IMDb-BEWERTUNG
5,7/10
6753
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA young couple, in love and facing a life-changing decision, find one seemingly ordinary July 4th cleaved in two by the flip of a coin on the Brooklyn Bridge.A young couple, in love and facing a life-changing decision, find one seemingly ordinary July 4th cleaved in two by the flip of a coin on the Brooklyn Bridge.A young couple, in love and facing a life-changing decision, find one seemingly ordinary July 4th cleaved in two by the flip of a coin on the Brooklyn Bridge.
- Regie
- Drehbuch
- Hauptbesetzung
Michaela M Hill
- Jackie Sherman
- (as Michaela Hill)
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I put this film because I got a crush on Lynn Collins and think Joseph Gordon-Levitt is a good budding star. I got my money's worth from their performances, in fact I think Collins is more than just looks, but the plot deflating in the family driven sense and the Manhattan sequence advances the tension which constantly stalls for the family sequence. Confused... yeah I was too. I looked up the film's synopsis and it made more sense.
Think of it like this, the 2010 season of Lost. Two story lines inter-cutting based on a slight change in life. I'm not wild about this film, but it deserves attention for the performances from the leads and for being original, which is a rarity nowadays.
Think of it like this, the 2010 season of Lost. Two story lines inter-cutting based on a slight change in life. I'm not wild about this film, but it deserves attention for the performances from the leads and for being original, which is a rarity nowadays.
The course of our lives is determined by the countless decisions - both major and minor - we make on a daily basis. So much so that one simple and seemingly insignificant act of choice can set the course for our entire future, including where we'll go to school, who we'll wind up marrying, whether we'll be killed crossing that street or live another fifty years because we took a different route entirely. That is the theme explored in "Uncertainty," a dual-level drama produced, written and directed by Scott McGehee and David Siegel.
The movie opens with a young couple - played by Joseph Gordon-Levitt and Lynn Collins - standing on the Brooklyn Bridge, obviously on the brink of making some major decision regarding their future. After a coin flip, one heads in one direction (to Manhattan) and one in the other (to Brooklyn), leading the couple to have distinctly different experiences in what might be thought of as parallel universes. In the Manhattan-based scenario, Bobby and Kate, dressed in yellow, are plunged into a bizarre cloak-and-dagger tale set off by the finding of a cell phone in the back of a cab (a bit like "24" if it were made on an indie-film budget); the other direction leads to a more mundane domestic drama wherein the lovers, dressed in green, celebrate the 4th of July with Kate's family, including the overly critical mother who drives the young woman crazy with her negativity and interference.
The different-paths-equals-different-outcomes theme has been explored before, most notably in 1998's "Sliding Doors," but here the why and the wherefore of it all seems to have eluded the filmmakers - as it does us. Each storyline is interesting enough in its own right - and the acting and direction are first-rate throughout - but they fail to come together in any kind of a meaningful way. They literally run along parallel tracks, with no point of convergence from which we can deduce a point - unless it's that bright yellow is probably not the best fashion choice when you're trying to outrun a hit man.
Moreover, the movie doesn't lay down the ground rules for the scenario in a very coherent or consistent fashion. The synopsis for the film says that the couple uses the coin flip to determine how they're going to spend that holiday weekend. Yet, it's obviously much more complicated than that, for in one version, Kate is pregnant, but in the other she isn't (or, at least, it's never mentioned). In one, she is the star of a Broadway play; in the other, she says she works at a restaurant. And the two couples obviously live in different parts of town. Perhaps, consistency really is the hobgoblin of little minds and we should be looking at the larger picture here, but, all the same, the movie leaves us with a lot of unanswered questions, which may not necessarily be a bad thing, but it can make for a frustrating experience at times.
I recommend watching "Uncertainty" for the risks it takes and the mood it sets (Peter Nashel's evocative score is very helpful in that regard) but, when it comes right down to it, the movie seems a commendable but over-elaborate effort at stating the obvious.
The movie opens with a young couple - played by Joseph Gordon-Levitt and Lynn Collins - standing on the Brooklyn Bridge, obviously on the brink of making some major decision regarding their future. After a coin flip, one heads in one direction (to Manhattan) and one in the other (to Brooklyn), leading the couple to have distinctly different experiences in what might be thought of as parallel universes. In the Manhattan-based scenario, Bobby and Kate, dressed in yellow, are plunged into a bizarre cloak-and-dagger tale set off by the finding of a cell phone in the back of a cab (a bit like "24" if it were made on an indie-film budget); the other direction leads to a more mundane domestic drama wherein the lovers, dressed in green, celebrate the 4th of July with Kate's family, including the overly critical mother who drives the young woman crazy with her negativity and interference.
The different-paths-equals-different-outcomes theme has been explored before, most notably in 1998's "Sliding Doors," but here the why and the wherefore of it all seems to have eluded the filmmakers - as it does us. Each storyline is interesting enough in its own right - and the acting and direction are first-rate throughout - but they fail to come together in any kind of a meaningful way. They literally run along parallel tracks, with no point of convergence from which we can deduce a point - unless it's that bright yellow is probably not the best fashion choice when you're trying to outrun a hit man.
Moreover, the movie doesn't lay down the ground rules for the scenario in a very coherent or consistent fashion. The synopsis for the film says that the couple uses the coin flip to determine how they're going to spend that holiday weekend. Yet, it's obviously much more complicated than that, for in one version, Kate is pregnant, but in the other she isn't (or, at least, it's never mentioned). In one, she is the star of a Broadway play; in the other, she says she works at a restaurant. And the two couples obviously live in different parts of town. Perhaps, consistency really is the hobgoblin of little minds and we should be looking at the larger picture here, but, all the same, the movie leaves us with a lot of unanswered questions, which may not necessarily be a bad thing, but it can make for a frustrating experience at times.
I recommend watching "Uncertainty" for the risks it takes and the mood it sets (Peter Nashel's evocative score is very helpful in that regard) but, when it comes right down to it, the movie seems a commendable but over-elaborate effort at stating the obvious.
It's the Fourth of July, and Kate and Bobby are struggling to make a decision: do they stick with tradition and spend the weekend with Kate's family, or do they set out on their own for a spontaneous adventure? After making their initial decision, an alternate narrative emerges to show just what would have happened had they chosen to do otherwise. While the decision-making process may seem mundane, the implications of each choice are profound. Sure, a holiday with the family doesn't seem nearly as exciting as an impromptu romantic trip, but that doesn't mean it will be any less dramatic. As the stories diverge and a "what if" scenario becomes reality, it soon becomes apparent how much one seemingly minor decision can ultimately affect the rest of our lives...First of all, I really like the concept of alternative narratives; it's not exactly something new but it hasn't been explored that much. One of the narratives is more of an emotional drama and the second one is a tense thriller. The directors also made a very interesting choice, by associating a color, yellow and green, to each storyline. Thanks to the use of this color scheme the viewer never gets lost. Another interesting aspect is the fact that the script was written without dialog. The dialog was improvised but it is so natural and organic that one would never known, because of this, the relationship between the two main characters, Kate and Bobby, is one of the most believable relationships I've seen on the screen. Bobby is played by the extremely talented Joseph Gordon-Levitt and he was great as always, he never disappoints and I hope he keeps choosing this intricate and off-beat scripts. Kate is played by the beautiful Lynn Collins (True Blood, Wolverine). She was absolutely lovely as Levitt's love interest and delivered a great performance. Despite the fact that Uncertainty was filmed mainly with a hand-held camera, the cinematography is great with very interesting shots of New York City. The musical score is subtle but very efficient with beautiful slow paced melodies that compliment the scenes very well. Despite all this great attributes, it's important to mention that Uncertainty, despite being very engaging, is also experimental; it won't please everyone. I was hoping that the narratives would somehow be tied together and that never happened... and the end, although appropriated, doesn't bring any closure to the story either, so, some people will find the film a bit pointless, I can't say that was disappointed by that, the film just took a different direction then I expected. In the end, Uncertainty is all about this couple, the decision-making process and the implications that certain action courses have on our lives. It's quite an unusual experience but definitely worth watching.
7.5/10
7.5/10
I was in the audience of the premiere screening of this film yesterday in Toronto. The movie was a wonderful combination of romance, drama, action, and plenty of subtle humour. The plot, which alternates between two distinct locations (Manhattan and Brooklyn/Queens), was well designed to keep audiences engaged. The concept of uncertainty and the possible consequences of all decisions was well presented throughout the movie. However, the plot and central themes may not have resulted in such a great film had it not been for the acting talents of the two stars (Joseph Gordon-Levitt and Lynn Collins - both present for the screening and subsequent Q&A). The filming for this movie was unique because while there was a fully developed script, it contained no dialogue and the actors improvised it during filming. They did an excellent job and the characters were very believable and the acting appeared very natural. Overall, the unique plot, talented cast, and creative filming style combined to create a wonderful film, which I hope will be appreciated by a much wider audience in the near future.
This film is good. But its different, i watched it with some friends, nobody liked it, other than me. but im kind of an oddball like that. It has two lateral plots, involving the same two leads. I thought using the colors green and yellow to differentiate was original and effective. Joseph Gordon Levitt is great in the lead and shows his range here, while Lynn Collins isn't bad either, but sure is beautiful. I had previously seen her in True Blood and was impressed, but here she takes her acting to a even higher level and leaves you entangled in her character's emotions. I thought this film has a very unique concept, and uses suitable cinematography which wouldn't work in any story, but sure does here. Overall an underrated gem from 09 that only has 329 votes on IMDb... wow...
Wusstest du schon
- WissenswertesThe script was written without dialogue. The actors developed all the dialogue with the directors during rehearsals.
- VerbindungenReferences Ein streunender Hund (1949)
- SoundtracksShowgun Showdown
Written and Performed by duotone audio group
Courtesy of duotone audio group
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 36.689 $
- Eröffnungswochenende in den USA und in Kanada
- 13.075 $
- 15. Nov. 2009
- Weltweiter Bruttoertrag
- 36.689 $
- Laufzeit
- 1 Std. 41 Min.(101 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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