The Drover's Wife - Die Legende von Molly Johnson
Originaltitel: The Drover's Wife: The Legend of Molly Johnson
IMDb-BEWERTUNG
6,4/10
2191
IHRE BEWERTUNG
Eine einsame Buschfrau kämpft darum, ihre Kinder großzuziehen und die Familienfarm zu führen, während ihr Mann weg ist.Eine einsame Buschfrau kämpft darum, ihre Kinder großzuziehen und die Familienfarm zu führen, während ihr Mann weg ist.Eine einsame Buschfrau kämpft darum, ihre Kinder großzuziehen und die Familienfarm zu führen, während ihr Mann weg ist.
- Auszeichnungen
- 9 Gewinne & 31 Nominierungen insgesamt
Anthony Cogin
- Robert Parsons
- (as Tony Cogin)
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What would you do, an outback setting where there's few, not more than a brooding mare, only good for child care, have to take it on the chin, turn a cheek, you just can't win, no escape, there's no way out, just prepare for the next clout.
Leah Purcell leaves us under no illusion, with an outstanding performance, as to the challenges faced by women in the lost and lonely landscapes of 19th century Australia where abuse, torment and oppression are commonplace, and where racism and prejudice prevail - I'd like to say we've come a long way since, but you can make your own mind up about that and the reasons for it, so if this film does nothing other than get you thinking, then it's 90 minutes well spent.
Leah Purcell leaves us under no illusion, with an outstanding performance, as to the challenges faced by women in the lost and lonely landscapes of 19th century Australia where abuse, torment and oppression are commonplace, and where racism and prejudice prevail - I'd like to say we've come a long way since, but you can make your own mind up about that and the reasons for it, so if this film does nothing other than get you thinking, then it's 90 minutes well spent.
This is a well written story capable of building a strong emotional bond with the audience. A woman raising a family on her own in the wilderness of ancient Australian high country. Excellent acting by Leah Purcell rich with motherly emotions and fierce protector. Rest of the cast supplements too. Clever use of visuals of lush and lonely high country that seem to have no end, is both scenic and haunting at the same time. A wide range of characters that lets this tale touch on many key developments in ancient socities despite all the unlawfulness and savagery. Molly Johnson's life is a wonderful tale that's told well.
A lot of (Australian) people don't like Australian movies. This one takes us back to the glory days with a solid story, good script, characters and across-the-board acting. With the broadest part of the germ of the idea picked from Henry Lawson's short story The Drovers wife (1892), it examines the life of a woman living an isolated life with her children in Australia's Snowy Mountains while her drover husband is away with the cattle. As the layers of the story unpeel the complexity of life on the frontier are revealed. Life is hard and Purcell's character, Molly Johnson, battles to protect and provide for her kids. Reflecting Henry Lawson's drover's wife she's their protector, but this is where the stories depart. This film looks at themes and issues, as current today as they were in the 1800s. Rob Collins is great as Yadaka an aboriginal man on the run, as is Malachi Dower-Roberts who plays Molly's son, Danny. He forms a friendship with Yadaka which helps build trust between Molly and Yadaka whose back-story is interesting and central to the film. Sam Reid plays Sergeant Klintoff who's come to the high country from the UK via South Africa with his wife, Louisa (Jessica De Gouw). He's a good man with a tough job in a small settlement and a vast territory to cover. This is a movie of secrets, about heroism and toughness, and ultimately is positive. Some will say some of the issues (black/white, male/female relations) dealt with are heavy-handed, but I don't think so. It's what happened and is put together to depict the realities of life on the frontier of 'civilisation'. Some of the key points are so subtle you don't realise it's happening until the horse has bolted and destinies are set. There are gaps in the story (for example, how does a very remote place with a minute population have a resident Magistrate let alone a Judge?), but they're not serious, and at the end you're left with an overall satisfaction and in my case, a sense of optimism. Written, produced, directed and acted by Leah Purcell - big job, well done.
Serious understatement to say this is an astonishing achievement, Ms Purcell's passion project is riveting and spare from beginning to end. It also takes no prisoners so prepare for your sensibilities to be assaulted.
We are so accustomed to seeing stories told through the eyes of men. When women or Indigenous people tell their stories some people find it 'virtue signalling' or boring. Where's the western action? The storyline of this film is harrowing, but I didn't find it difficult to watch. It was intensely emotional but neither emotion nor violence was gratuitous. It is incredibly beautiful, the interaction with the landscape carries all the power and mystery of our continent. The story unfolds gradually, and with a definite pace. This move is nothing short of a work of art, so moving, the story line so perfectly crafted, the acting so r powerful, I had to sit for a while afterwards to gather myself.
Wusstest du schon
- WissenswertesBased on the play of the same name. Leah Purcell performed the play and released a book in 2019.
- PatzerMolly should have some means of feeding the family whilst her husband was away droving. There is no sign of any food source at her house e.g. a vegetable garden, an orchard, a house cow, chickens, goats, sheep.
- VerbindungenFeatured in The 7PM Project: Folge vom 10. März 2024 (2024)
- SoundtracksBlack is the Colour
Traditional, arranged by The Corrs
Performed by Leah Purcell, Salliana Seven Campbell, Dean Kelly, Matt Fell, Jak Housden and Stephen Rae
Top-Auswahl
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- Weltweiter Bruttoertrag
- 1.274.183 $
- Laufzeit
- 1 Std. 49 Min.(109 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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