Baglilik Asli

This is a profound psychological study of mother-child relationship told in the perfect pace that keeps you glued to the screen. The way Kaplanoglu subtly orchestrates various emotions churning through the actors and thus the audience is simply beyond words!

Although modern life imposes different roles on women, being a mother, giving birth to a baby and raising it is a woman's most important victory. The pleasure of this success cannot be given to any man. The movie is very successful, its current IMDB rating does not do it justice.

The performance of the lead actress was incredible. The direction and editing were insanely good. This was a transporting experience. Highly recommended. Note that I am not a Turkish speaker, so watched a version with subtitles. Nothing lost in translation -- still an emotional tour de force.

The film has a simple story: today's working woman (it would be more accurate to say career woman) torn between her child and her job, and what she feels and experiences in this process. I won't comment on the content or quality of the film (about which I'm not too sure either), but I don't think career-oriented, feminist-minded, woke women will like it very much.

Secondly, I found the selection of Kübra Kip as the lead actress for the role of Asli very successful. I watched her for the first time, I even learned her name after watching the film. But while watching it, I thought clearly that she might be a Capricorn because of the negative energy and auro she spreads throughout the film. When the career-oriented character of the Capricorn is taken into consideration, I said to myself that I wouldn't be surprised if it was so and if the director made this choice on purpose. I checked the next day and, yes, our leading lady was a Capricorn born on January 1st. Of course, I don't know if the director chose her on purpose.

This review is being written since an obvious interpretation of the film, hasn't even been mentioned anywhere. Unlike most holly/euro flicks, which either are hopelessly apathetic or toxically individualistic/inhman, as well as literal without any connection to reality, or obviously propagandist/racist, this film from the Turkish master, who seem very much like the reticent Kieslovski or Terrence Malick, is a minimalist bomb, on an insanely relevant subject, modernity v tradition. The key here is the approach to the subject. Non-judgemental and very understanding, and absolutely no motives to favour either. Such refreshing and rare honesty, at a time when any intelligent person has to be utterly cynical about what perversity is being peddled through films and media. The answer to the clash, which is not just between modernity and traditions, but also between civilizations, the neo-colonial western hegemon, monstrously waiting to penetrate all corners of the planet to overpower and homogenise by wiping out the diverse traditional societies, and traditional societies with diverse cultures resisting the neo-colonial forces at their gates. The answer is obvious, but the way it comes about is miraculous and exquisite, and deeply human. The human condition in this asymmetric cultural conflict, is sensitively shown. It is deeply against the prevailing eurocentric oppression and their dead-in-the-soul values they promote, which probably explains why a DVD of the film is nowhere to be seen. If anyone wants to see whether art is transformative, watch this. And of course, check out Lav Diaz after this.