Mütter und Töchter

This film is about three seemingly unconnected women, a middle aged woman who is bitter and critical, a young and successful lawyer and a black woman who is unable to conceive. They a are connected through the magic of motherhood.

Though the title of the film gives the content of the film away, Mother and Child still has much surprises in store. The plot is very good, the film gets more emotional and captivating as the puzzle falls into place. It reminds viewers how unconditional motherly love is. All the main characters are very convincing and engrossing, making viewers care about them. This emotional intensity is augmented by the fact that this motherly love is in fact all around us, we only have to open our eyes and look closer.

Rodrigo Garcia's 'Mother and Child' is one of the most moving poetic films I have seen of recent times. Garcia's previous films comprised of short vignettes and, on the surface, 'Mother and Child' appears that way. Though the connection between Elizabeth's story and Karen's story is apparent, the other subplots initially appear as though they have no link to Karen and Elizabeth.

While there have been numerous movies of intertwined lives and stories, only few films have managed to have strong links and 'Mother and Child' is one of them and in addition the link between the stories is very significant and it's beautifully done. Moreover the twists and turns are superb. Rodrigo Garcia truly has created a treasure here. His eloquent writing breathes poetry as the story of his characters' lives unfold. Every single character, even the minor ones, are excellently fleshed out.

The execution is just as wonderful. The art direction, cinematography, editing and lighting is first rate. The soundtrack is simply amazing.

Each and every one of the actors does nothing short of fantastic and they deliver some of their finest performances. Annette Bening and Naomi Watts are spellbinding as the mother and daughter, two lost souls leading fractured lives until they gradually find purpose. Kerry Washington is superb as the wannabe mother desperate to have a child while being unaware of the challenges of motherhood. Jimmy Smits is terrific. Garcia's regulars, Elizabeth Peña, Elpidia Carillo and Amy Brenneman are very effective in brief roles and Cherry Jones is brilliant.

'Mother and Child' offers the viewer what they don't know they were looking for in a film. While it is no surprise how many gems are overlooked by people because of lack of recognition, it's a shame that this precious little film falls under this category. I couldn't recommend it more and it's become among my favourites.

"No I would not give you false hope/ On this strange and mournful day/ But the mother and child reunion /Is only a motion away, oh, little darling of mine. /I can't for the life of me Remember a sadder day /I know they say let it be /But it just don't work out that way /And the course of a lifetime runs /Over and over again." Paul Simon

Everything in the moving Mother and Child moves inexorably and lyrically toward a reunion, most notably between mother Karen (Annette Bening) and daughter Elizabeth (Naomi Watts). The other women in the movie are either moving toward birthing or adopting or just being mothers to children who are in the motion.

Mother and Child is one of the best movies I have seen this year and like The Bad Seed and Secrets and Lies among the most powerful about adoption and the challenges of being a mother. At 14, Karen gave up Elizabeth for adoption. Elizabeth colors every moment of Karen's life until she must seek her out. So, too, Elizabeth's awareness of the mother she has never seen.

Writer/director Rodrigo Garcia masterfully moves among mothers and mothers to be (Elizabeth becomes pregnant in the course of the film) to create a mosaic of longing and love, not one situation resolved in a typically Hollywood way, but just as the fates allow for real people. Woven into the dramatic tensions of a mother trying to reconnect with a child, a new mother surrendering to the difficulties of motherhood, and older mothers trying to support their challenged daughters, Garcia has a love affair between attorney Elizabeth and her boss, Paul ( an astonishingly underplaying Samuel l. Jackson) and an unlikely liaison between crusty Karen and sensitive co-worker Paco (an overweight, lovable Jimmy Smitts). While all these shenanigans might smack of the soap opera, the pace of the film is so languid as to allow the reality of the proceedings to grasp on to the imagination for total acceptance.

The question of the causes and effects of adoption underpins the plot but with a proportion of pain that may be unreal. No matter, the results have an authentic feel, as does the superb acting.

No illusion, this mother and child reunion is only a motion picture away.

Mother and Child (2009)

A drama filled with crosscurrents and heavy emotional stuff, yet told in such a normal and realistic way we come to believe it. And like it. Especially the acting, with Naomi Watts and Annette Bening leading two generations (and defining the title).

More than just exploring what a woman and her daughter (or her mother) need from one another (and give), this is about that first stage of becoming a mother—and deciding whether to keep the baby at all. So you see, it gets huge. And then comes the long term issue of adoption and finding, with luck, your adopted mother. The anger and released fears and the decades of doubts all flip and resolve, and this is all here.

What helps all along is the imperfect characters. In fact, Watts (as the conniving, independent daughter) and Bening (as the bitter, lonely mother) are really unlikable. At first. What keeps you going is the tenderness of two of the men, played by Jimmy Smits and Samuel L. Jackson, both with wonderful subtlety. While it never becomes "father and child" at all, these men really help nurture the mother and daughter relationships.

So who is this Columbian director and writer who pulled this together so well? He's had a mixed career writing and producing, and directing, including some "Six Feet Under" episodes and other spot jobs. He seems to lean toward interpersonal dramas, and has a knack for playing down sentiment while tuning into emotional impact (which is very different). It works.

Some people might find the plot too controlled, too contrived (almost but not quite to the point of predictability). Others might find the restraint all a bit too realistic, so that you kind of see too much real life and not enough theater. For me it walked a great line between all these poles. Good stuff!

In Los Angeles, the therapist Karen (Annette Bening) is a bitter woman that nurses her terminal mother Nora with the support of her maid Tracy (Carla Gallo) that has a little daughter. Karen misses her unknown daughter that she gave for adoption thirty-seven years ago when she was fourteen years old. Her new colleague Paco (Jimmy Smits), who is a widower, is a gentle man and courts the unpleasant Karen.

The bakery owner Lucy (Kerry Washington) wishes desperately to adopt a child since she can not have a baby but her husband Joseph (David Ramsey) is not supportive to the idea.

The efficient lawyer Elizabeth (Naomi Watts), who is Karen's daughter, is an independent and promiscuous woman that does not want to have a baby and has tubal ligation. When she joins the law firm of Paul (Samuel Jackson), she has a love affair with him and becomes his mistress.

When Nora passes away, she feels a great need to know Elizabeth. She marries Paco and his daughter Maria, who is a religious woman, convinces her to seek out Elizabeth. When Lucy meets the single mother Ray (Shareeka Epps), who is a demanding woman, Joseph leaves her since he does not want to raise a foster child. When Elizabeth finds that she is pregnant, she quits her job in Paul's firm and works as secretary in a small company. Their lives will be entwined in very dramatic situations.

"Mother and Child" is a powerful drama about different views and feelings about motherhood. The therapist Karen has never overcome the loss of her daughter for adoption. The infertile baker Lucy wants to be a mother and her desire costs her marriage. The lawyer Elizabeth is traumatized by her childhood and is an independent woman that does not want to have a baby and ironically gets pregnant. In the end, there is redemption with the second chance for Karen. My vote is seven.

Title (Brazil): "Destinos Ligados" ("Connected Destinies")