IMDb-BEWERTUNG
4,8/10
6268
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe survivors are saved by the mysterious prophet who seemingly has the ability to control the beasts. Along the way they get help from a karate expert.The survivors are saved by the mysterious prophet who seemingly has the ability to control the beasts. Along the way they get help from a karate expert.The survivors are saved by the mysterious prophet who seemingly has the ability to control the beasts. Along the way they get help from a karate expert.
- Regie
- Drehbuch
- Hauptbesetzung
Carl Anthony Payne II
- Slasher
- (as Carl Anthony Payne)
Johanna Putnam
- Secrets
- (as Hanna Putnam)
Megan Brown Martinez
- Woman Stranger
- (as Megan Brown)
Empfohlene Bewertungen
I was looking forward for part 3 and the final of Feast. Again it's all in the same way of course of part 1 and part 2. A lot of gore again, bad jokes, tits and all what you want but sometimes it drops a bit. Don't get me wrong, it is still a good flick, but in the sewer it drops a bit, takes too long for me but overall again you will have a big laugh with farts and the way some are killed. Also you have to watch it while the end credits are running, the movie is still going on. Some people really have a problem with this trilogy, just watch the reviews, the first got a lot of reviewers and from then on it drops. If you really want a good feast than just watch, sigh, Feast. Even the ending is great. Nothing to do with the storyline but still the director got away with it. Really, an underrated trilogy!
When it comes to a true relic it's hard to give a review. All I can say is that this (literally) piece of s**t is good cinema.
Where this lacks in structure it makes up in substance. The substance being not the cruelty or injustice of the world, but the driving force of all humanity: fun and love.
Kaufman said that the cinema is a dead art form. Pure hubris. Of course that was after the fact that he'd just created one of the more meaningful pieces of art: Synecdoche New york. Cinema just needs to go boldly where no one has gone before.
Beyond theater, no matter how much as it hurts. Saying farewell to Shakespeare causes physical pain, but sometimes the pain is good. Or like on tn the case of a modern human being, necessary.
In cinema there's nothing to bind us. Nothing to keep us apart. The cycle begins again when nothing is given. Well, except our endless appetite for sex and violence.
Where this lacks in structure it makes up in substance. The substance being not the cruelty or injustice of the world, but the driving force of all humanity: fun and love.
Kaufman said that the cinema is a dead art form. Pure hubris. Of course that was after the fact that he'd just created one of the more meaningful pieces of art: Synecdoche New york. Cinema just needs to go boldly where no one has gone before.
Beyond theater, no matter how much as it hurts. Saying farewell to Shakespeare causes physical pain, but sometimes the pain is good. Or like on tn the case of a modern human being, necessary.
In cinema there's nothing to bind us. Nothing to keep us apart. The cycle begins again when nothing is given. Well, except our endless appetite for sex and violence.
Better than II or worse then II? There is some debate on that.
At least we can clearly see the monsters in this one.
The gore is worse than ever with decapitations, and the monster eating the head whole, and then, I kid you not, eliminating the uneaten head.
If you have epilepsy, you might not want to watch the last 10 minutes or so. It flashes on and off and it made me dizzy.
It was better that Feast II, but not by much. It was a gore-fest with lots of action, but it was hard to follow exactly what was going on most of the time.
The ending was a real shock!
At least we can clearly see the monsters in this one.
The gore is worse than ever with decapitations, and the monster eating the head whole, and then, I kid you not, eliminating the uneaten head.
If you have epilepsy, you might not want to watch the last 10 minutes or so. It flashes on and off and it made me dizzy.
It was better that Feast II, but not by much. It was a gore-fest with lots of action, but it was hard to follow exactly what was going on most of the time.
The ending was a real shock!
Ask the best chefs in the world and they will say that 'presentation is everything'; it's an old adage that I really wish director John Gulager had applied when serving up The Happy Finish, the final chapter in his Feast trilogy. Style and attention to detail are in short order, the film being dished up with all the finesse of a pig farmer with a slop bucket; if it was the third course in a meal, it would result in a severe case of indigestion.
Like Beluga caviar, Marmite and Spam, the film's main ingredients—extreme gore, female nudity, offensive humour, rubbery monsters, and random perversion—are an acquired taste, but Gulager's scatter-shot approach results in a chaotic mess that even seasoned fans of trashy horror will be hard pushed to stomach. There are one or two tasty morsels on offer—some decent effects and a couple of genuinely funny gags—but these are completely smothered by the irritating editing, half-baked ideas, unlikable characters, moronic moments, and truly bizarre directorial choices (an entire scene lit by a strobe?!?!) all of which serve to kill the appetite quicker than a short, curly hair in your mashed potato.
Like Beluga caviar, Marmite and Spam, the film's main ingredients—extreme gore, female nudity, offensive humour, rubbery monsters, and random perversion—are an acquired taste, but Gulager's scatter-shot approach results in a chaotic mess that even seasoned fans of trashy horror will be hard pushed to stomach. There are one or two tasty morsels on offer—some decent effects and a couple of genuinely funny gags—but these are completely smothered by the irritating editing, half-baked ideas, unlikable characters, moronic moments, and truly bizarre directorial choices (an entire scene lit by a strobe?!?!) all of which serve to kill the appetite quicker than a short, curly hair in your mashed potato.
After the demented roller-coaster ride in part two, this boring and literally unwatchable appendix is quite a let-down compared to the earlier installments.
Despite the far-fetched ending, which is so absurd as to be actually funny, we've got more of the same, but with diminishing returns (and badly lit at that.) The newly introduced characters aren't that much of a big deal, either, and the blissfully short running time reflects the uninspired nature of the whole schlock parade.
It was time to end this carnage.
3 out of 10 (h)armless karate kids
Despite the far-fetched ending, which is so absurd as to be actually funny, we've got more of the same, but with diminishing returns (and badly lit at that.) The newly introduced characters aren't that much of a big deal, either, and the blissfully short running time reflects the uninspired nature of the whole schlock parade.
It was time to end this carnage.
3 out of 10 (h)armless karate kids
Wusstest du schon
- WissenswertesFilmed back to back with the second movie.
- PatzerWhen Secrets is learning to load her gun, the cartridge shown is for an automatic pistol and is rimless. It could not be loaded into her revolver.
- Zitate
Jean Claude Segal: How can I die when I'm a registered lethal weapon?
- Alternative VersionenThere is an Unrated version. Changes are minor.
- VerbindungenFeatures Feast II: Sloppy Seconds (2008)
- SoundtracksThe Ballad of Feast (Parte Uno, Parte Dos, Parte Tres)
Written by Marcus Dunstan
Performed by Raphael 'Elvis' Coca
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Feast 3: The Happy Finish
- Drehorte
- Lancaster, Kalifornien, USA(pick-up shots)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.000.000 $ (geschätzt)
- Laufzeit1 Stunde 18 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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