Thallumaala
- 2022
- 2 Std. 28 Min.
IMDb-BEWERTUNG
7,0/10
6976
IHRE BEWERTUNG
Es geht um einen jungen Mann, der heiraten will, aber es passieren komische Dinge, die seine Pläne ändern.Es geht um einen jungen Mann, der heiraten will, aber es passieren komische Dinge, die seine Pläne ändern.Es geht um einen jungen Mann, der heiraten will, aber es passieren komische Dinge, die seine Pläne ändern.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 6 Nominierungen insgesamt
Lukman Avaran
- Jamshi
- (as Lukman Lukku)
Empfohlene Bewertungen
ONE OF ITS KIND IN
MOLLYWOOD. EVEN THOUGH
IT'S NOT EVERYONE'S CUP
OF TEA, THOSE WHO ARE
LOOKING FOR SOMETHING
UNIQUE AND FRESH DO
GIVE THIS A SHOT. THE
MOVIE IS FILLED WITH A
TON OF ACTION SEQUENCES
EVERY 10-15 MINUTES, THE
BGM AND
CINEMATOGRAPHY STAND
OUT. STORY WISE THE FILM
GOT NOTHING MUCH TO
OFFER BUT DOESN'T FAIL
TO ENTERTAIN WITH LOTS
OF INTERESTING ASPECTS GOING ON.
Superb in the sense of entertainment. The movie does the job in entertaining you with colourful scenes. Awesome fight which covers most of the screen time, great cinematography. Disappointed with the songs though. That's all, don't expect more😄
As the title suggests, Khalid Rahman's foray into the action genre is based around a string of fights that happen for reasons you wouldn't want to go deep into. Written by Ashraf Hamza and Muhsin Parari, the film is tailor-made for the Instagram/YouTube generation, with a non-linear narrative structure. Oft-times, you watch a slickly shot set-piece first and then learn the story behind it. The entire film and its characters ooze swagger, set against vibrant frames (by Jimshi Khalid), and mind-blowing transitions. Yes, the editing work (by Nishadh Yusuf) is the soul of this particular movie.
The entire ensemble deliver solid performances too, with Tovino Thomas, Lukman Avaran, Swathi Das Prabhu, and Shine Tom Chacko standing out. The first half, with its knotty plot connections, peppy songs (barring a 'rap' which felt completely out-of-place), and fight sequences popping by the minute, is enjoyable but we initially sense a lack of coherence. Things get mighty better in the latter half however, and when the knots slowly begin to untangle, the fights offer a greater adrenaline rush. And this is a film where the stunts need to be talked about in detail. The scale of each set-piece varies - the one taking place inside a car and an all-out brawl at a cinema hall are truly outstanding.
Like one long darned Instagram reel, you'll remember the film for all its punches and kicks, pulsating background score, swanky costumes and trendy haircuts, and not for its plot (if there ever was one). The film definitely needed more humor though; I'm sure North Keralites will lap it up just the way it is (owing to regional context and dialect) and everyone else will relish the factors mentioned above. Does the film glorify coming to blows at the slightest discomfort? Yes, but like Ajagajantharam, think of this film playing out in a little universe of its own, distinct from the real world, and you'll want to appreciate the work that has gone into creating and detailing it. The romance in the film rides on a very thin (and questionable) line, though Kalyani Priyadarshan does light up the screen every time.
The entire ensemble deliver solid performances too, with Tovino Thomas, Lukman Avaran, Swathi Das Prabhu, and Shine Tom Chacko standing out. The first half, with its knotty plot connections, peppy songs (barring a 'rap' which felt completely out-of-place), and fight sequences popping by the minute, is enjoyable but we initially sense a lack of coherence. Things get mighty better in the latter half however, and when the knots slowly begin to untangle, the fights offer a greater adrenaline rush. And this is a film where the stunts need to be talked about in detail. The scale of each set-piece varies - the one taking place inside a car and an all-out brawl at a cinema hall are truly outstanding.
Like one long darned Instagram reel, you'll remember the film for all its punches and kicks, pulsating background score, swanky costumes and trendy haircuts, and not for its plot (if there ever was one). The film definitely needed more humor though; I'm sure North Keralites will lap it up just the way it is (owing to regional context and dialect) and everyone else will relish the factors mentioned above. Does the film glorify coming to blows at the slightest discomfort? Yes, but like Ajagajantharam, think of this film playing out in a little universe of its own, distinct from the real world, and you'll want to appreciate the work that has gone into creating and detailing it. The romance in the film rides on a very thin (and questionable) line, though Kalyani Priyadarshan does light up the screen every time.
Barely a story, told in 10 Chapters that too in non-linear narrative. The making shows superior craft and two action scenes stand out. Sadly, that is all there is to this film to take home with respect to the story or the characters. You laugh at them, laugh with them while they punch & kick their way to the climax. It is indeed a ballad of brawls and there are several shots that stand out in terms of technical aspect. Even when those shots push you dig a deeper meaning, it is of no use in this particular film.
The tone is vibrant, cartoonish as well and there were moments which were truly fun to watch. But the first half tested my patience as it hardly moved the story forward, till that theater fight. It was the second half where the film had some brownie points beyond the action scenes where one can relate to the hero and his gang's ego being bruised big time. Tovino Thomas and Shine Tom Chacko deliver big time whereas Kalyani Priyadarshan has nothing much to do as she remains a mere spectator to the chaos.
For all the talk on how beef is the only real meat and a superior one compared to other meats, one cannot help but wish the script had some meat to it. Given the brilliant filmmaking & non-linear narrative trick, it could have been a far better entertainer.
The tone is vibrant, cartoonish as well and there were moments which were truly fun to watch. But the first half tested my patience as it hardly moved the story forward, till that theater fight. It was the second half where the film had some brownie points beyond the action scenes where one can relate to the hero and his gang's ego being bruised big time. Tovino Thomas and Shine Tom Chacko deliver big time whereas Kalyani Priyadarshan has nothing much to do as she remains a mere spectator to the chaos.
For all the talk on how beef is the only real meat and a superior one compared to other meats, one cannot help but wish the script had some meat to it. Given the brilliant filmmaking & non-linear narrative trick, it could have been a far better entertainer.
An over glorified teens movie. The film is particularly targeting the under 25 age group obviously cause of the adrenaline rush you get at that age apart from that this one lacks a captivating story and story telling is pretty much like an excited teen on sugar rush or something. The songs seem to be well mediocre and trash af. Good casting but didn't pay off on screen as everyone has nothing entertaining to enact. Fans who keep saying this has got awesome fight sequences and the movie has pays respect to its name are simpletons who has got no exposure on world cinema. I would only recommend this film to a teenager.
Wusstest du schon
- WissenswertesThallumaala Crossed 15 CR World Wide Theatrical Gross Collection In Just 2 Days Sensational Terrific Performance In Box Office
- Alternative VersionenThe UK release was cut, compulsory cut made to a sequence of cockfighting. Cuts were made in accordance with BBFC Guidelines and policy, which apply the standards of the Cinematography Films (Animals) Act 1937. An uncut classification was not available. With this cut made, the distributor chose to make changes to the film in order to obtain a 12A classification. Sequences of bloody violence were removed. An uncut 15 classification was available.
- VerbindungenReferences Ennu Ninte Moideen (2015)
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Details
Box Office
- Weltweiter Bruttoertrag
- 2.587.493 $
- Laufzeit2 Stunden 28 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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