Bruchreif

That could. Not because of the story so much, but more because of the actors that are in it. And is it a bad thing, that this movie works mainly because of the three main actors? Don't be fooled by the mention of Breckin Meyers though, he doesn't have a big role in this (just in case you're a fan of his).

No this movie belongs to the "big three". Mainly to Christopher Walken, because he is the lead. But everyone else gets his time and they are really great. They have funny scenes and the movie roles along quite nicely. Maybe if it had a better script, a greater antagonist (there really isn't one), it could have been better. But it is a nice watch and a good film.

I really Enjoyed this film, and it was full of some suspense. Its a rather different film for sure. Other reviewers do not like how its unbelevable, but have they worked in such a place for any period of time, are they art lovers themselves? are they ever captivated by anything in life. I think this shows very well the obsessive nature of people. Anything can take a persons fancy, and become an obsession, a piece of sting, how mundane it is to some, could be someones obsession, and they could know all manner of things about it.

so in that respect this film touches on a good subject, has fun moments, and is not made to be a serious film, its a fun film, just i think people need to relax more and learn to just enjoy it.

What's up with Morgan Freeman appearing in heist movies that go direct to video? Just a few months ago we got THE CODE, and now we have THE MAIDEN HEIST. Actually, it does appear that THE MAIDEN HEIST was originally going to have a theatrical release, but the bankruptcy of the Yari Film Group put an end to those plans and no other distributor seemed interested in releasing it to theaters.

Based on that fact, you might think that this is a bad movie, but it's not. There are some positive things about it. The production values are pretty strong for what was reportedly a somewhat limited budget; nothing about the movie looks cheap. The planning of the heist and the execution of the heist have some believable complications, and what's done about them are believable as well. Some humorous touches are amusing. Freeman, Walken, and Macy play a likable bunch of fellows that you hope will succeed.

But there's also some not-so-decent things about the movie. The violent opening fantasy sequence seems way out of place with its harsh tone. Except for Walken's character, we don't learn too much about the characters in the movie. There are some unexplained things in the movie, like where the thieves got the van and how Walken's character adjusted the vacation he was going to take with his wife. The main problem, however, is that while the movie is refreshingly low key, it's TOO low key. It's lacking a bit more edge to it. Some more excitement or some more laughs would have helped a lot.

Maybe it's best that this didn't land in theaters; I wouldn't have recommended to pay full price to see it in a theater. But if you like caper movies, like any or all of the three lead actors, and you can see it for little or no cost, it's an acceptable time waster.

THE MAIDEN HEIST (there is a more to the title than you might think) is like getting together with old friends for a chuckle. Michael LeSieur has written a feel good comedy and Peter Hewitt has directed that script with the help of a fine cast and the results are a fun film that has some gentle hidden messages about friendship, relationships, and loving your job.

A Boston art museum is making plans to ship an exhibition of works to Denmark. This news is hocking and upsetting to three of the museum guards: Charles (Morgan Freeman, in a subtle gender twist) is passionate for a painting of a girl with cats, Roger (Christopher) is literally enamored by a painting of a lonely girl on a beach, and military minded George (William H. Macy) is so obsessed by a bronze sculpture of an athlete that he secretly poses au natural imitating the pose of the athlete when no one is around. When these three works are designated to be part of the shipment to Denmark the three men pop into action - they find artists to copy their beloved artworks to 'exchange' in the crates when the exhibition leaves the museum. How they achieve this bold heist is the plot of the film. There are many problems: the exchanged crate must contain the authentic pieces accompanied by George until the shipment leaves the museum, and Roger's intrusive wife Rose (Marcia Gay Harden) nearly aborts the boys' plan by insisting on an anniversary trip to Florida. The heist has its problems, as the museum guards are simply good guys trying to prevent the sale of their beloved art works they guard every day. The poster line says it all: 'They're not bad guys, just bad thieves.'

It is a pleasure to see three fine actors such as Freeman, Walken and Macy pull off this comedy, aided by the absurd character Marcia Gay Harden inhabits. It is well-scripted full and it is very obvious that these actors are having a great time with the film.

Grady Harp

This film has less to do with art than some might suggest. Rather, this great satire is centred on the ridicule of the modern man. Having rid himself of any history, cultural belief and, ultimately, of his identity, in the name of liberty, equality and multiculturalism while the superficial industrial regimes imposed their utilitarian philosophy during the last couple centuries, the meaninglessness of the modern man's life is ever so flagrant.

Peter Hewitt casts great actors to play the role of museum security guards who have spent the better part of their lives standing still. Each of these guards becomes attached to and finds meaning for his life in one of the pieces of art of the museum. However unexciting the main storyline might be, Hewitt uses the script to build this satire on so much realism that it makes for a good comedy.

If you are looking for a light and innocent comedy, can look past a couple stereotypes and predictable twists, than you might enjoy this movie.