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Grafted

  • 2024
  • 1 Std. 36 Min.
IMDb-BEWERTUNG
5,6/10
2851
IHRE BEWERTUNG
Joyena Sun, Jess Hong, and Eden Hart in Grafted (2024)
Body-HorrorDunkle RomanzePsychologischer HorrorPsychologischer ThrillerPsychologisches DramaDramaHorrorRomanzeThriller

Füge eine Handlung in deiner Sprache hinzuA bright but socially awkward exchange student takes her craving for popularity to horrifying heights.A bright but socially awkward exchange student takes her craving for popularity to horrifying heights.A bright but socially awkward exchange student takes her craving for popularity to horrifying heights.

  • Regie
    • Sasha Rainbow
  • Drehbuch
    • Lee Murray
    • Sasha Rainbow
    • Mia Maramara
  • Hauptbesetzung
    • Jess Hong
    • Mark Mitchinson
    • Eden Hart
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,6/10
    2851
    IHRE BEWERTUNG
    • Regie
      • Sasha Rainbow
    • Drehbuch
      • Lee Murray
      • Sasha Rainbow
      • Mia Maramara
    • Hauptbesetzung
      • Jess Hong
      • Mark Mitchinson
      • Eden Hart
    • 24Benutzerrezensionen
    • 36Kritische Rezensionen
    • 62Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 1 Nominierung insgesamt

    Videos1

    Official Trailer
    Trailer 1:35
    Official Trailer

    Fotos27

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    Poster ansehen
    Poster ansehen
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    + 21
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    Topbesetzung26

    Ändern
    Jess Hong
    Jess Hong
    • Angela…
    Mark Mitchinson
    Mark Mitchinson
    • John
    Eden Hart
    Eden Hart
    • Eve…
    Ginette McDonald
    • Sheryl
    Jared Turner
    Jared Turner
    • Paul
    Alison Quigan
    Alison Quigan
    • Nurse
    Chloe Parker
    Chloe Parker
    • Classmate
    Joyena Sun
    • Wei
    Sam Wang
    Sam Wang
    • Liu
    Benjamin Hudson
    Benjamin Hudson
    • Classmate
    Xiao Hu
    Xiao Hu
    • Aunty Ling
    Andrew Munro
    Andrew Munro
    • Policeman
    Aleni Tufuga
    Aleni Tufuga
    • Gardener
    Sepi To'a
    • Jasmine
    • (as Sepi Toa)
    Phil Brooks
    • Policeman
    Trendall Pulini
    • Classmate
    Deanna Chiang
    • Aunty's Ling's Friend
    Gideon Smith
    • Josh
    • Regie
      • Sasha Rainbow
    • Drehbuch
      • Lee Murray
      • Sasha Rainbow
      • Mia Maramara
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen24

    5,62.8K
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    Empfohlene Bewertungen

    4poniesyd

    Disappointing

    I ADORE horror with female leads, especially ones where it deals with deeper issues

    But honestly, this movie disappointed me. The message was clear within the first half hour as to what it wanted it's message to be about and I was intrigued but after about 45 minutes, it all just became a bit silly.

    The acting felt like overacting and the pacing was just off. I kept finding myself checking when the movie was finally going to be over. I think the idea for this movie is brilliant but this delivery was just 100% not it for me. I kept getting taken out of it and all together, was very unimpressed.
    5arungeorge13

    Decent body horror, but the screenplay becomes weaker as it progresses. [+52%]

    The film starts really strong, ushering in a blend of Chinese and Kiwi aesthetics, and offering a premise that's erupting with potential. The opening scene sets the tone for gory, skin-crawling events to follow. The first act easily won me over, and that's because I could connect to the protagonist Wei's struggles as an immigrant trying to fit in (given her childhood trauma and deformity), and possibly make her mark in academics. While both these core conflicts take centerstage, the body horror elements somehow fail to work (from a screenplay perspective), even when the special make-up effects are gnarly and effective. Scenes suddenly lack cohesion and the plausibility of certain events is heavily questionable (for instance, no one noticed the abrupt changes in height and weight?). The final act lands unconvincingly, and the film decides to go for maximum shock value. The performances also fail to evoke greater emotions, and the conclusion feels rather tame. The Substance, this is NOT.
    6A_Different_Drummer

    good news and bad news

    The 1950s, a time when color film was still pricey and beyond the reach of the independent producers, was the decade when horror came into its own. There were no tropes and set pieces because everything was new and fresh. Often the scripts were written on the back of a napkin, and the ending was more about how much money was left in the budget than anything else. The good news is that GRAFTED captures this spirit perfectly, the viewer never knows what is going to happen next. The bad news is that a film should be about more than grabbing attention, it really should have a sense of direction. And this one does not. Nice start, but clearly the budget ran out somewhere along the way. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
    8kannibalcorpsegrinder

    A rather enjoyable and likable genre effort

    Going to live with her aunt, an aspiring medical student tries to fit in with her new family and their friends while continuing to advance the studies her father set out to accomplish, but when she's forced to use it before she's ready finds her life upended and is forced to take drastic actions to see her work.

    This was an overall enjoyable and highly effective genre outing. One of the stronger aspects of this one is the generally solid setup that offers a fantastic starting point for the type of material present in this one. Going with the idea of her attempting to ingratiate herself within her new family following the death of her father which means attempting to make friends with her cousin and her group of friends at school since they're nearly the same age only failing due to her inherent quirkiness compared to them provides a nice bit of conflict while she tries to help grieve her dead father that brings her there to begin with. Stuck with her antiquated notions and beliefs that conflict with their more modern approaches to life and social upbringing, the way she starts to loosen up and let go of herself so that she can get a fun role reversal as times go on involving the change in personality going forward. As well, there's also plenty to like with the growing realization of what her work is actually accomplishing. The initial stages of her advancement in the class and what's wrong with the deviant teacher show off nicely her desire to finish her father's formula and what it means to her, even going so far as to graphically mutilate herself to show that the whole thing is worthwhile. When the opportunity presents itself to use the formula and attempt to maintain a sense of social order, this one becomes a more overtly traditional genre effort with some gruesome kills, bloody stabbings, close-up surgical sequences, and even some fun stalking scenes along the way which has a generally fun time leading into the solid climax introducing some fantastic body-horror into the equation that's effectively utilized. Overall, these manage to give this one quite a lot to like about it. There are a few issues with this one that hold it back. One of the main pressing factors is the seemingly illogical manner in which she manages to work her work through her friend group without anyone noticing the duplicity of everything happening around them. The physical difference between her and the victim she takes out and assumes control of is quite remarkable, not to mention an obvious height and weight difference that shouldn't fool anyone who knew the victim. Even more apparent is how little she attempts to mimic their style or mannerisms so it just looks even more apparent how lame the duplicity really is and how she attempts to get away with everything. The other issue here is the abrupt and sudden change into turning into a straightforward slasher where the whole point of her going into this type of figure is somewhat obscure which is never really built up to making for a few drawbacks that bring this one down.

    Rated Unrated/R: Graphic Violence and Graphic Language.
    6Scodelli

    Slightly underrated - 6.5/10

    There's some compelling drama in the first half of the movie. Things spiral out of control in an organic, chaotic way.

    We get a very strong character development.

    It's body horror but nothing too crazy. It could have gone for a little more gore but it's adequate how it is.

    This is not an incredible movie by any means. But it has a fair amount of compelling story that is often lacking.

    It deserves more than 5. But also doesn't have enough of an "it" factor to be a great movie.

    There's some character and situational cliches.

    It's a very entertaining movie with some emotional elements.

    Ultimately it's a pleasantly average movie. Not sure why I'm writing this review other than 5/10 seeming a little too low.

    It's something you can throw on if you need a movie.

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    Verwandte Interessen

    Jeff Goldblum in Die Fliege (1986)
    Body-Horror
    Kim Min-hee and Kim Tae-ri in Die Taschendiebin (2016)
    Dunkle Romanze
    Daniel Kaluuya in Get Out (2017)
    Psychologischer Horror
    Rosamund Pike in Gone Girl - Das perfekte Opfer (2014)
    Psychologischer Thriller
    Jim Carrey and Kate Winslet in Vergiss mein nicht (2004)
    Psychologisches Drama
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Mia Farrow in Rosemaries Baby (1968)
    Horror
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romanze
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Handlung

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    Wusstest du schon

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    • Patzer
      After Angela death, her undamaged eye changes in the degree it is closed in between the two shots.
    • Soundtracks
      I'm Watching You
      Written by Peter J Imbest (BMI) & Ronald A Flannery (BMI) Published by Vision Publishing (BMII), Cleopatra Publishing (BMI)

      Performed by The Inmates

      2017 Numero Group

      Licensed courtesy of Secretly Canadian and Gaga Music Pty Ltd

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 12. September 2024 (Neuseeland)
    • Herkunftsland
      • Neuseeland
    • Offizieller Standort
      • Apple TV Store (MENA)
    • Sprachen
      • Englisch
      • Mandarin
    • Auch bekannt als
      • Чужі тіла
    • Drehorte
      • Auckland, Neuseeland
    • Produktionsfirmen
      • Propaganda
      • FluroBlack
      • Head Gear Films
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    Box Office

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    • Weltweiter Bruttoertrag
      • 264.335 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 36 Min.(96 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.39:1

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