Die Schachspielerin

I liked the movie, although it wasn't perfect. The acting is decent, although some of the interactions between people seem forced. I would bet the book was better than the film, but I haven't read it. The story is about a cleaning lady who somehow discovers she likes chess and she convinces one of her clients to teach her to play. The entire chess angle is about female emancipation and not about the game itself, though.

What I liked most about the film is that at first people are resistant to the idea, assuming that no one can do anything to get out from their predestined little box, but then they snap out of it and are supportive to the lead character. There is no villain, perhaps except the guy she beats during her first tournament, but his role is minor. The entire film is about a woman discovering herself and what she can do. An important scene is when she reads Martin Eden and interprets the end as the natural thing to do. Of course, she rejects that idea later on.

A surprising thing is that the film stars three American actors. Kevin Kline speaks perfect French with an American accent and Jennifer Beals is there for just a few scenes to inspire Sandrine Bonnaire's character to play the game. I don't know what the angle was, but surely they didn't do it for the money, which is always soul cleansing for actors.

Bottom line: if you liked Queen's Gambit, you might like this one, too. It's a very similar story of emancipation through tallent, effort and the support of others. But if you want to watch it for the chess, there is very little of it.

the delicate beauty of the performance of Sandrine Bonnaire. not a surprise. but a seductive demonstration of fine explore of nuances. Kevin Klein. as the admirable guide not only to the subtle universe of game but as wise remember of the figures of middle - old strangers giving the perspectives to a different life. and, sure, the story. charming, seductive, clear, delicate, touching, complex. because it seems be a parable. about refuge, about freedom, about the grace to be yourself. about the force to define , in simple and precise manner, the existence. a film who preserves great flavors. this is its basic virtue. and the source of its special beauty.

Several reviewers who rated this movie at 8 to 10 stars here have expressed what I thought about the movie, and I salute their observations and clarity.

Watching French films is a solitary pleasure in my household, I'm the only one, so only rarely do I get to see one, subtitles and all. This was a fun one, especially for chess players like me.

I recall Amelie, Red, White, Blue, and a few others. One thing seems consistent: French movies describe struggle but almost never resolution. Joueuse ends unresolved, right? What finally happens? You get to wonder. But that's fun, too!

Especially enjoyable is sampling the way the people live. She lives in a small apartment; she rides a bicycle downhill to work. Amenities are few; even the luxuries in the homes are basic, traditional.

I was guessing the setting was Corsica because the characters refer to going to the "mainlaind." The film definitely transports you to a different world from suburban U. S.

Kevin Kline is just a superb actor, you wouldn't know he isn't French. Sandrine Bonnaire so wonderfully embodies Helene. As some other reviewers noticed -- the facial expressions of these two characters and others (the husband and daughter, for examples) are so marvelously nuanced. When you're relying upon subtitles, the facial expressions and body language convey the overtones and subtleties that the words on the screen just can't.

Enjoy this film! I'm going to watch it again!

Hélène is "a simple housemaid", living a very modest life with her husband and daughter, who both take her for granted. One day, after watching a couple play chess in idyllic conditions, she decides to learn how to play.

Throughout the film, chess is very much a symbol for Hélène aspiring to more in life. At one point, while trying to teach her husband how to play, her eyes light up as she says "La dame est la pièce la plus forte... c'est fou hein?" which could be roughly translated as "The queen is the strongest piece on the board... crazy, huh?".

This single sentence seems to encapsulate the whole state of mind of our protagonist. On one hand, the idea that she could accomplish anything, even be great or the best at anything seems far-fetched to her, yet terribly enticing. She is on a journey towards self-realization that is both exciting and a little scary to Hélène and those around her.

Sandrine Bonnaire is absolutely amazing as usual, and succeeds in showing the state of mind of her character in very few words. Kevin Kline is great as well playing Dr. Kröger, the man who teaches chess to Hélène and develops an unusual and complex bound with her. There are lots of nuances in their relationship and again, in few words, we as viewers can sense a lot is going on. Tension, attraction, challenges.

Caroline Bottaro's direction captures very well Hélène's modest and quiet life and the implicit contrasts between social classes.

I recommend this movie. If you are not convinced yet, give Guy Bellinger's review (here on IMDb) a read.

An inspiring chess movie because the democratic essence of the game prevails even when overcoming such obstacles as gender and class bias. But too, the story is as much about battles of all kinds as it is about chess.

We find in this film that a cleaning women's life changes because she says, "I exist, too. I have an interest. I will work at it because it matters to me." She learns, as we all do, that if you take a risk you may lose, but if you do not take risks you will lose.

Beautiful and subtle, yet appropriate, soundtrack and cinematography. Dialogue simple yet profound. Acting - spot on.

Again, foreign studios seem to be outclassing LA and NY - not even close. Well, OK, we have bigger CGI effects' computers and budgets.