Dante, Elias und Jay und Silent Bob werden von Randal nach einem Herzinfarkt angeheuert, um einen Film über den Laden zu drehen, mit dem alles begann.Dante, Elias und Jay und Silent Bob werden von Randal nach einem Herzinfarkt angeheuert, um einen Film über den Laden zu drehen, mit dem alles begann.Dante, Elias und Jay und Silent Bob werden von Randal nach einem Herzinfarkt angeheuert, um einen Film über den Laden zu drehen, mit dem alles begann.
Mike Zapcic
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Ernest O'Donnell
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Mike Belicose
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What happened to Kevin Smith? Seriously. It's been a long time since we've had anything from him that is really worth a watch. This one doesn't change that at all, sadly. It feels desperate to be honest. I had high hopes, but I was also more than a little cautious about getting my hopes up. After two fantastic entries in the Clerks series maybe a letdown was to be expected, but this one feels worse than that. First, the jokes fall flat most of the time. The ones that DO work are solid but there's just not enough of them. Second, the incredibly serious overtones feel out of place here, and that just gets more dire in the third act. Bottom line: it isn't as absolutely horrible as Yoga Hosers but it isn't in the same league as the first two films in the series. It isn't even half as good as Mallrats. My rating of 4 is given partly out of nostalgia for what it is. I can't say it earned it.
Yes, I was the guy who was practically sobbing during the finale of "Clerks III." If I wasn't so embarrassed to weep while sitting next to one of my best friends, I can tell you with full confidence that I would have been ugly crying before this film drew to a close. And that fact is what makes "Clerks III" one of the most unorthodox comedy films in recent years, but also one of the most emotionally satisfying ones.
Admittedly, I am a huge Kevin Smith fan - admiring him more as a person than as a filmmaker, I think Mr. Smith is a hilarious, humble person whose storytelling techniques make for funny anecdotes and engaging narratives. His question and answer sessions are legendary in terms of their comedic value, and I find myself enjoying the man so much that I can't help but look forward to his movies. And - unlike his abilities to recite the spoken word - his filmmaking skills do seem to be hit or miss. While I have enjoyed a majority of his films, I do recognize that many of them suffer from a lack of focus; relying too much on overindulgent humor and overly drawn out editing that lingers on jokes and scenes so much so that they wear out their welcome, Kevin Smith movies can be diamonds in the rough. Granted, bits of dialogue and drama that border on genius are always sprinkled throughout Smith's films, always elevating his movies, risking making them great if only these sequences weren't in between sequences of crude humor that, no doubt, alienate mainstream audiences. And "Clerks III" is no different, except for the fact that it contains a surprising emotional punch that shows Kevin's newfound maturity.
Yes, "Clerks III" has all the juvenile humor your precious heart could ever want, but it's all wrapped around a touching story of friendship and loss that will manage to cut deep into the souls of even the most jaded viewers. My theatre was full of uproarious laughter, but also of sniffles and nose-blowing, demonstrating to me that Kevin finally struck the perfect balance of drama and comedy - making "Clerks III" a dramedy, if you will. But that's exactly what makes this movie so good. Cleverly subverting expectations after giving audiences exactly what they expect, Smith created an emotional and simultaneously laugh out loud film that is sure to crowd please while also forcing viewers to come face to face with their own mortality.
So, if you're a fan of the previous movies in this series, you'll certainly find a lot of entertainment value from the sharp dialogue and witty gags that Smith has written into this film. While the humor doesn't hit as hard as it did in the first two movies, it still offers enough chuckles and belly laughs to tickle the funny bone of most viewers. The humor is more outrageous than the first film, but more subdued than the second, finding its footing in between stretches of emotional resonance.
When watching "Clerks III", you'll be privy to weed humor and potty-mouthed adults, but you'll also witness a very human story about friendship and coming to terms with life. I'm telling you, I didn't expect to practically break down in the theatre, but as tears rolled down my face I began to realize that I was watching Smith's most thoughtful movie since "Chasing Amy." And it is exactly this thoughtfulness that makes "Clerks III" work on multiple levels; you can walk into the theatre expecting a raunchy comedy, and you'll get it. You can walk into the theatre expecting an adult drama, and you'll get it. By giving audience members what they want in various different ways, this movie is a truly satisfying experience. That works for both Smith and non-Smith fans alike.
The more I think about this movie, the more I love it. With a wholly satisfying and life affirming ending, "Clerks III" is the drama wrapped in a comedy that I never knew I needed. If you are a Kevin Smith fan in the slightest, you owe it to yourself to watch this movie - and even if you're not a fan of Smith, I'd still recommend this film based on its dramatic merits. Not interested in seeing it? That's okay - after all, you weren't even supposed to be here today.
Admittedly, I am a huge Kevin Smith fan - admiring him more as a person than as a filmmaker, I think Mr. Smith is a hilarious, humble person whose storytelling techniques make for funny anecdotes and engaging narratives. His question and answer sessions are legendary in terms of their comedic value, and I find myself enjoying the man so much that I can't help but look forward to his movies. And - unlike his abilities to recite the spoken word - his filmmaking skills do seem to be hit or miss. While I have enjoyed a majority of his films, I do recognize that many of them suffer from a lack of focus; relying too much on overindulgent humor and overly drawn out editing that lingers on jokes and scenes so much so that they wear out their welcome, Kevin Smith movies can be diamonds in the rough. Granted, bits of dialogue and drama that border on genius are always sprinkled throughout Smith's films, always elevating his movies, risking making them great if only these sequences weren't in between sequences of crude humor that, no doubt, alienate mainstream audiences. And "Clerks III" is no different, except for the fact that it contains a surprising emotional punch that shows Kevin's newfound maturity.
Yes, "Clerks III" has all the juvenile humor your precious heart could ever want, but it's all wrapped around a touching story of friendship and loss that will manage to cut deep into the souls of even the most jaded viewers. My theatre was full of uproarious laughter, but also of sniffles and nose-blowing, demonstrating to me that Kevin finally struck the perfect balance of drama and comedy - making "Clerks III" a dramedy, if you will. But that's exactly what makes this movie so good. Cleverly subverting expectations after giving audiences exactly what they expect, Smith created an emotional and simultaneously laugh out loud film that is sure to crowd please while also forcing viewers to come face to face with their own mortality.
So, if you're a fan of the previous movies in this series, you'll certainly find a lot of entertainment value from the sharp dialogue and witty gags that Smith has written into this film. While the humor doesn't hit as hard as it did in the first two movies, it still offers enough chuckles and belly laughs to tickle the funny bone of most viewers. The humor is more outrageous than the first film, but more subdued than the second, finding its footing in between stretches of emotional resonance.
When watching "Clerks III", you'll be privy to weed humor and potty-mouthed adults, but you'll also witness a very human story about friendship and coming to terms with life. I'm telling you, I didn't expect to practically break down in the theatre, but as tears rolled down my face I began to realize that I was watching Smith's most thoughtful movie since "Chasing Amy." And it is exactly this thoughtfulness that makes "Clerks III" work on multiple levels; you can walk into the theatre expecting a raunchy comedy, and you'll get it. You can walk into the theatre expecting an adult drama, and you'll get it. By giving audience members what they want in various different ways, this movie is a truly satisfying experience. That works for both Smith and non-Smith fans alike.
The more I think about this movie, the more I love it. With a wholly satisfying and life affirming ending, "Clerks III" is the drama wrapped in a comedy that I never knew I needed. If you are a Kevin Smith fan in the slightest, you owe it to yourself to watch this movie - and even if you're not a fan of Smith, I'd still recommend this film based on its dramatic merits. Not interested in seeing it? That's okay - after all, you weren't even supposed to be here today.
I had initially wanted to rerun through all of Kevin Smith's films before getting to "Clerks 3" but as it's on Amazon Prime now, it's probably better to watch it whilst I can. I think I'd view this as being one I watched appreciating its aimable charm, rather than one actually liked.
When a heart attack causes him to question the value of his life so far, Randall Graves (Jeff Anderson), decides to turn his experiences into a low budget film, set in the convenience store, starring himself and Dante (Brian O' Halloran), and utilising Jay (Jason Mewes) and Silent Bob (Kevin Smith) who own the weed store next door. Though Dante agrees to help, a personal tragedy in his own life threatens to overwhelm him.
When I saw "Reboot" a year or so ago, I thought that perhaps it would be impenetrable to anyone who wasn't already a pretty big fan of Smith's work, and not a good film to anyone that was. "Clerks 3" is better film, in my opinion, even if I still think that unless you've got a pretty good memory and a gnawing affection for "Clerks" it's just not going to mean much to you. I do have those - so came away generally feeling that the film was an acceptable time, but more because of how poignant and sweet the film becomes, in line with, I think, the director himself as he's become older.
I didn't find it funny though, which could be considered a pretty big failing for what is essentially a comedy. The religious aspect, with Trevor Fehrman's Elias denouncing God for Satan in light of Randall's heart attack feels forced, indeed most of the lines attempting comedy, from Randall or Jay feel like (or in fact are) call backs to previous movies. The use of NFT's as a plot point feels hilariously out of date, for a movie that was only released last year.
"Reboot" was just a cavalcade of "remember this character, here they are" and though "Clerks 3" has some of that, it's written into a comedy drama that has a more interesting and complete plot. It's pretty far from perfect, it's pretty far from good, even.... But I came away feeling positive about it, despite its flaws.
When a heart attack causes him to question the value of his life so far, Randall Graves (Jeff Anderson), decides to turn his experiences into a low budget film, set in the convenience store, starring himself and Dante (Brian O' Halloran), and utilising Jay (Jason Mewes) and Silent Bob (Kevin Smith) who own the weed store next door. Though Dante agrees to help, a personal tragedy in his own life threatens to overwhelm him.
When I saw "Reboot" a year or so ago, I thought that perhaps it would be impenetrable to anyone who wasn't already a pretty big fan of Smith's work, and not a good film to anyone that was. "Clerks 3" is better film, in my opinion, even if I still think that unless you've got a pretty good memory and a gnawing affection for "Clerks" it's just not going to mean much to you. I do have those - so came away generally feeling that the film was an acceptable time, but more because of how poignant and sweet the film becomes, in line with, I think, the director himself as he's become older.
I didn't find it funny though, which could be considered a pretty big failing for what is essentially a comedy. The religious aspect, with Trevor Fehrman's Elias denouncing God for Satan in light of Randall's heart attack feels forced, indeed most of the lines attempting comedy, from Randall or Jay feel like (or in fact are) call backs to previous movies. The use of NFT's as a plot point feels hilariously out of date, for a movie that was only released last year.
"Reboot" was just a cavalcade of "remember this character, here they are" and though "Clerks 3" has some of that, it's written into a comedy drama that has a more interesting and complete plot. It's pretty far from perfect, it's pretty far from good, even.... But I came away feeling positive about it, despite its flaws.
I did not expect 'Clerks 3' to be one of the heaviest movies I watched in 2022. I love the 'Clerks' movies and consider the second one to be one of the all-time great comedies. It feels crazy to think that was 16 years ago. We finally got the third one and it was a very different experience to what I was expecting.
I would describe this movie as a love letter to nostalgia. It isn't always subtle about it, but it is hilarious about it. If you know the back story behind 'Clerks' then you are going to get a lot more of the jokes and references this movie is making.
I knew I'd laugh in this movie, however I didn't realise how upsetting it was going to be. I feel like Kevin Smith hit me with a sledge hammer - in the best (and worst) way possible.
The opening sequence in this movie is amazing. So much so that I had to go back and watch it again after the film was finished. I don't think 'Clerks 3' will be as rewatchable as the first two (I'm not even sure I'll be able to work up the courage to watch it again) but it may just be that little bit more memorable. 9/10.
I would describe this movie as a love letter to nostalgia. It isn't always subtle about it, but it is hilarious about it. If you know the back story behind 'Clerks' then you are going to get a lot more of the jokes and references this movie is making.
I knew I'd laugh in this movie, however I didn't realise how upsetting it was going to be. I feel like Kevin Smith hit me with a sledge hammer - in the best (and worst) way possible.
The opening sequence in this movie is amazing. So much so that I had to go back and watch it again after the film was finished. I don't think 'Clerks 3' will be as rewatchable as the first two (I'm not even sure I'll be able to work up the courage to watch it again) but it may just be that little bit more memorable. 9/10.
The Clerks franchise, being the one that launched Kevin Smith's whole career off, is clearly his most personal and dearest to his heart out of all of his IP. Therefore it's no stretch to assume each Clerks entry is an amalgamation of what Smith himself is feeling or reflecting on in his personal life at the time of creating it.
And this time around, with Kevin Smith fresh off of a heart attack in his real life, it's no accident that themes of mortality heavily seep into every pore of this film. And what happens when we're smacked in the face with our own mortality? Much like the trope of our "life flashing before our eyes", it's very commonplace to look backwards into the past at good times and view them under a different, more appreciative lens.
This film is exactly that: the artist looking back at Clerks 1 (mostly 1, but a little bit of 2 as well) through that nostalgic lens. Smith's reflection on his own mortality bleed through to the characters flashing back on their lives in the same manner. Smith called this film his "Jersey version of Cinema Paradiso", but I saw it more as his version of Fellini's 8 1/2, especially given that he is literally holding a camera in the film.
The trilogy is now thematically complete: Clerks 1 embodied youth, part II aging, part III dying. While Clerks III may be an interesting enough art piece for these reasons, it's just nowhere near as funny as the other 2. To be fair, it's not really trying to be most of the time with the heavy themes it's taking on. But still, it is a Clerks film and a comedy, therefore it does have humorous lines and moments all throughout, even in the more morose moments. And these were simply nowhere near as funny as the other 2 Clerks films.
Overall this film did an excellent job on the nostalgia & fan service if Clerks means a lot to you personally, but otherwise it is the weakest entry in the series in terms of comedic substance.
And this time around, with Kevin Smith fresh off of a heart attack in his real life, it's no accident that themes of mortality heavily seep into every pore of this film. And what happens when we're smacked in the face with our own mortality? Much like the trope of our "life flashing before our eyes", it's very commonplace to look backwards into the past at good times and view them under a different, more appreciative lens.
This film is exactly that: the artist looking back at Clerks 1 (mostly 1, but a little bit of 2 as well) through that nostalgic lens. Smith's reflection on his own mortality bleed through to the characters flashing back on their lives in the same manner. Smith called this film his "Jersey version of Cinema Paradiso", but I saw it more as his version of Fellini's 8 1/2, especially given that he is literally holding a camera in the film.
The trilogy is now thematically complete: Clerks 1 embodied youth, part II aging, part III dying. While Clerks III may be an interesting enough art piece for these reasons, it's just nowhere near as funny as the other 2. To be fair, it's not really trying to be most of the time with the heavy themes it's taking on. But still, it is a Clerks film and a comedy, therefore it does have humorous lines and moments all throughout, even in the more morose moments. And these were simply nowhere near as funny as the other 2 Clerks films.
Overall this film did an excellent job on the nostalgia & fan service if Clerks means a lot to you personally, but otherwise it is the weakest entry in the series in terms of comedic substance.
Wusstest du schon
- WissenswertesOriginally, Kevin Smith announced in 2017 that Clerks 3 was off the table after a falling-out with his friend Jeff Anderson who had played Randal Graves in Clerks - Die Ladenhüter (1994) and Clerks II (2006). Anderson had read the script but chose not to be involved; Smith canceled the project and made Jay and Silent Bob Reboot (2019) instead. Two weeks before Jay and Silent Bob Reboot was released, however, Smith revealed that he had spent an entire day signing Clerks movie memorabilia together with Anderson and Jason Mewes (Jay). This reunion allowed them to patch things up, and provided him with so much inspiration that he immediately threw away the old script, and started working on a new one with ideas that Anderson was receptive to. According to Smith, it will be "a movie that concludes a saga [...] about how you're never too old to completely change your life [...] about how a decades-spanning friendship finally confronts the future."
- PatzerIn the end credits, the town of Holmdel, New Jersey is incorrectly listed as "Homdel" New Jersey.
- Crazy CreditsDuring the last 3 1/2 minutes of credits, Kevin Smith is heard thanking the viewer for 'coming back to the store a third time' & reading an alternate voiceover ending written for the film.
- Alternative VersionenThe UK release was cut, this film had a compulsory cut made. A cut was required to remove a misleading non-BBFC rating symbol, in order to obtain a 15 classification. Cut made in accordance with BBFC policy. An uncut classification was not available.
- VerbindungenFeatured in Half in the Bag: 2022 Catch-up Part 2 (2023)
- SoundtracksWelcome to the Black Parade
Performed by My Chemical Romance
Written by Bob Bryar (as Robert Bryar), Frank Iero, Ray Toro (as Raymond Toro), Gerard Way, & Mikey Way (as Michael Way)
Courtesy of Reprise Records
By arrangement with Warner Music Group Film and TV Licensing
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Dân Chơi 3
- Drehorte
- Quick Stop Groceries - 58 Leonard Avenue, Leonardo, New Jersey, USA(FIlming location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 7.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.663.106 $
- Eröffnungswochenende in den USA und in Kanada
- 674.330 $
- 18. Sept. 2022
- Weltweiter Bruttoertrag
- 4.717.597 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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