Licorice Pizza

I have mixed feelings about this movie. The central relationship between Alana and Gary is great, and both actors are doing a great job. The scene where they're on the telephone and not saying anything is my favorite scene in the movie. Alana is an interesting character, seeing how impressionable she is, trying out different personas throughout the film. What I didn't like as much was the interludes with the celebrity cameos. I didn't like the part with Sean Penn and Tom Waits at all, and the Bradley Cooper part wasn't my favorite either. It does feel a little too long. Overall, I'd say it's worth seeing but not worth the Best Picture nominee-level acclaim.

"Licorice Pizza" tells a meandering journey of two young lovebirds. Things happen in the film, but I don't find the events of the plot intriguing or interesting. I honestly was bored by it.

A total vibe movie that you're either going to enjoy or not depending on how into that vibe you are.

Paul Thomas Anderson's latest is a nostalgic romcom of sorts about a teenager and the much older woman he wants to have a romance with in 1970s California. The film is obviously made by someone with first-hand experience of what it was like to grow up near L. A.'s entertainment industry, and the film, which is more a series of vignettes than a continuous narrative, captures the weirdness, desperation, and sometimes scariness of famous people living in a vacuum.

The film's biggest asset is Alana Haim, playing either a 25 year old or 28 year old (a blink and you'll miss it line throws some doubt on her actual age) who's oppressive Jewish household makes the antics of a child star high schooler (Cooper Hoffman, son of Phillip Seymour) at first a welcome distraction and later leads to an endearing bond between the two. The movie is winsome and enjoyable as long as it focuses on these two and their prickly relationship, but it's derailed by two lengthy segments featuring Sean Penn and Bradley Cooper that aren't as funny as Anderson seems to think they are and flab out the film's running time.

Also, much as I enjoyed the film while watching it, I couldn't shake an extreme feeling of ickiness when I started to think back on it. The age difference between Haim and Cooper is treated as mostly a non-issue within the world of the film, and their romance is served straight up -- we're obviously supposed to be rooting for them to be together. But if this were a movie about a 25 year old man romancing a 15 year old girl, it would play quite differently, and the double standard bothered me. I also felt like the script let Haim down. She's so likable and such a good actress that I was disappointed her character didn't have more growth. She's a young woman who hasn't seen much of the world but starts to thanks to Hoffman, but I wish the movie had been more about her learning that, much as she likes Hoffman as a friend, she's too old for him and has more potential than that of being his girlfriend and sidekick.

So, overall a mixed bag of a movie for me, though I was entertained watching it and would recommend it to others.

Grade: A-

This film is a good exercise in placing a story in a past decade. The production design shines with a very successful setting of the 70's. Unfortunately this is almost all that shines.

The script is repetitive and many times it doesn't get anywhere. The grounded and common appearances wanting to stand out are appreciated, but they fail to completely captivate in a totally forgettable story. There are some passages in the story that are funny, but there are others that are flat and boring.

The performances of the protagonists are good and very well supported by the big names that glow by themselves in the brief scenes in which they appear. The technical aspects such as editing and sound meet the standards of the director.

It is a movie I would never see again.

Oh Paul Thomas Anderson. Ever since the master your films have been on a slight down tick. The performances are great from all the new comers and the vets. The camera work and cinematography are stellar. Also the score is very good.

But as for the story, this is very poor. It's aimless in its vision and just seems to be random scenes written for the 2 leads to be a part of. The situations they get into are all over the place and there no real feel for how much time is passing from scene to scene. It feels as if the film is a sitcom from the 90s stretched out into a 2 hour film.

I love Paul Thomas Anderson but this is his second worst for me after Inherent Vice. Which isn't to say it's bad. I had a good time watching the film it's just not very memorable and not PTA at his best. I'll be waiting for the next film though without a doubt..