Mat Kilau

The thing about Syamsul is he's a visionary directory, talented but he clearly needs to focus more on the writing department or just get someone who's better at this.

Mat Kilau has its moment that you can truely feels its sheer epic scale and heightened your spirit of nationalism. The fight sequences were fairly good and really embodied the greatness of Silat. To summarize, Mat Kilau is fast, action packed and straightforward formulaic biography that able to cater most Malaysians taste.

Now the writing... The script is just lackluster and have Syamsul's trademark all over it. It's very preachy and loud telling you "Get up and fight for your country and religion!". Is that bad? No, not at all. I understand the intention of sending some messages to the viewer (and it clearly worked). But the gripe of having this kind of script is that it makes the character seems unnatural and very one dimensional.

The pacing problem . It moves from scene to scene way too fast that makes me lost the sense of time. And leaves the story unable to breath on its own. This is likely a screenplay issue than editing.

Mat Kilau, the titular role is very one dimensional and there isn't any interesting arcs to this character even though Adi Putra nails the character well enough. Even the character played by Beto Kusyairi has more depth to it.

Some side plots and minor characters are hugely underdeveloped that they suddenly appeared near the end of the film. I don't understand if Syamsul intended it to be a surprise or something but the outcome are meh without any of those build up.

Overall, its a decent watch. Good effort by the team. Go watch and support Mat Kilau at the theatres.

The storyline is very straightforward and thin, without much depth. It is about the exploitation of British colonisers, and how the people stand up to fight for their land.

The pacing is weak. It moves too fast from one scene to another (jumping scenes), making the story hard to breathe or digest at times.

There are plenty of action scenes. BUT they are mostly "repetitive", e.g. Fighting with the soldiers and the same "villain" again and again, making the actions flat. Perhaps a real super-villain shall be saved for the very END, so that audiences could be impressed by the REAL FIGHT! However, it's just made fights for the sake of fighting!

Besides, the camera movement is just too shaky that I give up on the action scenes, or rather feel uncomfy towards the action scenes (headache and dizzy). It's alright to have "shaky camera" technique at times, like some Hollywood movies, BUT NOT overdone throughout the entire movie from the beginning to the end.

The character development is seriously weak. There is NOTHING about Mat Kilau, other than he is a leader and good in silat. Also, we could hardly understand much about the characters of the FIVE 'brother fighters'. The emotional and sentimental value is just NOT there enough to touch anyone. As such, I could hardly feel anything, even though TWO of them died or anyone died in the movie.

There is a scene whereby the villagers (at last) came to defend the land and fight against the British. I supposed the director wanted to make an "Avengers Assemble" kind of goose-bump scene, BUT it failed badly. And perhaps due to budget constraints, everything just ended abruptly.

It leaves room for improvement in many aspects, as said above. Oh ya, it's kind of violent with slaughtering and bloody scenes, so pls beware if you were to bring children to the movie.

Don't get me wrong. I love the spirit and I know what kind of message that SY has been trying to deliver. But man... it is badly made.

1. Script

• One guy throw a line and not even a 0.01s, another guy throws his line almost cutting the first line. No momentum, no space to feel anything. Give them some time. You're not rushing. Though the pronunciations are clear, I already forgot the first guy's line 3 seconds ago.

2. Action Scenes.

• Love the superb choreography. But the camera work? It's not helping. Yes, we can see them punching and yes, we can see them flying but does the camera work helps? Oh I kid you not, it does not work. The intention of shaky cameras is to make the audience feel like you're there in a fight. Not in a 4x4 back seat heading towards Sabah rural school.

3. Editing Sequence.

• Jump cuts, here and there. Cutting the screen time for the sake of intensity? This is no KL Gangster.

4. Background Music.

• Oh my God, loud here and there. Over 95% of the film are filled with soundtracks. This is a Malay epic film and how come there's no Malay-feel soundtracks? Rembat Hollywood's soundtrack is it? At least go full silence on 'supposedly intense' fight scene. Make people feel engaged to the fight.

5. Ending.

• Believe there are 5 stages in storytelling structures, no? Bla bla bla, silat this and that, Adi Putra gave his speech after a fight and it ends. That's it? Even iklans by agency have an ending, man.

Overall, I'd say this is a good try la. Take this comment as a feedback into account and consider.

This movie is shallow, peppered with preachy scripts and cliches.

It needs a better writer... Character building is almost non-existent. The protagonist appeared out of nowhere, was thrown into a leadership role and started preaching about nationalism and religion. This is followed by a cliche drama where another character is envious of the chosen leader.

The preaching doesn't end there. It kept reminding you that the British were evil and tried to convince the viewers how important nationalism & religion were to them. This was done over and over again

This makes the protagonist one dimensional and they wasted such a good talent on this. Some of the minor characters have better development than the protagonist.

It needs breathing room... Some of the scenes jump around too fast, it seems as though they were rushing it in the editing room. Perhaps to include more preaching into the scenes?

Need some realism.... The costumes are inaccurate. Modern clothing and clothing items were used and its so obvious, it will throw historians & anthropologist into a fit.

The British soldiers are filled with entirely 'Punjabis'. Obviously, this wasn't the case in reality.

To create epic fight scenes, they have Yayan Ruhian. But it seems they wrote his character as an after thought.

Conclusion... If you don't care about good storytelling, character development, screenplay and accuracy, you will most likely like this movie.

If you appreciate good filmmaking and who goes to film festivals, you will want to skip this.

After I watched this movie, I needs more happiness. I FEEL THERE'S LESS FACTOR TO CHEERS!

Some people like this movie, but others criticised the tone and its presentation. To me, I felt the movies have many things that make me leap into the cliff. But I don't blame the director and audience, but I blame myself for watching this action flick. The story is okay, and the action sequences are exemplary yet cool, but those need some improvement like music, camera angle, dialogues and casting. Before I watched this flick, I wonder how the majority of Malay friends flock to the cinema, maybe eagerly supporting the movie industry to thrive to the highest standards. My point is, why this flick is the currently highest Malaysian film of all time? Oh, perhaps it's the message, the history, the Malays pride, and some religion's messages. Maybe I was wrong, by the way.

Malaysian films like Ola Bola, Sepet, movies of P. Ramlee etc, give me hope and excitement, on the other hand, this film feels weird and kind of out of place. The film is pretty good actually, but when it comes to the message and the target audiences, the director needs to consider himself to unite the nation.

Mat Kilau: Kebangkitan Pahlawan is surely a milestone for local creators, but I hope I could watch some more creative and cheerful films to deal with the problemata. To those people who want to try, I'd say: Frater et Sorrores, quidam veritas verba sanat.