IMDb-BEWERTUNG
4,5/10
5261
IHRE BEWERTUNG
Sechs Fremde wachen in einem endlosen Maisfeld auf und müssen feststellen, dass sie von etwas Geheimnisvollem gejagt werden.Sechs Fremde wachen in einem endlosen Maisfeld auf und müssen feststellen, dass sie von etwas Geheimnisvollem gejagt werden.Sechs Fremde wachen in einem endlosen Maisfeld auf und müssen feststellen, dass sie von etwas Geheimnisvollem gejagt werden.
- Regie
- Drehbuch
- Hauptbesetzung
Keith Barnes
- Scientist
- (Nicht genannt)
Niki Kerro
- Rachel
- (Nicht genannt)
Empfohlene Bewertungen
This is newb producer, writer and director Emerson Moore's second film (with only one prior short), and it wasn't as bad as all these wannabe critics and their one's. Clearly it was a low budget B film, and all things considered, I've seen worse big budget Hollywood A-films lately.
Moore's directing was actually impressive, with some great aerial shots, unexpected jump-scares, and fairly decent cast direction. Cinematography was spot-on, but it was the score - especially for a B film, that was perfection. This is a rarity in B films, where the score is always loud, overbearing, constant and unfitting. Even the pacing was decent for the 89 min runtime.
There was however a huge missed opportunity with the writing; of the three writers, had one of them been somewhat a seasoned writer, the story could've been more cohesive. Although a refreshing and original take on the "escape room" genre films, there were some elements that could've been omitted, such as the red vile-filled dart and what followed, and other elements than needed more attention, such as a better narrative structure and more character development. I don't mind films that leave unanswered questions, but a little more clarity would've gone a long way. The ending wasn't bad either, but also had potential to be much more.
Rookie mistakes aside, I still enjoyed this one, and it's a well deserved 7/10 for the newb filmmaker. I hope Moore takes advantage of the door he left open for a sequel.
Moore's directing was actually impressive, with some great aerial shots, unexpected jump-scares, and fairly decent cast direction. Cinematography was spot-on, but it was the score - especially for a B film, that was perfection. This is a rarity in B films, where the score is always loud, overbearing, constant and unfitting. Even the pacing was decent for the 89 min runtime.
There was however a huge missed opportunity with the writing; of the three writers, had one of them been somewhat a seasoned writer, the story could've been more cohesive. Although a refreshing and original take on the "escape room" genre films, there were some elements that could've been omitted, such as the red vile-filled dart and what followed, and other elements than needed more attention, such as a better narrative structure and more character development. I don't mind films that leave unanswered questions, but a little more clarity would've gone a long way. The ending wasn't bad either, but also had potential to be much more.
Rookie mistakes aside, I still enjoyed this one, and it's a well deserved 7/10 for the newb filmmaker. I hope Moore takes advantage of the door he left open for a sequel.
I actually enjoyed this more than In The Tall Grass, which isn't saying much, but I had read the story that was based on and was disappointed in the film adaptation.
This was more interesting to me and just isn't as bad as a lot of these reviews claim it is, so I felt the need to give my two cents as a counterpoint to all the undeserved negativity. This is no masterpiece, but it kept me entertained and watching till the end.
This was more interesting to me and just isn't as bad as a lot of these reviews claim it is, so I felt the need to give my two cents as a counterpoint to all the undeserved negativity. This is no masterpiece, but it kept me entertained and watching till the end.
Ever seen the Canadian cult sci-fi thriller Cube?
How about Netflix's adaptation if the Stephen King story In The Long Grass?
Well, imagine the story of the first, but the setting of the second. That is what you have here.
And that's it. There's nothing new, nothing imaginative; just "Cube, but in a field".
Don't get me wrong, I wasn't bored at all, but everything just seemed too familiar. But there were other problems.
Some parts where painfully predictable. Others where the most over-played of clichés (the ex-soldier still haunted by how he let his platoon down, anyone?).
At one point, a character makes reference to something they couldn't have known about. It seems like a really clumsy hint that this character is not to be trusted, but it's never followed up, so why include it? Either the film-makers thought it was a clever way of second guessing the audience (it's not, because it makes things even more nonsensical) or they were not aware of their own continuity.
How about the "Impassable door" that totally blocks our heroes, only for one of them very shortly later to pass through (off camera and without any explanation or reference) with no apparent difficulty. Twice!
As I said, despite all the criticisms, I can't claim I wasn't entertained. The pace was good, and the acting largely fine (though a few of the characters were so 2D they would hardly have been missed however well acted).
It's just that, at best, it offered nothing new and, at worst, fell prey to all manner of clichés and plot-contrivences.
How about Netflix's adaptation if the Stephen King story In The Long Grass?
Well, imagine the story of the first, but the setting of the second. That is what you have here.
And that's it. There's nothing new, nothing imaginative; just "Cube, but in a field".
Don't get me wrong, I wasn't bored at all, but everything just seemed too familiar. But there were other problems.
Some parts where painfully predictable. Others where the most over-played of clichés (the ex-soldier still haunted by how he let his platoon down, anyone?).
At one point, a character makes reference to something they couldn't have known about. It seems like a really clumsy hint that this character is not to be trusted, but it's never followed up, so why include it? Either the film-makers thought it was a clever way of second guessing the audience (it's not, because it makes things even more nonsensical) or they were not aware of their own continuity.
How about the "Impassable door" that totally blocks our heroes, only for one of them very shortly later to pass through (off camera and without any explanation or reference) with no apparent difficulty. Twice!
As I said, despite all the criticisms, I can't claim I wasn't entertained. The pace was good, and the acting largely fine (though a few of the characters were so 2D they would hardly have been missed however well acted).
It's just that, at best, it offered nothing new and, at worst, fell prey to all manner of clichés and plot-contrivences.
I had no idea what this movie was about besides the information from the tv. I decided to give it a try and it wasn't a bad movie by any means. I'm not sure why all the negative reviews, people needed to be more open minded to the fact that everything was shutdown bc if CoVid when this was filmed. Nobody was working let alone making movies I think for the capabilities at the time it's a decent film and it has plenty of potential for a second film. The idea of dropping people off in the middle of nowhere and having them find their way out is definitely not new but the acting was good and there was plenty of mystery left if they wanted to pick things up again.
Not as bloody as Saw. Not as clever as Cube. Not as inventive as Escape Room. Not a good film.
Badly directed and edited, bad script, stupid ending, 'seen it all before' plot, mostly poor acting.
The black actress wins an award for the most annoying person in film...ever.
Avoid.
Badly directed and edited, bad script, stupid ending, 'seen it all before' plot, mostly poor acting.
The black actress wins an award for the most annoying person in film...ever.
Avoid.
Wusstest du schon
- WissenswertesFilmed in September 2020. Several of the actors who were originally cast before the pandemic ended up dropping out, and the producers had to re-cast them.
- Crazy CreditsThere is a mid-credits scene.
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- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- El campo de la muerte
- Drehorte
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Box Office
- Weltweiter Bruttoertrag
- 1.074.879 $
- Laufzeit1 Stunde 29 Minuten
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By what name was Escape the Field (2022) officially released in India in English?
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