Rebus

There are likely going to be two types of reactions to this series.

If you've never read any of Ian Rankin's novels and are willing to ignore the gaping incredible holes in the behaviour of some of the characters at various times, then you'll probably find it acceptable.

However ...

If you've read the novels then you will likely think this something of a travesty.

This series seems to take characters from the novels and picking and choosing the various characters from vastly different points of time (and by vastly I mean in some cases literally decades!) in the chronological development of the Rebus world and throw them together to call them a story. I'll go through a few that are the most serious anomalies.

In the books, Rebus and Cafferty are the exact same age. In the early books, Rebus the DS is head to head at times with Cafferty who has his empire. In the later novels (which are still being written of course), Rebus has left the force in his advancing years (and later returns) while Cafferty is also aging and has health issues and struggling to hold on to his empire in the face of challenges from others. However in this series, we have a young Rebus circa 1987 in the novels with an aging Cafferty maybe 25-30 years older than this Rebus and perhaps around the early 2010s in the world of the novels. The dynamics of the relationship are totally lost.

Malcolm Fox? The first Rebus novel was written in 1987 when Ian Rankin was still at University. In it Rebus was the DS that you see in this tv series. Rankin had written something like 15-20 books in the series before Malcolm Fox makes his first appearance in a novel of his own ("The Complaints") by which time Rebus had advanced through the force and bent or broken so many rules that it would be natural for Fox to take an ongoing interest in Rebus' history and activities. Here, he is just totally out of place and really serves absolutely no purpose in the story other than to add a character whose name is familiar to readers of Ian Rankin's books. His complaints to Siobhan about being careful around Rebus just ring so hollow at this point in time. When Fox is introduced 22 years into the stories? Absolutely they would make sense but not now.

Gil? In the novels, Rebus and Gil are in an ongoing romantic relationship in the early novels! No sign of that here and never any chance of that happening here given their dynamics.

Darryl Christie? He doesn't make an appearance in the novels until the 18th one which came out in 2012. He's the new kid in town challenging the aging Cafferty. Rebus isn't even a serving DI in this novel but has already retired from the force!!! So how is he here going up against a very young DS Rebus?

Michael Rebus? Well, in the novels he is a fairly successful hypnotist having followed the same career as Michael's and John's father. Yes , there is a storyline where he gets involved in dealing drugs but having him portrayed as a down-and-out individual living on an estate in a poorer section of town is just the opposite of who is was as a minor character in the books. If I recall correctly, he even owned some sort of expensive flash car in the books; no sign of that here of course.

One could go on but these are the main inconsistences off the top of my head.

So to sum up, what do we have? Rebus circa 1987 era when he was young interacting with Darryl and Ger circa 2012 by which time Rebus in the books is a DI at the end of his career and leaving the force. So, sorry, this doesn't work for me. Siobahn from 1993 being the newcomer assigned to Rebus in "The Black Book" but here in a relationship with Malcolm Fox which in the novels doesn't occur until 2015 (I think it was) when she is a DI by then and Rebus has left the police. That relationship amongst senior police worked in the books but here, it seems inconceivable with Siobhan a newcomer. So, again, sorry, it just doesn't work for me seeing them here.

Everyone knows that when a novel (or series of novels) is made into television that changes are inevitable. That's almost a given if only for the sake of simplification. However, one still expects there to be some sort of consistency for the most part but this series throws consistency right out the window.

For comparison, Shetland was written around Jimmy Perez but when actor Douglas Henshaw left the series last year a new Detective had to be brought in played by Ashley Jensen. That is still consistent with the novels and perfectly acceptable because it takes the storyline forward and in a different direction. That's fine. Ditto Vera where her #2's have swapped a couple of times due to cast changes. Again, it's fine.

I don't know what we have here. A good storyline that someone decided to adapt for tv by pulling in random characters from all over the Rebus world in order to force it to somehow work and then get Ian Rankin to agree to the mess? I don't know. It really comes across that the story was written first with anonymous characters and then the Rebus characters chosen from here and there out of 37 years of stories to somehow make it into a Rebus story. It doesn't work.

Just so disappointing.

After all, where do you draw the line? Would viewers want an "Agatha Christie" in which Poirot was stuck on a case so he called in Miss Marple for assistance? I'm not sure I would. Or perhaps next year Rebus could request assistance from Inspector Barnaby from Midsomer Murders (both Rebus and Midsomer Murders originally being series of novels) in order to track down Professor Moriarty. Would you want to see that? Tongue in cheek perhaps, but not presented as a serious adaptation of the Rebus novels.

So where DO you draw the line? I know I don't know but I do know that this Rebus very much crossed it. It just felt wrong throughout.

One review I read in a newspaper called this a "reimagining" of the Rebus world. Fair enough description. But it would have required a lot of imagination to expect true fans of the real Rebus world to like the result.

If instead of "John Rebus" in this series we'd had a "James McBurry" and with similar changes for all the other characters with no tie-in at all to Ian Rankin's novels, it would have worked for me.

But because that's not the way it was presented but sold to me as a REbus story instead, the whole thing just didn't make any sense for my wife or myself as it was impossible not to constantly spot the glaring inconsistencies with the world of the books.

So, as I said, if you aren't familiar with the books, then perhaps you can tolerate what they've done in this series. However, if you know and love the characters from Rankin's now 37 years of writing a total of I think 25 novels and still counting, seeing his characters thrown together at random like this is a bit of a travesty to say the least.

Just one final thought. Kudos to Richard Rankin who deserves praise for his portrayal of the young Rebus. Nothing wrong in what he's done and I do want to make that clear. Just such a shame about the script he had to work with.

Well what can I say?

I just binged all 6 episodes of Rebus Season 1. The episodes flowed seamlessly, delivering a compelling narrative. I haven't read the books, so I wasn't familiar with the characters, but it was an easy and solid watch. If you're into crime drama, it's worth a viewing, and I'd gladly watch another season to see how the plot unfolds.

If you're a film junkie like myself then you'll appreciate the time and effort that Gregory Burke and everyone else put in to make this happen.

I enjoyed it. Not my place to say where it could have been improved. It is what it is.

Thank you.

The BBC's latest adaptation of Ian Rankin's iconic Edinburgh detective, Rebus, boldly reinvents the character for a new generation-setting him in the present day as a younger, more volatile DS rather than the weary DI of past series. While this reboot leans into violence and realism, it manages to stay true to the spirit of Rankin's creation-something the author himself fully supports.

Richard Rankin is a standout as Rebus, bringing a brooding intensity and emotional vulnerability to the role. His fractured relationships, particularly with ex-wife Rhona and his brother Michael, ground the show in personal drama, while the unfolding criminal plot adds the necessary suspense and grit. The supporting cast, including Amy Manson and Brian Ferguson, deliver compelling performances that grow stronger as the series progresses.

This version of Rebus doesn't shy away from the darker sides of Edinburgh, with plenty of bleak cityscapes, complex moral dilemmas, and "industrial language." The violence may be more graphic than earlier adaptations, but it serves the narrative's tone rather than distracting from it. Gregory Burke's adaptation is sharp and well-paced, and the direction by Niall MacCormick and Fiona Walton ensures a cinematic feel throughout.

This Series has earned its place, combining solid writing, atmospheric visuals, and a fresh yet faithful take on a beloved character. Grittier than expected, but undoubtedly engaging, Rebus is a welcome return for the troubled detective.

Whenever I see the word "gritty" describing a TV series or a movie, it reminds me of a slick Hollywood PR type promoting something. I've seen parts of the first two "Rebus" series, but I never read the books. It's set in beautiful Edinburgh, the capital city of Scotland. In a number of shots you can see Edinburgh Castle in the distance, once the home of Scottish kings and queens.

I didn't care for the storyline, it's another police procedural which is really a family drama. Writers are obsessed with stories of drugs, when drugs are really a small percentage of all crime. It's another cliched drug and organized crime story. With a better script I'd watch a second series. I like the cast, especially Richard Rankin as John Rebus and Brian Ferguson as Michael Rebus.

"Vera" and "Grace" are much better UK police dramas.

I am from Edinburgh (EH7 -poor rough bit) and I like this sort of drama.

I love that Rebus books and various tv series show all sides of Edinburgh.

I have often explained to English people that there are very rough areas of Edinburgh and some well off areas of the West of Scotland but the Glasgow cliches live on.

But I am not a huge fan of the books although Ian Rankin seems to be a good person and very intelligent.

So to this latest version of Rebus.

I like all 3 versions that have been on tv so far,think this one is best then Hannah then Stott.

I love Stott in The Vice for example but felt he overacted in his Rebus,but it had great moments.

I give no spoilers but no secret that this Rebus is different from the other 2.

It is written by Gregory Burke a Scottish writer who looked like he was going to be a huge name but faded from view.

Hopefully there will be another series of this and Burke will become a big name again.

Some of the dialogue is brilliant.

I think you can tcompare he evolution of Rebus on tv to the Bond franchise,or to Doctor Who.

They are all the same thing but they evolve over the years,this is like Daniel Craig era Bond.

No plot spoilers but this is very gritty.

There are letters in this week's Radio Times (the main British tv magazine) complaining about the amount of swearing in this,there is a lot of what you could call industrial language but realistically criminals swear in real life.

I love the Edinburgh locations ,I have guessed most of them.

One thing I loved about this was that Caroline Lee-Johnson is in it.

She is a very convincing actress in everything she is in but she has not been in much for years.

In fact the casting and the look of this series are both first class.

The plot is complicated but convincing.

I have little time for people saying that it is not like the books or the other tv versions.

The character has evolved in the books and in any case fans don't own the character and can't dictate what happens to him.