Jax Stewart: die brillanteste und furchtloseste Strafverteidigerin in Los Angeles, die sich bei jeder Gelegenheit gegen das Justizsystem auflehnt.Jax Stewart: die brillanteste und furchtloseste Strafverteidigerin in Los Angeles, die sich bei jeder Gelegenheit gegen das Justizsystem auflehnt.Jax Stewart: die brillanteste und furchtloseste Strafverteidigerin in Los Angeles, die sich bei jeder Gelegenheit gegen das Justizsystem auflehnt.
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Somehow, the writers and creators of Reasonable Doubt have convinced themselves that the language, behavior, and cultural norms depicted are authentic and unapologetically Black. Um, no.
As an African-American professional in my early 50s, (Same age group as Morris Chestnut), an HBCU graduate, and a product of a middle-class childhood community that was 90% African-American, I don't know a single person who goes around using the N-word or listens to music with lyrics that use the same. We're the Anita Baker generation who love Alicia Keys, John Legend, and jazz.
This show has great plot points and a compelling storyline, but every time the main characters open their mouths and utter that word, their intelligence, awareness, and enlightened personas are discredited and thrown into the garbage. The recycle and repurpose rationalization of the N-word is a ridiculous justification and holds no water.
By contrast, Morris Chestnut's character is great and the epitome of poise, class, sex appeal, and everything the main character and her spouse should portray.
Emayatzi Corinealdi is a phenomenal actress who deserves better material. To the creators, depicting these characters in this light is short-sighted and overshadows your theme, general narrative, and character arcs while showing a level of ignorance not befitting your target audience, which I assume are young Black professionals and not the street gang crowd. Please, do better.
As an African-American professional in my early 50s, (Same age group as Morris Chestnut), an HBCU graduate, and a product of a middle-class childhood community that was 90% African-American, I don't know a single person who goes around using the N-word or listens to music with lyrics that use the same. We're the Anita Baker generation who love Alicia Keys, John Legend, and jazz.
This show has great plot points and a compelling storyline, but every time the main characters open their mouths and utter that word, their intelligence, awareness, and enlightened personas are discredited and thrown into the garbage. The recycle and repurpose rationalization of the N-word is a ridiculous justification and holds no water.
By contrast, Morris Chestnut's character is great and the epitome of poise, class, sex appeal, and everything the main character and her spouse should portray.
Emayatzi Corinealdi is a phenomenal actress who deserves better material. To the creators, depicting these characters in this light is short-sighted and overshadows your theme, general narrative, and character arcs while showing a level of ignorance not befitting your target audience, which I assume are young Black professionals and not the street gang crowd. Please, do better.
This show is terrific, let's first say that. The plot, the character development from the first episode, the intrigue, the style, the dialogue... everything is so professionally done, so interesting. But... can we PLEASE stop constantly ragging on white people and calling them every name in the book for absolutely zero reason? It's not ok; it wouldn't be ok if the races were reversed, and it's not ok this way. I mean, it's all the way to the point of, the only mention of a white woman is the one who lied about being sexually assaulted and is discredited without a second thought, but a black woman who claims to be sexually assaulted (also by a rich black man) gets upset that she isn't immediately believed by opposing counsel? Come on. It's fine when it's done in a way that fits in with the storyline, but the characters are talking badly about white people and calling them names without any provocation whatsoever. I still recommend this show, but I really hope all this "f whitey" stuff takes a back seat unless it's relevant to the story.
This show is amazing with complicated characters with a well written plot.
Not sure why there is bad reviews.
It is about a lawyer in LA and followers her case at work, family and relationships. It shows the difficult of motherhood and marriage.
She works high profile cases which attract media attention.
It's shows the effect of child abuse on adults and how it affects relationships. It's also highlights the discrimination Black women face in America. I found the main character really inspiring and relatable.
The story is intense to watch but needed to show different lived experiences so worth the watch!!
Not sure why there is bad reviews.
It is about a lawyer in LA and followers her case at work, family and relationships. It shows the difficult of motherhood and marriage.
She works high profile cases which attract media attention.
It's shows the effect of child abuse on adults and how it affects relationships. It's also highlights the discrimination Black women face in America. I found the main character really inspiring and relatable.
The story is intense to watch but needed to show different lived experiences so worth the watch!!
There's some nice ensemble work, and all of the actors are quite committed. Set design, costumes, and camera work are all fitting, for the most part.
For me, the weakest link is the writing. It feels pushed. Nearly every scene contains a sense of heightened drama and engaged conflict. To which I say, how about infusing a bit of human awkwardness, fragility, and humorous elements? The script gushes over with hip banter, but it feels like trendiness-on-steroids. It seems like the producers are overextending themselves to prove something. I've watched just one episode, and I'm disappointed to say that I've had enough.
For me, the weakest link is the writing. It feels pushed. Nearly every scene contains a sense of heightened drama and engaged conflict. To which I say, how about infusing a bit of human awkwardness, fragility, and humorous elements? The script gushes over with hip banter, but it feels like trendiness-on-steroids. It seems like the producers are overextending themselves to prove something. I've watched just one episode, and I'm disappointed to say that I've had enough.
So the acting could be better but I'm struggling to understand how some of the reviews are saying that the show is trying too hard to meet the Black experience. First, the outfits are not that far removed from what my black self has seen in my black office. While I personally do not use the "n" word, and I get and agree that it can be offensive, many of my Black friends and associates do use the word frequently amongst themselves. And unfortunately, the references to White people are pretty consistent with my experience. And the comments about Jax being unlikeable are not surprising because many black women in leadership are often characterized as unlikeable. Strong leadership skills in a woman, especially a Black woman, tends to be criticized harshly. But a man that moves like Jax is often considered the best leader EVER. Some of the sex scenes were a bit much but that's what sells these days. I'm looking forward to the show getting better each season.
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- WissenswertesMichael Ealy and Sean Patrick Thomas previously starred in Barbershop and Barbershop 2.
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