Dean Martin: King of Cool

Admittedly, I didn't know very much about Dean Martin other than his public persona. After seeing Rio Bravo recently, this doc was an opportunity to learn more.

The insight into his real personality is fascinating. It's a difficult job to construct a profile of a man who made a point of being unknowable. The filmmakers probably came as close as possible.

Like many hard working men and women, we see how hard and long Dean Martin worked to hone and expand his talent and maintain the love of his large and faithful fan base. This documentary provides some good insights into who Dean Martin, the singer, Vegas performer, and film star really was. It provides us with insight that Dean didn't have any time for phonies and preferred to go to his room after a hard day on stage or in front of the camera. He valued honesty and loved his family, and his family loved him back. He married and divorced three times if you don't include his marriages to his comedy partner Jerry Lewis and/or to his Vegas Rat pack buddies.

Hearing stories from the people that knew him best/well provided further insight into Dean Martins humble beginnings and family life and losses as when his son died in a plane crash and once again the King of Cool seemed to hibernate and reluctantly but very selectively socialized with family members and close friends until his death.

On the day he died he was telling his old friend Frank Sinatra a joke about two corpse's when one corpse says to the other corpse "Is that you coffin?"

Rest in Peace Dean from one of your loyal fans.

I am very glad I watched this film with my daughter, as the film impacted both of us very differently. As a 57 year-old guy, I know I lot about Martin. I've seen most of his films and remember his weekly TV show. My daughter, on the other hand, knew little about him apart from his music...and her reaction to the film is important but quite different. And so, it seems that depending on your age and familiarity with the man will greatly impact on your viewing experience. Much of it is because the film seems to assume you know a lot about Dean Martin...and my daughter had to ask me repeatedly to fill in a few gaps.

The film itself is interesting because there's no narrator. Instead, lots of folks talk about Dean Martin and their recollections of him. Many of these pieces of footage are great...such as from his family and friends. However, a few left me confused as to WHY these people were talking about Dean Martin as they most likely did NOT know the man and were not experts on him. Jon Hamm and the guy from the Wu-Tang Clan were VERY oddly included...as were a few others.

If you are looking for a film about Dean Martin and not his career, this is a very good film. But when it comes to his career, there are a few glaring omissions (such as any mention of his "Celebrity Roasts" or even his individual films with Jerry Lewis). Overall, a very good film with a few problems...which I mentioned above.

Based on the information in the ten user reviews of this biography to date, I may be the oldest person in the room as I grew up with Martin and Lewis on television during the 1950's and 60's. For what it's worth, my father, who owned a bar featuring live entertainment in downtown Newark, New Jersey, was a personal acquaintance of Jerry Lewis, but I do not know the extent or depth of this relationship, and he is no longer here to explain it.

I am much more of a fan of Dean Martin as a superb, silken singer who developed a unique, easygoing style than as a comedian or an actor, but his performances in "The Young Lions", "Some Came Running", "Rio Bravo", and "Ada" are very noteworthy. The airing of this biography together with these films by TCM would have been a nice touch, but you can stream them at your convenience whenever they are available on TCM . I am the proud owner of a wonderful album entitled "Dino: The Essential Dean Martin" generously offering 30 of some of his greatest songs. For inspiration, I am playing it now. An extraordinary singer with a distinct voice and tone, there is only one Dean Martin, and he can never be duplicated.

Overall, this was a very good documentary on the life of Dean Martin and his meteoric rise to fame from very modest beginnings in Steubenville, Ohio. It allowed me a rare opportunity to witness a sometimes painfully honest account of a man who made a huge impact on me during my most impressionable years. I very much appreciated the views of those who knew him best, especially his devoted daughter, Deana. I was very moved by her love for her father as well as her candor in explaining the full story, or at least as much of it as she was willing to reveal.

What totally wrecked the film for me were the appearances of individuals who apparently did not know Martin at all and who seem to be unfamiliar with the totality of his work as a performing artist. For me, the appearance of Alec Baldwin, who provided absolutely no insight or contribution whatsoever, was downright disturbing. Jon Hamm seemed to be reading from notes, and I received no benefit at all from RZA's segments. I felt as though these individuals were thrown into the production only for purposes of attracting a wider audience. They not only added zero value to the film but substantially reduced its overall effectiveness. Without their annoying presence, I would have rated this very worthy effort more highly.

From a laughably stupid premise, namely Deano as Charles Foster Kane, complete with...are you ready?...pasta fagioli as the key to unlocking his "mystery", this documentary actually manages to be kinda fun, maybe because its subject was the kind of guy who would have told film maker Tom Donahue where to stick his pasta fagioli. Lots of good stuff on the Martin/Lewis feud (my sympathies are ultimately with Martin at having to put up with a too controlling "genius") and some heart breaking stuff on Dean's later years. I thought there was way too much time spent on his variety show (like everything else about the guy in this film, hyper inflated) and the talking heads tended toward the hagiographical and over protective rather than the insightful and critical, but all in all I had a pretty good time watching this bio doc about a good singer, decent actor, and very good golfer for whom I have newfound respect since I learned (from this documentary) that, unlike his fawning pal Frank Sinatra, he refused to attend JFK's inauguration out of support for Sammy Davis who was not invited due to Kennedy family racism. B minus.