Streets of London - Tag der Vergeltung

Not Straight Outta Compton, but straight out of jail and back on the mean streets of London. A story of retribution, responsibility and reflections that has Sam Peel (Noel Clarke) fighting for more than just his freedom. After a six and a half year stretch for murder, his troubles are just about to begin. This has his past conflicts catching-up with his plans to stay alive for the future. Strong language assists the strong sense for survival and bitter revenge in this gritty 24-hour time-line drama; knives, guns, drugs, sex and baseball bats rule this urban metropolis.

Written, directed, his first attempt too, and starring Noel Clarke, and the follow-up to, in writing only, his 2006 Kidulthood, and backed by UK Film Council's New Cinema Fund and The UK National Lottery. Wonderfully scripted and uncompromising in all areas, these urban gorillas and street urchins are the epitome of English youth in a modern setting of ghettos and tower blocks that show a concrete jungle of an inarticulate, destitute, indifferent underclass.

Edited too in an exciting fashion with split screens and driven alone with daring character development not seen since the 1995 French movie "La Haine". Adulthood being both a film of extreme violence and of reconciliation with ones past to make-amends with ones future, in a world of aggression, for some, there is hope, be it with education, forgiveness or just plain growing-up. Finding ones faults and learning, and having to, deal with them here is an education and a right-of-passage that not only brings a sense of neorealism to the proceedings but is frighteningly more close-to-the-bone than some would possibly care to admit. Adulthood could be seen as social comment perhaps or more than coincidence and excellent timing. Whatever the case may be, daunting and realistic it is.

This, along with Sean Meadows work "This Is England", Garth Jennings "Son of Rambow", Paul Andrew Williams "The Cottage" and Martin McDonagh's "In Bruges" for example, is a fine example of just how British film is slowly, and very assuredly, coming back to conquer once more. With imagination and self-confidence, we can look forward to these conquering heroes expanding further afield, and too, with the added bonus of Mr. Noel Clarke to also carry the flag. Not bad for a beginner.

I had not watched Kidhood, the prequel to this movie but was so damn moved by Adulthood. I later realised that you don't need to watch the part 1 of it. Sam , the character was strong and genuine and in-your-face types and the movie, for sure, portrayed the underground life of the youngsters in the UK.

Worth a watch for sure and recommended for a critics award. The violence scenes were brutal at times but am sure the movie demanded the same.

Hats off to the director for bringing out raw talents out of these young actors and highlighting the growing problems of young crimes in this country.

I found ADULTHOOD to be a decent film and one which actually surpasses the original. The reason is that I prefer the plot: I find the story of a sole character's redemption on the mean streets of London to be more focused and compelling than the multi-character narratives of the first film, KIDULTHOOD. At times, ADULTHOOD feels like nothing less than a modern-day western, with characters forming alliances and battling it out in a virtually lawless society.

Noel Clarke goes from strength to strength, undertaking not one, not two, but three separate roles here. First and foremost he directs, giving the movie the kind of gritty realism it desperately needs. Secondly he writes, crafting an interesting tale populated by engaging characters. Finally he acts, and delivers a fine performance as a man struggling to come to terms with his identity and place in society.

The supporting cast are fine – some delivering over-the-top performances, others more restrained and heartfelt, as the script requires. Overall, ADULTHOOD has a refreshing honesty about it that stems from the lives of the people it depicts: it tells their story in an unpretentious, almost documentary style, with plenty of natural humour and a great deal of emotion.

Having just seen this film at a BAFTA preview, I felt that it deserves a favourable review. Noel Clarke has realised a well written, captivating film. Melodrama and action is finely balanced, moving the storyline smoothly along whilst capturing all the relevant aspects of the protagonists journey. There were one or two contrivances that were a little beyond expected reality, but they weren't totally unreasonable and only served to highlight the overall realism of the storyline. It is after all a drama and some concessions need to made to keep the suspense. The characters are all extremely believable and the cast all contribute with superb performances, bar none. Noel Clarke's own performance is outstanding, and is the bedrock of the film. Having only been aware of him from his appearances in Dr.Who, I was pleasantly surprised at the depth of character he manages to portray. The dialogue seems to be authentic in style and avoids making the actors seem like caricatures, as can so easily be done in films of a similar theme. Brian Tufano's cinematography was well measured and help to maintain a good balance between some nice editing, great soundtrack and solid direction.

I think Noel Clarke should be justly proud of his achievement in writing , starring and directing this genuinely entertaining film. If I seem to be lauding too much praise, it is because this film didn't fail to deliver where so many other low budget films do. It is a film with honesty, heart, action and integrity without preaching or patronising the viewer.

I liked it and I'm a cynical sod, so if anyone sees Noel Clarke, tell him he done alright.

Darcus (not Howe)

Having loved the first one, I wasn't sure if this one would meet the mark of Kidulthood but I have to say it did. I wouldn't say it is better than the first but it is still really good. It was good to see they had a lot of new faces in the cast who played their parts well. I thought Scarlett Johnson who played Lexxi was brilliant. She played her role really well and was very convincing. Was very weird seeing her face again since the last time I saw her was in Eastenders and I thought she was good in that.

The groups of youths were good apart from Dabs played by Plan B. I didn't think he was a very good choice for his character. I know he was a part of the soundtrack but he just wasn't very good at acting. Sams brother was very good and I was very impressed with his acting. Adam Deacon who plays Jay and Femi Oyeniran who plays Moony gave great performances as well. Especially Adam who shows his acting abilities at the end scene.

Neol Clarke does a excellent job acting, directing and writing. I can't believe he done all of that. For first time directing he does really well and yet again he does a great job at writing. The story over all was really good. Makes you see how much Sam had change and how he wants to get on with life and how he portrayed the different life's of Jay and Moony. He writes some brilliant scenes like the scenes where Sam meets his Mum, where he meets Alisha and her daughter and where he speaks to his brother. Really well written.

And like the first film it had a great soundtrack thanks to Ashley Thomas aka Bashy. He chose some great songs and artists for the soundtrack. They had some great songs like Kidulthood to Adulthood, Who R U, F Ur X and many more. I really wanted them to use the MySpace winner song by Dot Rotten because it was very good and would of gone well with the film. The cinematography was really good as well just like the first and i really like the way they did the split screens. Thought that it was really clever.

If you have seen the first, you really must see this. Although I think it has it's down falls like the first, it is still worth watching and it will leave you shocked by the end. A very Enjoyable film but you must see the first to see this one.