Nachdem er von seinem Meister verraten wurde, setzt ein desillusionierter Auftragskiller einen letzten Schuss ab, um mit dem Geld einem Musiker, den er versehentlich geblendet hat, zu helfen... Alles lesenNachdem er von seinem Meister verraten wurde, setzt ein desillusionierter Auftragskiller einen letzten Schuss ab, um mit dem Geld einem Musiker, den er versehentlich geblendet hat, zu helfen, sein Augenlicht wiederzuerlangen.Nachdem er von seinem Meister verraten wurde, setzt ein desillusionierter Auftragskiller einen letzten Schuss ab, um mit dem Geld einem Musiker, den er versehentlich geblendet hat, zu helfen, sein Augenlicht wiederzuerlangen.
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- 14 Nominierungen insgesamt
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Why John this is just not neccesary, this is simply an excuse to put two charismatic actors kicking assess, this is not a neccesary remake my guy, it's just like the original but without the essentially of that film, you should make a remake one of your American Van Damme movies, those are not good
The crow and now this one, stop remaking solid and classic movies please, you people should remade something like Waterworld or the Travolta alien movie, try to improve bad movies instead of remaking good ones, this is not a good remake and its feels forced and weird sometimes, you can do better ok guys.
The crow and now this one, stop remaking solid and classic movies please, you people should remade something like Waterworld or the Travolta alien movie, try to improve bad movies instead of remaking good ones, this is not a good remake and its feels forced and weird sometimes, you can do better ok guys.
I don't know how many action clichés John Woo made and then piled up during his carrier, but I guess a lot. This picture is really like mocking himself. Probably, rather than maybe, he is. Well, it is a remake of his own film, once considered pioneer of modern action movies, but it does nothing original at all. Rather, it delivers basically the same but with much less intensity, commitment and flair. The soul of the original is absent. There is no fire in it, just ember - to say the least. The characters are good but apparently most of them are restricted, blocked even, to show raw emotions (with the exception of Cantona). It is a weak remake, as they usually are.
The main actress had a kick ass image. The camera simply loves her. But is she a killer?
It just doesn't work. The film cliches start thick and fast and soon go into overdrive. By the end the film is dripping in old camera angles, dull fight scenes and amateur plot lines. It is desperate to be an action film. But it is just a parody of one.
The acting talent is high. And the Director used to be known for blockbusters. But I can't help but feel they have all dropped in the rankings creating this 'straight to VHS' nothing burger.
The story is ridiculous. It literally makes no sense. A whole killing empire brought down for no good reason. All the silent pro killing replaced with amateur battles that are disproportionate to the problem. The solutions just making it worse for no good reason.
This film is bad. Comically bad. By the end you will be questioning whether it is the same John Woo. Or just budget retired one.
Not recommended 💩
It just doesn't work. The film cliches start thick and fast and soon go into overdrive. By the end the film is dripping in old camera angles, dull fight scenes and amateur plot lines. It is desperate to be an action film. But it is just a parody of one.
The acting talent is high. And the Director used to be known for blockbusters. But I can't help but feel they have all dropped in the rankings creating this 'straight to VHS' nothing burger.
The story is ridiculous. It literally makes no sense. A whole killing empire brought down for no good reason. All the silent pro killing replaced with amateur battles that are disproportionate to the problem. The solutions just making it worse for no good reason.
This film is bad. Comically bad. By the end you will be questioning whether it is the same John Woo. Or just budget retired one.
Not recommended 💩
John Woo's "The Killer" 2024 had been highly anticipated by action movie enthusiasts and fans of the director's previous works. However, upon watching it, one can't help but feel a sense of disappointment. This film falls short on several fronts.
First and foremost, the plot was unimaginative and predictable after the first main action scene. It seems as if the filmmakers were trying to be overly complex in an attempt to create a deep and engaging narrative. Instead, it results in a jumbled mess that leaves the audience uninterested. There are too many subplots and twists that don't add much value to the overall story. For instance, a side story involving a character's personal vendetta takes up a significant amount of screen time but fails to contribute meaningfully to the main plot.
The character development is also lacking. The protagonist, who is supposed to be a complex and intriguing anti-hero, comes across as one-dimensional. We don't get a sense of her motivations or inner conflicts beyond the surface-level action. The supporting characters are equally underdeveloped, with little to no backstory or personality. This makes it difficult for the audience to connect with or care about any of the characters.
Another major issue is the action sequences. While John Woo is known for his stylish and intense action scenes, in "The Killer" 2024, they seem repetitive and lack the innovation and excitement of his earlier works. The gunfights and choreographed fights are predictable and don't offer any new or fresh elements. It feels like we've seen these same types of action scenes countless times before. Pigeons, doves, churches etc.
The pacing of the film is off as well. There are long stretches where not much happens, and then suddenly there's an explosion of action that feels rushed. This uneven pacing makes it hard for the audience to stay engaged throughout the movie. A woman of 5.7 135lb beating a 6 foot 220lbs man in unarmed combat is still unbelievable.
Furthermore, the cinematography, which is usually a highlight in Woo's films, is unimpressive in this one. The lighting and color palette don't create the mood and atmosphere that one would expect from a John Woo movie.
In conclusion, "The Killer" 2024 is a letdown. With its boring and predictable plot, underdeveloped characters, repetitive action sequences, off pacing, and lackluster cinematography, it fails to live up to the expectations set by John Woo's previous masterpieces. It's a movie that leaves the audience longing for the director's past glory days and wondering what went wrong.
First and foremost, the plot was unimaginative and predictable after the first main action scene. It seems as if the filmmakers were trying to be overly complex in an attempt to create a deep and engaging narrative. Instead, it results in a jumbled mess that leaves the audience uninterested. There are too many subplots and twists that don't add much value to the overall story. For instance, a side story involving a character's personal vendetta takes up a significant amount of screen time but fails to contribute meaningfully to the main plot.
The character development is also lacking. The protagonist, who is supposed to be a complex and intriguing anti-hero, comes across as one-dimensional. We don't get a sense of her motivations or inner conflicts beyond the surface-level action. The supporting characters are equally underdeveloped, with little to no backstory or personality. This makes it difficult for the audience to connect with or care about any of the characters.
Another major issue is the action sequences. While John Woo is known for his stylish and intense action scenes, in "The Killer" 2024, they seem repetitive and lack the innovation and excitement of his earlier works. The gunfights and choreographed fights are predictable and don't offer any new or fresh elements. It feels like we've seen these same types of action scenes countless times before. Pigeons, doves, churches etc.
The pacing of the film is off as well. There are long stretches where not much happens, and then suddenly there's an explosion of action that feels rushed. This uneven pacing makes it hard for the audience to stay engaged throughout the movie. A woman of 5.7 135lb beating a 6 foot 220lbs man in unarmed combat is still unbelievable.
Furthermore, the cinematography, which is usually a highlight in Woo's films, is unimpressive in this one. The lighting and color palette don't create the mood and atmosphere that one would expect from a John Woo movie.
In conclusion, "The Killer" 2024 is a letdown. With its boring and predictable plot, underdeveloped characters, repetitive action sequences, off pacing, and lackluster cinematography, it fails to live up to the expectations set by John Woo's previous masterpieces. It's a movie that leaves the audience longing for the director's past glory days and wondering what went wrong.
Let me beging by saying I love John Woo, Omar Sy, and Nathalie emmanuel, but this movie doesn't go anywhere, do anything, or offer up anything in the way of real entertainment aside from the good action sequences that stitch the diolgue sections together. In fact were it not for these three actors the movie would be immeasurably worse. I'll try to be conciese here.
The plot is simply ridiculous. Who decided to make a movie on a story so preposterous? Just imagine how good this movie might have been if the person creating and detailing the plot had an imagination, a lick of common sense, or a brain to create a proper conept. I'll not go into detail but suffice to say the story isn't worthy of any of the talent enlisted in the movie, nor does it conjure up the slightest modicum of interest, intrigue or investment in emotion.
The actors do a good job with the meterial... such as it is, but nothing can rescue this plot from the underhand vice of creativity that is lacking. Sam worthington is a very capable actor; I like him, and in spite of his relegation to mostly lower profile movie categories in the past few years, his talent nevertheless persists. Here he's cast as an Irishman, and I'm not even sure if he's supposed to be Northern or Southern but not only is his accent is terrible, but the requirement to have him play an Irish national at all is mind boggling. It has no relevance to the proceedings and only makes sense if confusing the audience with what he's actually saying is by design. In his first scene I wondered if he was speaking turkish, I kid you not! I could not understand a word he was saying.
Woo does a good job with the action sequences and to be fair, as an action flick and in dipicting excitement and intensity in general, especially the relevant places, it does well. The shots are great, the actors do well with the sequences, and movie comes alive considerably, but there isn't anything pinning this together except a stupid story that lulls atrociously outside these spaces where Woo's influence isn't primarily on display. "Between the panels" It's just rubbish.
Shame really as I had high hopes for this one. Yes they should have had a better plot, writers etc, but this is where we are and unfortunately as I've said, as an entertainment piece there is little on offer.
There are some good points though, Emmanuel is delectable in much of the attire she dons and indeed there are some nice shots in the movie which can be appreciated outside of the project as a whole, hence my 5/10
Still, that said, watching it is a not much more than a waste of time.
The plot is simply ridiculous. Who decided to make a movie on a story so preposterous? Just imagine how good this movie might have been if the person creating and detailing the plot had an imagination, a lick of common sense, or a brain to create a proper conept. I'll not go into detail but suffice to say the story isn't worthy of any of the talent enlisted in the movie, nor does it conjure up the slightest modicum of interest, intrigue or investment in emotion.
The actors do a good job with the meterial... such as it is, but nothing can rescue this plot from the underhand vice of creativity that is lacking. Sam worthington is a very capable actor; I like him, and in spite of his relegation to mostly lower profile movie categories in the past few years, his talent nevertheless persists. Here he's cast as an Irishman, and I'm not even sure if he's supposed to be Northern or Southern but not only is his accent is terrible, but the requirement to have him play an Irish national at all is mind boggling. It has no relevance to the proceedings and only makes sense if confusing the audience with what he's actually saying is by design. In his first scene I wondered if he was speaking turkish, I kid you not! I could not understand a word he was saying.
Woo does a good job with the action sequences and to be fair, as an action flick and in dipicting excitement and intensity in general, especially the relevant places, it does well. The shots are great, the actors do well with the sequences, and movie comes alive considerably, but there isn't anything pinning this together except a stupid story that lulls atrociously outside these spaces where Woo's influence isn't primarily on display. "Between the panels" It's just rubbish.
Shame really as I had high hopes for this one. Yes they should have had a better plot, writers etc, but this is where we are and unfortunately as I've said, as an entertainment piece there is little on offer.
There are some good points though, Emmanuel is delectable in much of the attire she dons and indeed there are some nice shots in the movie which can be appreciated outside of the project as a whole, hence my 5/10
Still, that said, watching it is a not much more than a waste of time.
Wusstest du schon
- WissenswertesNicolas Cage wanted to star in the remake if John Woo directed it.
- PatzerA world class killer for hire regularly and repeatedly goes to the same food place.
- Alternative VersionenIs a remake of "The Killer" (original title: "Dip huet seung hung," 1989), also directed by John Woo.
- VerbindungenReferenced in Film Junk Podcast: Episode 958: The Crow (1994) (2024)
- SoundtracksLet's Live for Today
Written by Peter Warne (as Michael Julien), Mogol (as Giulio Rapetti Mogol), Norman David Shapiro (as Norman Shapiro)
Produced by Wendy Wang
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Details
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 318.618 $
- Laufzeit2 Stunden 6 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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