IMDb-BEWERTUNG
4,8/10
6253
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe survivors are saved by the mysterious prophet who seemingly has the ability to control the beasts. Along the way they get help from a karate expert.The survivors are saved by the mysterious prophet who seemingly has the ability to control the beasts. Along the way they get help from a karate expert.The survivors are saved by the mysterious prophet who seemingly has the ability to control the beasts. Along the way they get help from a karate expert.
- Regie
- Drehbuch
- Hauptbesetzung
Carl Anthony Payne II
- Slasher
- (as Carl Anthony Payne)
Johanna Putnam
- Secrets
- (as Hanna Putnam)
Megan Brown Martinez
- Woman Stranger
- (as Megan Brown)
Empfohlene Bewertungen
The third and last Feast part didn't seem as bad as the second, possibly because it was more about running away from the monsters and less about trying to make the characters look funny. It is difficult to enjoy a movie when you can't make yourself to care about any of the characters. And when the gore and weirdness goes completely over the top, you just stop caring.
Bottom line: Feast was a movie I recommend to all my friends, but the second and the third installments are just bad. It is "I wish I would have cleaned the house instead of watching it" bad. It's really depressing to see a movie bring some originality in a tired genre only to try too hard by making sequels that lack the soul of the first and exaggerate everything that didn't matter in the first place.
Bottom line: Feast was a movie I recommend to all my friends, but the second and the third installments are just bad. It is "I wish I would have cleaned the house instead of watching it" bad. It's really depressing to see a movie bring some originality in a tired genre only to try too hard by making sequels that lack the soul of the first and exaggerate everything that didn't matter in the first place.
Ask the best chefs in the world and they will say that 'presentation is everything'; it's an old adage that I really wish director John Gulager had applied when serving up The Happy Finish, the final chapter in his Feast trilogy. Style and attention to detail are in short order, the film being dished up with all the finesse of a pig farmer with a slop bucket; if it was the third course in a meal, it would result in a severe case of indigestion.
Like Beluga caviar, Marmite and Spam, the film's main ingredients—extreme gore, female nudity, offensive humour, rubbery monsters, and random perversion—are an acquired taste, but Gulager's scatter-shot approach results in a chaotic mess that even seasoned fans of trashy horror will be hard pushed to stomach. There are one or two tasty morsels on offer—some decent effects and a couple of genuinely funny gags—but these are completely smothered by the irritating editing, half-baked ideas, unlikable characters, moronic moments, and truly bizarre directorial choices (an entire scene lit by a strobe?!?!) all of which serve to kill the appetite quicker than a short, curly hair in your mashed potato.
Like Beluga caviar, Marmite and Spam, the film's main ingredients—extreme gore, female nudity, offensive humour, rubbery monsters, and random perversion—are an acquired taste, but Gulager's scatter-shot approach results in a chaotic mess that even seasoned fans of trashy horror will be hard pushed to stomach. There are one or two tasty morsels on offer—some decent effects and a couple of genuinely funny gags—but these are completely smothered by the irritating editing, half-baked ideas, unlikable characters, moronic moments, and truly bizarre directorial choices (an entire scene lit by a strobe?!?!) all of which serve to kill the appetite quicker than a short, curly hair in your mashed potato.
Yes, just a few short months after Feast II, here comes the happy finish to the trilogy. And while this one is not as good as the first one, it is a bit better than two. The focus of this one is comedy more than horror, though there is plenty of gore and once again boobs to keep me entertained, but then I am a pervert who likes a good gory movie. The story has our group of survivors right where they were after the last movie and like the last movie they have to do a lot of stuff to try and survive. They have no need to fear though as a butt kicking gun touting hero, a prophet, and a martial arts master come to the aid of our tired and beat down gang. They have to go through many obstacles on their way to finding a way past the deadly creatures that feast upon human flesh. From the rooftop where we left them, to the sheriff's office, and to a drainage pipe. You will get to see one person tired of the abuse get out of the film fairly quickly, lots of deaths, the use of gunpowder to stop the bleeding, and an ending that made me go "what"? It is far from perfect as the tunnel scenes were a bit dark and they used night vision camera's a bit to much. Still the cast is still funny in a strange way and I like the way it follows the first movies format of introducing the characters and the previous movies combined. It is nice in this entire series that the monsters are a combination of costume and makeup rather than the computer generated monsters of the science fiction channel too. I don't understand why the score is so low here on the same level with the abysmal "Automaton Transfusion" as that piece of crap had no sort of ending whatsoever and the effects were not good even for a low budget movie. Though people here probably took pity upon it because it was a beginner film maker who made it.
I was looking forward for part 3 and the final of Feast. Again it's all in the same way of course of part 1 and part 2. A lot of gore again, bad jokes, tits and all what you want but sometimes it drops a bit. Don't get me wrong, it is still a good flick, but in the sewer it drops a bit, takes too long for me but overall again you will have a big laugh with farts and the way some are killed. Also you have to watch it while the end credits are running, the movie is still going on. Some people really have a problem with this trilogy, just watch the reviews, the first got a lot of reviewers and from then on it drops. If you really want a good feast than just watch, sigh, Feast. Even the ending is great. Nothing to do with the storyline but still the director got away with it. Really, an underrated trilogy!
When it comes to a true relic it's hard to give a review. All I can say is that this (literally) piece of s**t is good cinema.
Where this lacks in structure it makes up in substance. The substance being not the cruelty or injustice of the world, but the driving force of all humanity: fun and love.
Kaufman said that the cinema is a dead art form. Pure hubris. Of course that was after the fact that he'd just created one of the more meaningful pieces of art: Synecdoche New york. Cinema just needs to go boldly where no one has gone before.
Beyond theater, no matter how much as it hurts. Saying farewell to Shakespeare causes physical pain, but sometimes the pain is good. Or like on tn the case of a modern human being, necessary.
In cinema there's nothing to bind us. Nothing to keep us apart. The cycle begins again when nothing is given. Well, except our endless appetite for sex and violence.
Where this lacks in structure it makes up in substance. The substance being not the cruelty or injustice of the world, but the driving force of all humanity: fun and love.
Kaufman said that the cinema is a dead art form. Pure hubris. Of course that was after the fact that he'd just created one of the more meaningful pieces of art: Synecdoche New york. Cinema just needs to go boldly where no one has gone before.
Beyond theater, no matter how much as it hurts. Saying farewell to Shakespeare causes physical pain, but sometimes the pain is good. Or like on tn the case of a modern human being, necessary.
In cinema there's nothing to bind us. Nothing to keep us apart. The cycle begins again when nothing is given. Well, except our endless appetite for sex and violence.
Wusstest du schon
- WissenswertesFilmed back to back with the second movie.
- PatzerWhen Secrets is learning to load her gun, the cartridge shown is for an automatic pistol and is rimless. It could not be loaded into her revolver.
- Zitate
Jean Claude Segal: How can I die when I'm a registered lethal weapon?
- Alternative VersionenThere is an Unrated version. Changes are minor.
- VerbindungenFeatures Feast II: Sloppy Seconds (2008)
- SoundtracksThe Ballad of Feast (Parte Uno, Parte Dos, Parte Tres)
Written by Marcus Dunstan
Performed by Raphael 'Elvis' Coca
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Feast 3: The Happy Finish
- Drehorte
- Lancaster, Kalifornien, USA(pick-up shots)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.000.000 $ (geschätzt)
- Laufzeit1 Stunde 18 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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