Mütter und Töchter

"No I would not give you false hope/ On this strange and mournful day/ But the mother and child reunion /Is only a motion away, oh, little darling of mine. /I can't for the life of me Remember a sadder day /I know they say let it be /But it just don't work out that way /And the course of a lifetime runs /Over and over again." Paul Simon

Everything in the moving Mother and Child moves inexorably and lyrically toward a reunion, most notably between mother Karen (Annette Bening) and daughter Elizabeth (Naomi Watts). The other women in the movie are either moving toward birthing or adopting or just being mothers to children who are in the motion.

Mother and Child is one of the best movies I have seen this year and like The Bad Seed and Secrets and Lies among the most powerful about adoption and the challenges of being a mother. At 14, Karen gave up Elizabeth for adoption. Elizabeth colors every moment of Karen's life until she must seek her out. So, too, Elizabeth's awareness of the mother she has never seen.

Writer/director Rodrigo Garcia masterfully moves among mothers and mothers to be (Elizabeth becomes pregnant in the course of the film) to create a mosaic of longing and love, not one situation resolved in a typically Hollywood way, but just as the fates allow for real people. Woven into the dramatic tensions of a mother trying to reconnect with a child, a new mother surrendering to the difficulties of motherhood, and older mothers trying to support their challenged daughters, Garcia has a love affair between attorney Elizabeth and her boss, Paul ( an astonishingly underplaying Samuel l. Jackson) and an unlikely liaison between crusty Karen and sensitive co-worker Paco (an overweight, lovable Jimmy Smitts). While all these shenanigans might smack of the soap opera, the pace of the film is so languid as to allow the reality of the proceedings to grasp on to the imagination for total acceptance.

The question of the causes and effects of adoption underpins the plot but with a proportion of pain that may be unreal. No matter, the results have an authentic feel, as does the superb acting.

No illusion, this mother and child reunion is only a motion picture away.

Rodrigo Garcia, the writer, director of "Mother And Child" is the son of Gabriel Garcia Marquez no less but his universe is solidly set on a reality that doesn't shy away from poetry. A poetry emerging from an open female heart. Wanting and longing for things we lost, for thing we let out of our lives. Annette Bening is superb. Superb! "She's 38 today" Annette tells her failing mother, talking about the daughter she gave up for adoption when she was merely 14. Naomi Watts is the long lost daughter and she is an updated version of the mother she never knew. Naomi Watts confirms, once more, her extraordinary range. The film works on every level and we live the changes the characters suffer with a palpitating heart of recognition. The entire cast is outstanding with Samuel L Jacksong giving a performance that is a revelation in itself. Gentle, strong, moving, powerful and funny. A film I highly recommend.

This movie was a complete surprise to me, I really wasn't sure what to expect when picking this film to view, but with it's all-star cast line-up it looked on the surface like it could be a winner and a winner it was. The storyline is detailed and compelling, 5 minutes into this movie you will be hooked. There are several different elements and segments in this movie that will draw the viewer into the story and make this life journey story a meaningful and appreciated view. For the record, if you read any of my reviews you'll find I do not get into what the movie or story line is about, what I try to relay to you the reader is my opinion of a movie and whether it is worth your time, effort, and money to view, in my humble opinion "Mother and child" is definitely a keeper.

In Los Angeles, the therapist Karen (Annette Bening) is a bitter woman that nurses her terminal mother Nora with the support of her maid Tracy (Carla Gallo) that has a little daughter. Karen misses her unknown daughter that she gave for adoption thirty-seven years ago when she was fourteen years old. Her new colleague Paco (Jimmy Smits), who is a widower, is a gentle man and courts the unpleasant Karen.

The bakery owner Lucy (Kerry Washington) wishes desperately to adopt a child since she can not have a baby but her husband Joseph (David Ramsey) is not supportive to the idea.

The efficient lawyer Elizabeth (Naomi Watts), who is Karen's daughter, is an independent and promiscuous woman that does not want to have a baby and has tubal ligation. When she joins the law firm of Paul (Samuel Jackson), she has a love affair with him and becomes his mistress.

When Nora passes away, she feels a great need to know Elizabeth. She marries Paco and his daughter Maria, who is a religious woman, convinces her to seek out Elizabeth. When Lucy meets the single mother Ray (Shareeka Epps), who is a demanding woman, Joseph leaves her since he does not want to raise a foster child. When Elizabeth finds that she is pregnant, she quits her job in Paul's firm and works as secretary in a small company. Their lives will be entwined in very dramatic situations.

"Mother and Child" is a powerful drama about different views and feelings about motherhood. The therapist Karen has never overcome the loss of her daughter for adoption. The infertile baker Lucy wants to be a mother and her desire costs her marriage. The lawyer Elizabeth is traumatized by her childhood and is an independent woman that does not want to have a baby and ironically gets pregnant. In the end, there is redemption with the second chance for Karen. My vote is seven.

Title (Brazil): "Destinos Ligados" ("Connected Destinies")

Mother and Child was the best movie I saw at the Toronto International Film Festival — and I saw 25.

Annette Bening is staggeringly brilliant in her role. She's a prickly and largely unappealing character, but the actress brings such humanity to the performance as a woman whose heart is slowly coming to life. Naomi Watts also brings nuance and humanity to a flawed and complex character. In a world where characters must always be "likeable," these performances feel like revelations.

Direction is consistently sensitive and intelligent. The script deftly moves between three worlds, with intersections that are surprising and never feel forced.

If Mother and Child doesn't garner wide distribution (and an Oscar nod for Ms. Bening) then this industry is deeply flawed.