The Last Victim

"The Last Victim" (2021) is a compelling neo-Western crime thriller that seamlessly blends the gritty atmosphere of classic film noir with the rugged spirit of the American West. This American-made film carves its own path, delivering a strong story with a focus on complex characters and a visually striking aesthetic.

Sheriff Marcus (Ron Perlman), a weary lawman haunted by a past tragedy, finds himself on the trail of a ruthless gang led by the charismatic but sociopathic Jake (Ralph Ineson). The gang's reign of terror leaves a trail of violence and despair in its wake, forcing Marcus to confront his own demons while trying to bring them to justice.

The film masterfully utilizes the stark beauty of the Southwestern landscape, employing a dusty palette and long, lingering shots to create a sense of isolation and dread. The cinematography, by Lukasz Pruchnik, is particularly impressive, capturing the harsh realities of life on the frontier while also hinting at the underlying darkness that lurks beneath the surface.

The performances are uniformly strong. Ron Perlman, as Marcus, delivers a nuanced portrayal of a man grappling with guilt and the weight of responsibility. Ralph Ineson is chillingly effective as the leader of the gang, exuding a dangerous charisma that masks a cold, calculating mind.

However, "The Last Victim" is not without its flaws. The pacing can feel uneven at times, with some scenes dragging while others feel rushed. Additionally, some plot twists may feel predictable to seasoned genre fans.

Overall:

Despite these minor shortcomings, "The Last Victim" is a worthwhile watch for fans of crime thrillers and those seeking a unique cinematic experience. Its blend of genres, strong performances, and visually striking presentation create a memorable and unsettling journey into the heart of darkness.

It's such a shame, this had so much potential, especially with the stellar performances. As a neo-noir wester thriller, this was beautifully shot by Naveen A. Chathapuram in his directorial and writing debut.

But the jointly written story by the three writers was a disjointed convoluted mess, riddled with plot holes, and not as smart or as thrilling as it thought it was. It started off with promise, but the last act became so unbelievably dumb and lazy, that it will leave you feeling you wasted your investment is staring to watch it. I'm baffled how all three writers thought this would be an adequate and thrilling story.

Cinematography was excellent, and the score on point. It's too bad the actors wasted their talents on what could have been really great, but instead was a missed opportunity. It's a generous 5/10, all for the cast and cinematography.

With so many good TV shows giving us well-written dialogue and original stories in a 45/50 minute episode, Peaky Blinders, Numbers, The Mentalist, Elementary, Fringe, Person of Interest and many others, filmmakers have to pull their socks up. The competition is on. This film dragged for nearly 2 hours, twenty minutes could have easily been edited, but even then, it is nothing that we have not seen a dozen times better; very poor; I don't think this merits anyone's time.

(2021) The Last Victim SUSPENSE THRILLER

Co-produced, co-written and directed by Naveen A. Chathapuram that has Jake (Ralph Ineson) entering a diner in the middle of the night. He goes in there with two other people waiting for him outside. And only to see a single person, eating by himself we find out his name is Manny Randowski (Tom Stevens). The waitress/ cook of the diner asks Jake what he wants to eat and while she is cooking his food, more babbling occurs and Jake shoots and kill Manny before he kills the lady in the kitchen. Old guy hears this and he comes toward the diner guns a blazing successfully kills one person, injuring the other. Jake succeeds killing him as well. Jake's friend comes in through the door, we find out his name is Snoopy (Paul Belsito). Jake is barking orders to grab the bodies and stick them in the back of their pickup. And upon trying shut the back, he cuts off one of Manny's fingers off. The following morning has the sheriff, Herman Hickey (Ron Pearlman also credited as co- executive producer) notices the finger lying on the ground picks it up before he brings it inside the diner while the other deputy, Mindy Gaboon (Camille Legg) is taking photos. The next scene introduces a young couple of Susan Orden (Ali Larter) and her husband, Richard Orden (Tahmoh Penikett) and are on vacation. We are then introduced to brothers, Bull (Kyle Schmid) and Tad (Dakota Daulby) are practicing shooting at bottles and cans. And as we see what their social life is like, it was during then Jake and Snoopy shows up, and he asks Bull where they can dump the bodies. And Bull suggests them a good place to be is the nature reserve Yay Oola. That also happens to be one of the so called hot spots the couple of Susan and Richard happen to plan to visit. Once they find out it is closed, they decide to drive around the nature reserve anyway. And it is not long before Susan is on the run forcing her to fend for her herself.

This movie would have made a great experimental perhaps as a social commentary project but not as a two hour movie as the movie left viewers with more questions than answers. I mean, I do not mind ambiguity but not that much as this movie have shown, such as why did Jake shot and kill Manny in the first place? Was it about the money or was it about a former girlfriend he had lost to him? And in all places, why shoot and kill him in a diner when their may be other times to kill him. Viewers are obvious the connection of each character considering there isn't a large population. The social commentary occurs at the end but it is like too little too late.

It wasn't a movie you had to watch, but it wasn't bad at all. However, it's a bit boring.

Action was a bit slow. But good movie to watch Friday night. Good job!