the movie we meet this guy O'Flynn, a fisherman on the island. He's runs one of the two Irish clans on the island. His nemesis is Seamus. When zombies infest the island, O'Flynn opts to eliminate them all while Seamus wants to keep them "alive" and chained. They kick O'Flynn of the island leaving his daughter behind.

Now the military guys make it to the island followed by O'Flynn who sees this as an opportunity to avenge himself from Seamus. They find that Seamus is trying to domesticate the zombies, enchained and treated like cattle or horses. His special project is trying to teach zombies to eat animal meat and not human. So far he has been unsuccessful.

Eventually we have the confrontation between the two clans plus the zombies in a bloody and brutal outcome.

As all Romero movies, this one is smart, sometimes funny and with plenty of zombie violence. Even what should be a lame scene, Romero manages to make it interesting. He's particularly good as showing human interaction. And of course there is the usual criticism of human inhumanity in how they treat the zombies. The last minutes are particularly entertaining for those who are into gore. The only problem I have with this movie is that the final zombie mayhem is presented as a comedy. It's unnecessary and doesn't suit the violent tone of the content. Otherwise this is classic Romero in a quickly paced and gory zombie movie.