Nocturne

"Music is a blood sport." Dr. Cask (Ivan Shaw)

Having just viewed The Wolf of Snow Hollow, which combines the satiric with the traditional horror genre, seeing writer-director Zu Quirke's Nocturne made me realize that a horror film with no digitized scares or much blood to boot can be a most terrorizing rendition of that durable formula. The scare is in the mind, you see.

Juliet (Sydney Sweeney) and her more talented sister, Vi (Madison Iseman), compete at their high-class music school for the chance to play in the school's final concert. They both choose Saint-Saëns' Piano Concerto No 2 (remember the concerto competition with the demanding Rachmaninov 3rd in Shine?). Although Vi wins the right to play it at the concert in the end of the year, Juliet makes an implied Faustian pact with the devil, whom she found in an old playbook, to reverse her sister's fortunes and enhance her own.

What is so impactful is the lack of blood and screams; in fact, there are few, if any, jump scares. The terror is in Juliet's head, her obsession to win, her jealousy as the guiding principle. It's all very sotto voce, so to speak, a quiet doom tamped down by beautiful music and feelings kept just low enough to allow effective dialogue and feel the presence of a malevolent force, which may be the devil but surely is the "green-eyed monster which doth mock the meat it feeds on." In some sense, I am reminded of the rivalry in Black Swan

About the Saint Sens, pianist Lise de la Salle wrote: "The highly lyrical first movement is an expression of late Romanticism. The second movement is as effervescent as a glass of champagne. And the final movement, a real whirlwind, a fantastic ride (wonderfully captured in this quasi-perpetual movement in triplets), is quite dizzying." These elements could be found in Nocturne.

"Welcome to the Blumhouse" is a "program of eight terrifying genre movies coming to Prime Video," and if the other seven are as good as this one, Halloween viewing will have matured to an intelligence and psychology worthy of a genre rarely this high class or intellectually satisfying.

The fourth and in my opinion best of the four announced Blumhouse films for Amazon Prime has arrived with "Nocturne". The film stars Sydney Sweeney and Madison Iseman as twins Juliet and Vivian. Both attend a noted music school and Vivian is a prodigy who has been accepted to Julliard upon completion of her studies.

Juliet had applied only to Julliard but was not accepted and this has caused issues with the faculty who had encouraged her to apply to other schools as well due to the 7% acceptance of Julliard and the longs odds of one or both of them being accepted.

When the top musician at the school kills herself, a spot to do a featured performance at an upcoming showcase arises and Vivian is asked to perform as she is clearly the next in line. Juliet comes into possession of a mysterious notebook filled with strange drawings that belonged to the recently departed former prodigy and she becomes obsessed with the drawings which seem to predict the future and in turn cause her to add drawings of her own to them. This starts a chain of events where Juliet sees a change in personality where she begins to covet her sister's talent, success, boyfriend, and more and begins a chain of events that will upturn their lives.

The film like the prior three Blumhouse Amazon films is not scary nor overly intense but it does have an engaging story and characters which will keep you watching and delivers an entertaining twist on films such as "The Competition" which depict the struggles and conflicts of aspiring musicians.

3.5 stars out of 5

The way Sweeney's character (Juliet) and her motives were established right from the start was impressive.

Her vulnerabilities, intense jealousy towards her sister, and her relentless pursuit of perfection in her art were all skilfully shown, making it rather easy to root for her triumph.

If only the relationship between the twins had received the same level of attention, my overall opinion would have been more positive. The supporting characters, let's face it, were rather forgettable.

P. S. While there are supernatural elements in the film, don't go in expecting a typical horror movie. The tale is more of a psychological drama than a straightforward horror flick. Just something to keep in mind.

This movie reminded me of Black Swan and Perfection, but was original enough to be entertaining. Without giving much away, I will say I would have appreciated a bit more explanation on the notebook or the origin of how it came to the first girl. I guess it leaves endless room and questions for sequels and prequels. There is definitely more there to be explained, and it was good enough that I would watch another one to find out more.

Very surprised by this film. Not your typical horror but I would say this is way better than most. Solid acting, great use of music, well directed. This is definitely a film that will keep your attention. It is a little slower paced but the mood and setting more than make up for that.