Darkest Hour

This is a B-grade movie and you should go in expecting one. Certainly, it won't win over many critics. Still, there are some thrills in this apocalyptic sci-fi thriller. Even though, it leaves a middling aftertaste. Thankfully, it runs at a lean 89 minutes and doesn't waste too much time in exposition, which are sometimes cringe-worthy. For me, it does throw in a few interesting ideas, which prevent it from being just another cookie-cutter entry in the increasingly stale genre.

First, the aliens. Instead of taking on the snarly form we've seen in countless films, they are invisible to the human eye and exist in the form of microwave energy. The only way they can be detected is when they pass through an object powered by electricity. And they kill humans by turning them into ashes. Because the aliens can't be seen, the killings are unpredictable.

Second, I like the idea of transposing the American protagonists and the apocalypse to a foreign city, Moscow, instead of the trite New York City or Los Angeles. The stereotypes of Russian culture are played for laughs, though most of the jokes come across flat. However, you get to relish the many famous sights and landmarks such as The Red Square, in ruins.

In terms of characters, most of them are disposable. Even the leads, Emile Hirsch, Olivia Thirlby and Max Minghella come across as likable at best, but not memorable. It doesn't help that they are given lame one-liners. I wish they had given the eccentric Russian electrician and his cacophony of gadgets more screen time.

The Darkest Hour has a great setup. Pity the makers didn't have the balls to strive beyond formula. Even if the ending sets it up for a sequel, I reckon its box office performance will convince the studio they need one.

The trailer to The Darkest Hour will make you feel like you just have to watch this movie. Clips around Moscow, a group of friends hanging out at a club, but then comes the twist when you see invisible creatures just absorbing humans. The incredibly tense music, short clips of fight scenes, and voice over of one of the characters that seem to know everything about these invisible aliens are very intimidating. You also get a very, very clear picture of what this movie is about, and I wanted to watch it. I wanted to watch it so bad, it was the main focus of my birthday party.

But my heart sank when I checked IMDb, and they rated it 5.1 out of 10. Alright, it's an okay mark, so then I checked rottentomatoes.com. It is embarrassing to say that viewers rated the movie 29%, and the critics rated it a flopping 14%. Also, watching and reading several movie reviews, one review mentioned how only kids under the age of 25 would like it, got my hopes bunked down even further.

The Darkest hour (directed by Chris Gorak) is about two best friends Sean (Emile Hirsch) and Ben (Max Minghella), two young social network developers visiting Moscow hoping that a Russian company will go on board with their website which helps tourists find "hot clubs" around the world. When they enter the boardroom, they find out that Skyler (Joel Kinnaman), their Swedish associate who speaks Russian, has stolen their idea and claimed "it's business".

Sean and Ben are then escorted by security guards outside the building after Sean throws a fit. The two go to a popular night-club called Zvezda, where they see Skyler. Ben finds out that an American, Natalie (Olivia Thrilby) and her Australian friend Anne (Rachael Taylor), who use his app, are there too and they quickly become friends. Just as they are about to take a group photo, all power goes out! OH NO! HOW UNPREDICTABLE.

Everybody in the club exits to see what's going on and yellow lights are falling slowly from the sky. One comes nearby, but it's invisible, only releasing small glimpses of yellow light. A nearby policeman approaches the invisible alien, and is turned to dust. Everybody starts running and extras get killed, but of course, our five main characters live and find a safe place to hide, which just so happens to be the cellar where the club stores all their food. They then go out once their food stock runs empty and try to go to the American embassy. Really, what were they thinking they were going to find?

The rest of the movie is them running away from these invisible enemies, trying to find other survivors, couple of people die and the ending is predictable.

There aren't that many flaws in the movie. I liked all the action scenes and how intense some scenes were. Sean, who in the beginning comes off as a slack and a bit dumb, was able to find out how to detect these invisible aliens, and how to hide from them.

The one thing that puzzled me, was that everybody was on a boat in the river, but the building next to it comes down on them so they were all forced into the water. But Natalie, who wasn't there after everybody came up from the water, ends up what seems like miles stranded on a bus. HOW DID SHE GET THERE? I mean seriously, did she fly over the building? No. She was holding hands with Sean and jumped into the water. I hate it when directors make horrible choices just to remove a character in a surprising way.

The young actors did well with the material, but the script. Oh the script. Don't get me wrong, the idea of the story is amazing, but some of the action seemed, random. Like it the screenwriter just didn't bother to plan it out well. I guess you can say the effects were cool, but I don't think it's hard to create invisible aliens.

The movie was enjoyable! Like I said earlier, the action was great, the overall idea was very, very, very cool and exciting. I may not have seen the movie Skyline (2011), but there are many comparisons to it because of the similar plot.

So should you watch it? Yes! Go ahead! I liked it, despite the incredibly low ratings other critics gave it. It's a great action movie for tweens and teens (not kids because the beginning's got some mild language). It's a great action movie, but it is pretty similar to other sci-fi thriller action movies out there.

In a world of mostly straight to video lower budget scifi movies or the hit and miss affairs of Sci-Fi original movies, The Darkest Hour was a real joy.

The ghost-like concept of the invaders was well conceived. Adding tension in droves, much like the original alien movie, with the what you can't see lets your mind be more creative. The lack of need for constant CGI of the aliens seemed to allow more budget and creativity on the other more subtle effects, creating a much more believable world. The floor of light bulbs effects, used similarly to the motion detectors in the Aliens movie, was cool.

It seems the film critics have again missed the point and glories of this movie. What they seemed to punish for I personally found to be the movies greatest achievements. Efficient, well conceived plot to me, seen as lacking to the critics. The not trying to save the whole world, ala Independence Day, but focusing on rag tag group of unprepared survivors worked, as it does in AMC's series The Walking Dead. The restrained use of 3D, meaning few objects flying out the screen or visual overdose leading to headache like the latest Transformers movie. The 3D effects added significantly to the sites of Moscow, giving a true sense of the size of Red Square and hence the immersion a 3D movie should give.

The Darkest Hour. Solid entertainment and great way to see Moscow without a 12hr flight. Ignore the critics and make up your own mind.

While maybe not much better than what the ratings and reviews say, at the very least 'The Darkest Hour' has the fun factor going for it. There is not much for a plot: your typical alien invasion, where a group of survivors have to try and survive the attack while in Moscow.

Wait, Moscow?

One of the things I liked here was that there IS originality. Instead of another American city, or even Tokyo/London, this time around we watch Moscow under attack. Instead of having to see the characters running and hiding around the same New York for the nth time, we are presented an 'unknown' scenario that has a lot of charm going for it.

Another plus is the aliens themselves. Not your typical armor-wearing soldiers or 'greys', but in here they have a very original design (bodyless masses of light). It is sad to hear the clichèd excuse for their invasion, but they are very interesting to see.

Despite these flairs of originality, overall the film suffers from the typical B-movie sci-fi problems. The blandness of the cast and some logic-defying situations/developments (every Russian they meet speak perfect English, for example) are downsides, but the straight-forward plot, lack of an overly pretentious message and non-boring development more than compensate.

Overall, this is far from a great film but it is a fun straight-forward B-movie with some welcome flashes of originality. It more than succeeds on entertaining, as long as you don't over-blow your expectations.

Just got back from a screening of The Darkest Hour and honestly this film was better than I anticipated. I confess, I hadn't wanted to go at all but my friend insisted and so to keep the peace I went. Granted, the beginning is a uneven and it was unclear where the story was going but once it clicks in the thing moves right along. You are never sure who is going to die next and that helps keep the suspense level high. The acting is serviceable and the location is a refreshing change from the usual New York/Chicago skylines. It's frankly more interesting to watch the tale unfold against the dinginess of contemporary Moscow, and with Russian soldiers instead of Americans. Moreover, the special effects are simple, but effective.

In essence, invisible beings are here to steal our electricity and only insulators (e.g. glass or Faraday Cages) enable us to be hide from them. Because they are ruthless and utterly determined, there is no hope for negotiation, no chance for peace. Early on it is made clear either we win or we will be exterminated.

I liked everything about the movie, even though the alien invasion genre has gotten a bit tired of late. I was never bored and was always in suspense as to what would happen next. At 89 minutes, this joint Russian-American production probably could have taken more time with its story and characters, and not be in such a hurry to kill them off. Since the background is so different, maybe they could have shown us more of the city or used the locations more effectively.

Yet for all the obvious complaints one can make, the move works if you let it. I believe viewers will find it worth their while. Take it for what it is, and I honestly think you will have a good time at The Darkest Hour.