IMDb-BEWERTUNG
7,2/10
13.118
IHRE BEWERTUNG
Ein Drama mit drei Frauen: Eine fünfzigjährige Frau, die Tochter, die sie vor fünfunddreißig Jahren zur Adoption aufgegeben hat, und eine Frau, die ein eigenes Kind adoptieren will.Ein Drama mit drei Frauen: Eine fünfzigjährige Frau, die Tochter, die sie vor fünfunddreißig Jahren zur Adoption aufgegeben hat, und eine Frau, die ein eigenes Kind adoptieren will.Ein Drama mit drei Frauen: Eine fünfzigjährige Frau, die Tochter, die sie vor fünfunddreißig Jahren zur Adoption aufgegeben hat, und eine Frau, die ein eigenes Kind adoptieren will.
- Auszeichnungen
- 4 Gewinne & 12 Nominierungen insgesamt
Alexandria M. Salling
- Karen (age 14)
- (as Alexandria Salling)
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"No I would not give you false hope/ On this strange and mournful day/ But the mother and child reunion /Is only a motion away, oh, little darling of mine. /I can't for the life of me Remember a sadder day /I know they say let it be /But it just don't work out that way /And the course of a lifetime runs /Over and over again." Paul Simon
Everything in the moving Mother and Child moves inexorably and lyrically toward a reunion, most notably between mother Karen (Annette Bening) and daughter Elizabeth (Naomi Watts). The other women in the movie are either moving toward birthing or adopting or just being mothers to children who are in the motion.
Mother and Child is one of the best movies I have seen this year and like The Bad Seed and Secrets and Lies among the most powerful about adoption and the challenges of being a mother. At 14, Karen gave up Elizabeth for adoption. Elizabeth colors every moment of Karen's life until she must seek her out. So, too, Elizabeth's awareness of the mother she has never seen.
Writer/director Rodrigo Garcia masterfully moves among mothers and mothers to be (Elizabeth becomes pregnant in the course of the film) to create a mosaic of longing and love, not one situation resolved in a typically Hollywood way, but just as the fates allow for real people. Woven into the dramatic tensions of a mother trying to reconnect with a child, a new mother surrendering to the difficulties of motherhood, and older mothers trying to support their challenged daughters, Garcia has a love affair between attorney Elizabeth and her boss, Paul ( an astonishingly underplaying Samuel l. Jackson) and an unlikely liaison between crusty Karen and sensitive co-worker Paco (an overweight, lovable Jimmy Smitts). While all these shenanigans might smack of the soap opera, the pace of the film is so languid as to allow the reality of the proceedings to grasp on to the imagination for total acceptance.
The question of the causes and effects of adoption underpins the plot but with a proportion of pain that may be unreal. No matter, the results have an authentic feel, as does the superb acting.
No illusion, this mother and child reunion is only a motion picture away.
Everything in the moving Mother and Child moves inexorably and lyrically toward a reunion, most notably between mother Karen (Annette Bening) and daughter Elizabeth (Naomi Watts). The other women in the movie are either moving toward birthing or adopting or just being mothers to children who are in the motion.
Mother and Child is one of the best movies I have seen this year and like The Bad Seed and Secrets and Lies among the most powerful about adoption and the challenges of being a mother. At 14, Karen gave up Elizabeth for adoption. Elizabeth colors every moment of Karen's life until she must seek her out. So, too, Elizabeth's awareness of the mother she has never seen.
Writer/director Rodrigo Garcia masterfully moves among mothers and mothers to be (Elizabeth becomes pregnant in the course of the film) to create a mosaic of longing and love, not one situation resolved in a typically Hollywood way, but just as the fates allow for real people. Woven into the dramatic tensions of a mother trying to reconnect with a child, a new mother surrendering to the difficulties of motherhood, and older mothers trying to support their challenged daughters, Garcia has a love affair between attorney Elizabeth and her boss, Paul ( an astonishingly underplaying Samuel l. Jackson) and an unlikely liaison between crusty Karen and sensitive co-worker Paco (an overweight, lovable Jimmy Smitts). While all these shenanigans might smack of the soap opera, the pace of the film is so languid as to allow the reality of the proceedings to grasp on to the imagination for total acceptance.
The question of the causes and effects of adoption underpins the plot but with a proportion of pain that may be unreal. No matter, the results have an authentic feel, as does the superb acting.
No illusion, this mother and child reunion is only a motion picture away.
This movie moved me. I'm a guy but this movie and the end just make me cry.
I decided to watch this movie, because of HBO's director Rodrigo Garcia. And i'm thankful i did. It is so emotional i just wish HBO would make a drama series like this.
Naomi Watts is one of the greatest actresses on earth i think. She is still amazing but to bad that Sandra Bullock wins an Oscar where Watts still waits for one.
I also realize Annette Benning is an outstanding actress. I first watched her in American Beauty.
The scenario is great, too. Garcia should make more movies that quality. If you like drama movies (especially if you're a mom) you should watch this. Please give this a nomination academy! 8.5/10
I decided to watch this movie, because of HBO's director Rodrigo Garcia. And i'm thankful i did. It is so emotional i just wish HBO would make a drama series like this.
Naomi Watts is one of the greatest actresses on earth i think. She is still amazing but to bad that Sandra Bullock wins an Oscar where Watts still waits for one.
I also realize Annette Benning is an outstanding actress. I first watched her in American Beauty.
The scenario is great, too. Garcia should make more movies that quality. If you like drama movies (especially if you're a mom) you should watch this. Please give this a nomination academy! 8.5/10
This film is about three seemingly unconnected women, a middle aged woman who is bitter and critical, a young and successful lawyer and a black woman who is unable to conceive. They a are connected through the magic of motherhood.
Though the title of the film gives the content of the film away, Mother and Child still has much surprises in store. The plot is very good, the film gets more emotional and captivating as the puzzle falls into place. It reminds viewers how unconditional motherly love is. All the main characters are very convincing and engrossing, making viewers care about them. This emotional intensity is augmented by the fact that this motherly love is in fact all around us, we only have to open our eyes and look closer.
Though the title of the film gives the content of the film away, Mother and Child still has much surprises in store. The plot is very good, the film gets more emotional and captivating as the puzzle falls into place. It reminds viewers how unconditional motherly love is. All the main characters are very convincing and engrossing, making viewers care about them. This emotional intensity is augmented by the fact that this motherly love is in fact all around us, we only have to open our eyes and look closer.
This movie was a complete surprise to me, I really wasn't sure what to expect when picking this film to view, but with it's all-star cast line-up it looked on the surface like it could be a winner and a winner it was. The storyline is detailed and compelling, 5 minutes into this movie you will be hooked. There are several different elements and segments in this movie that will draw the viewer into the story and make this life journey story a meaningful and appreciated view. For the record, if you read any of my reviews you'll find I do not get into what the movie or story line is about, what I try to relay to you the reader is my opinion of a movie and whether it is worth your time, effort, and money to view, in my humble opinion "Mother and child" is definitely a keeper.
Caught this one at TIFF, and it was one of the best movies of the festival. Rodrigo Garcia directed "Nine Lives", which may be familiar to some audiences. That one was from 2005 and wove together a series of short vignettes. Garcia has a wonderful sensibility at portraying female characters in that one, and in "Mother & Child" he builds upon it even further as the movie centers around the theme of adoption and how it affects three adult women, played by Annette Bening, Naomi Watts, and Kerri Washington.
I suppose this will get the "chick flick" label upon it's release, but for any lover of good dramas with characters you can sink your teeth into, that shouldn't matter, and besides, when did it become unfashionable for grown men to see movies with attractive female stars in them? There isn't a false moment or a scene that doesn't ring true, and I found myself so involved in the particularities of all the characters we meet that it no longer mattered to me what happened next, it was more interesting to get inside the shoes and take a walk inside the lives of these characters, so well fleshed out by all the stars here. So many big movies from America often feature adults behaving like children, and so it's ultimately refreshing and quite moving to follow the characters in "Mother & Child" who are going through very adult problems and acting like adults throughout, even if sometimes they fall or crack or are flawed.
I think Bening and Watts, playing two very complicated and difficult women, should be nominated for Oscars. This movie takes material that could have been dumbed down and made into a TV movie of the week, but instead Rodrigo Garcia elevates the film by really listening to his characters. A wonderful movie, not just for women, but for all adults who like good movies, and for all film-goers who especially like "hyperlink" movies, that is, movies that deal with a multitude of characters while letting each of them take the wheel of the car. Terrific.
I suppose this will get the "chick flick" label upon it's release, but for any lover of good dramas with characters you can sink your teeth into, that shouldn't matter, and besides, when did it become unfashionable for grown men to see movies with attractive female stars in them? There isn't a false moment or a scene that doesn't ring true, and I found myself so involved in the particularities of all the characters we meet that it no longer mattered to me what happened next, it was more interesting to get inside the shoes and take a walk inside the lives of these characters, so well fleshed out by all the stars here. So many big movies from America often feature adults behaving like children, and so it's ultimately refreshing and quite moving to follow the characters in "Mother & Child" who are going through very adult problems and acting like adults throughout, even if sometimes they fall or crack or are flawed.
I think Bening and Watts, playing two very complicated and difficult women, should be nominated for Oscars. This movie takes material that could have been dumbed down and made into a TV movie of the week, but instead Rodrigo Garcia elevates the film by really listening to his characters. A wonderful movie, not just for women, but for all adults who like good movies, and for all film-goers who especially like "hyperlink" movies, that is, movies that deal with a multitude of characters while letting each of them take the wheel of the car. Terrific.
Wusstest du schon
- WissenswertesNaomi Watts was pregnant with her second child, and there's a scene at the clinic where the audience can see her real son moving inside her belly. Naomi said in an interview that the baby was sleeping and she took a cold glass of water to wake him up inside.
- SoundtracksTe Quiero
Written by Juan C. Medina and Martins S. Medina
Performed by Medina Productions
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- How long is Mother and Child?Powered by Alexa
- Answer to: Who is the person in the other picture? It looks like a young boy!
- Who were the adoptive parents of Elizabeth (Benning's daughter)? Do we never see them because they're dead? Or has there been an estrangement? Did I miss something?
Details
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Box Office
- Budget
- 7.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.110.509 $
- Eröffnungswochenende in den USA und in Kanada
- 43.040 $
- 9. Mai 2010
- Weltweiter Bruttoertrag
- 5.621.971 $
- Laufzeit2 Stunden 5 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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What was the official certification given to Mütter und Töchter (2009) in Spain?
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